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Welcome back to another review, folks. And to one, in a tired genre, that actually somehow manages to creep me out a bit. Not spill my popcorn scared, or even jump scare…scared, but the kind of genuine creep you can only get from certain kinds of movies. We all have that one little niche that makes us cringe at the very thought of watching something in that little caveat. For some it’s creepy children, for others it’s clowns, other have bugs, and I happen to have possession movies.
Now, in this day and age there are a hundred million billion and five found footage films. Add this one to the pile. After some student, who’s studying Alzheimer’s and it’s effects on people and relationships, finds the perfect family to study, all goes wrong. It seems that the whole thing might go a little bit deeper than just a disease. Good setup, I’m not gonna lie. But. Let’s count the stereotypes, shall we? Victims…I mean students, grainy footage, an older actress willing to subject herself to some harsh conditions for some recognition, and a whole lot of jump scares. We’re ready.
After arriving at murder farm number 19,234 our crew sets up and begins interviews for the entire documentation of what their entire trip is going to entail. This is as boring as it sounds, folks. I’d like to say that they’re building a bit of a relationship with the characters, but it all ends up very muddled due to bad editing. In fact, the editing gets so bad in some parts that I had to question where in the timeline it was all happening. I’m not sure if that was done intentionally, to throw the viewer into as much confusion as the actors and characters, or if someone just thought themselves clever. Either way, it gets old quick.
Now, the trick to building a scary movie, or even a creepy one, is to build a story behind what’s in front of the camera. And this movie takes that to task, and actually pretty well, I’m not afraid to add. We start learning of the town they live in’s mysterious past, several deaths that lean towards the ‘Ritual Sacrifice’ way of bad things, and even a very disgruntled farmer from next door. Now, this would be enough, if it weren’t for the whole ‘suffering daughter’ subplot that they shove in our faces. Honestly, if this movie were to cut just a few things out, it’d be a whole lot better. I’m not trying to be insensitive, but when there’s cliches in a cliché movie, it makes me want to sigh so hard I knock over my drink.
Of course, as dictated by the laws of found footage films, we hit the ¾ mark and finally start getting some spooky stuff, and I’m not gonna lie, it gets pretty intense in some scenes. An old piece of phone equipment fires up and starts spewing voices, a window that was just nailed closed is open suddenly, paintings by the ailing mother depict a figure that keeps getting closer, and a few more scenes that I’m not going to spoil for anyone. As we creep closer to the final scenes more and more of that whole ‘mysterious town’ thing start popping up.
After a rushed explanation and some quick exposition that takes us from that small farm to a hospital, then back to the farm, then back to the hospital….I think. I lost track, sorry. We get confirmation of a lot of things that most viewers could put together in passing as the final scenes come into play. I’ll say this, as I don’t like spoilers: They went into the woods.
With some interesting scenarios sprinkled throughout the movie, bad acting balanced out with some good acting, and scares that are actually creepy, this movie takes a long time to shape up, but it goes out swinging. I recommend it to anyone wanting a bit of a creep fest before bed. Thanks for reading, folks. Stay tuned!
Watch the trailer for “The Taking of Deborah Logan”