Archive for the '90’s movies' Category

Nov

posted by Doktor | November 23, 2013 | 90's movies, Action, Review by Doktor, Sci-Fi

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Tagline: In deep space, the deadliest animal is still woman.

Year: 1990 Runtime: 93 min

Director: Fred Olen Ray

Writer: Paul Garson

Starring: Jan-Michael Vincent, John Phillip Law, Ross Hagen

With an opening title of “Amazing Movies Presents” Alienator flaunts it’s quality like sharting your pantaloons while spreading Grey Poupon with pinkies out. And before I go any farther into the movie I need to dissect the tagline, “In deep space, the deadliest animal is still woman.” First, 90% of the movie takes place on Earth. Second, Alienator is a cyborg who only vaguely resembles a woman. In fact, all the ‘roids have made its jaw so hard and square I’m still not sure if it’s a female. Third, and most importantly, since when have women been considered the most deadly animal? Even if I was willing to give the movie some wiggle room here, assuming the maxim “Hell hath no fury like a woman scorned,” that might mean women are the deadliest of the sexes. The deadliest animal? In all the worlds of deep space? I think somebody was having problems with his wife, girlfriend, lover (or all three) and didn’t have a dog to kick to blow off steam.

Enough with the Persnickety Priss, on to Alienator proper.

Alienator is a story about a bunch of detestable people who all deserve to die. The inhabitants of this “far-off corner of the galaxy” are unsympathetic arses. The ruler, Baal, is a tyrant. The leader of the rebels, Kol, is a sociopath who kills thousands of innocent people. And then there’s Jan-Michael “Airwolf” Vincent, i.e. Commander of Space Prison. I think Commander—that’s his name, or at least the only thing he’s called—is supposed to be a tough cookie who’s just doing his job, but Vincent plays him like a drunk foster parent with a house full of gingers.

Now I might be confused, and this movie sure doesn’t help clear things up, but aren’t we as viewers supposed to care for someone?

When the universe is full of worthless cretins guess what that means for the efficacy of the corrections system? It’s explosive intestinal rot on a 12+ hour flight nightmare. To put it another way, for a maximum security prison PLANET, this facility sure is easy to escape.

The blame lies squarely on the guards’ shoulders. Why? Because all the prison guards stand on the outside of the guard rails during a prison break/shoot out. The guard rails are there because this is a multi-level structure. I’m not sure how being in the danger zone is advantageous, but I have a theory. It makes for a dramatic death when they fall off. One would assume that not falling to their deaths be preferable, but what do I know.

At least the characters in Alienator are consistent with Sci Fi conventions. Namely, no one can shoot straight, much less hit their target. These idiots couldn’t even shoot themselves. Even the Alienator, a hunter with specialized robotic enhancements, can’t hit a target tied down and at point blank range.

So Kol, the rebel leader, escapes from Space Prison and ends up crashing on Earth. When he sees the Earth on his view screen he recognizes it, though how is never explained. Which is a good thing, because when the movie tries to explain itself things go horribly wrong (see first roadside attraction).

For most of the movie Kol is acting like he can’t breathe. He grabs at a collar on his neck, which suggests it has something to do with his distress. Yet, when he puts his fingers in between the collar and his neck there’s plenty of room. Was it randomly squeezing? Was it injecting him with something? Shocking him? Was it really hurting him? I just dunno. I don’t think the filmmakers did either.

Oh, another neat feature of the collar is that it’s a tracking device. Naturally this is a boon for the Alienator. Unfortunately, it’s a two-way device. For some reason it alerts the wearer that the hunter is close by. Is this a psychological feature meant to scare the bejesus out of the person? Why not make the collar do something cool like, uhm, I don’t know, stun the prisoner? Or, better still, have it blow off their head. Problem solved.

Wait… right. Sorry. It wasn’t in the script. Nevermind.

Kol wanders out of his ship and gets hit by the requisite group of college kids on vacation in their RV. Rick is the overbearing, self-serving jerk. Bennie is the smart one with glasses. Caroline is the blonde bimbo. And rounding out the group is Tara, the brunette. They scoop up Kol and take him to the ranger station.

At the ranger station, Ward Armstrong, the ranger, gets the story. Of course the kids don’t know much, only that they want to get out before they’re caught up in legal hassles. Kol violently comes to. He tells them he’s from another planet and on the run for his life. Both Ranger Ward and the Scooby-Doo crew believe it. Why not? Nothing strange about a space foreigner on the run from the space law. When Rick doubts the validity of the story he’s the “crazy” one.

Another reason why some people deserve to die. And right on cue here comes Alienator.

She indiscriminately kills people and destroys things, even when they are NOT interfering with her objective. The poor doctor who was summoned to help Kol is toasted for his troubles. Cars are vaporized. Ranger Ward’s cabin is shot up, and the sad part is, no one was in the cabin. She was just shooting the place up. She even kills the comic relief hillbillies. Though, in her defense, they were shooting at her.

Luckily for our heroes(?) when a ‘Roid Ragin’ Space Terminator™ comes to camp there’s a gun-crazy Colonel, with all kinds of illegal weapons, living within walking distance. While he doesn’t put much stock in the spaceman story, he is ready for a fight. Especially when it means he can use his anti-personnel mine.

While they are fortifying the Colonel’s hut, Alienator has a touching moment with a doe. Aw.

Then the final boss battle. Guns, crossbow bolts, and the anti-personnel mine don’t even scratch her tin can brassiere. What does bring her down is a net made of chicken wire. It short circuits her circuits which drains her power. How? See the first roadside attraction for the movie’s explanation.

At this point the movie knows it’s got nothing to loose, ‘cos it had nothing to begin with, so it pulls a M. Night Salamidingdong twist. Kol’s never made himself worthy of all of the trouble Ranger Ward and the Scooby-Doo crew are going through for him. Now that the Alienator’s dead, he uses is heretofore secret psi powers. He heals Rick who was almost choked to death. He then Force chokes Rick into submission. He Jedi Mind Tricks Rick into following him into the woods where finally he takes over Rick’s form.

HUH?

You mean all this time Kol had these powers and only now he’s using them. AFTER he’s been saved. And this is the “good guy” who’s leading the rebellion against the Great Tyrant Baal? But like all those purple nurples  you received by bullies in high school gym, the twisting isn’t over.

Alienator isn’t dead, but you knew that was coming. Rick (i.e. Kol) starts acting like a bigger jerk than usual, almost raping Tara in front of everyone. Another fight ensues, but it’s nerd boy Bennie who steps up. Ranger Ward initially stopped the assault but got shot for his trouble. While everyone, Colonel included, looks on at the one-sided fight between Rick (i.e. Kol) and Bennie, Alienator comes in from behind and cuts off Rick (i.e. Kol’s) head. The head turns back into Kol’s and he promptly vomits out Space Milk Blood™.

Alienator checks to make sure he was her target, the ONLY time she checks, and when satisfied calls in that the job’s done. Then, after almost being killed by these people, she tosses Ranger Ward a bag of loose gems (which she was hiding where exactly?) and bugs off like nothing happened. Oh, and she left her gun, too. Was that ‘Roid Ragin’ Space Terminator™ gratitude, or was her encounter with Bambi, while digging a punji stick out of her foot, the tender moment which warmed her icy, mechanical heart?

Does it matter?

No, it doesn’t matter because the movie still isn’t over. Back on Space Prison Planet there’s a final twist. It turns out that the Delegate General, who was at Space Prison Planet only as an observer to the execution, wasn’t who he said he was. He was, in fact—Kol’s father.

OH LORDY!

A light sword through the gut care of Commander Airwolf and all is wrapped up in a tangled mess.

roadside attractions

  • Be Amazed by gibberish explanations like, “The net’s created a perpendicular magnetic pole. It’s syphoning off her electrons in alignment with the Earth’s axis.”
  • Hear Alienator’s gun make light saber sounds & the light saber make laser blast noises.
  • Wonder how the light saber and sound effects got past Lucas.
  • Marvel at how 17 minutes into the movie they ran out of money for space special effects, causing the remainder of the film to be shot in some state camp ground.
  • Read all the credits for all the three named actors who took up the extra letters which left Teagan Clive to be billed only as Teagan.
totals

5

blood

BLOOD

There’s not a lot of blood, but there is yellow goo and Space Milk™.

0

blood

BREASTS

It tries to give us a little something, something in the Commander’s assistant’s top, but a cut out showing her bra is weak. Fail.

10

beast

BEASTS

I’m not quite sure who the bad guy was in the movie, so I’m giving the movie a ten because it had so MANY possibilities.

5 OVERALL
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Watch the trailer for “Alienator”

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Sep

posted by admin | September 14, 2013 | 90's movies, Drama, Fantasy, Horror movies, Reviews by the Goon, Sci-Fi

Comments Off on The Guardian

The Guardian

In 1973, William Friedkin shocked the world with a masterful little horror flick called The Exorcist. The film was executed so flawlessly, it became a ‘must’ staple of the horror world and films since then have tried to mimic it’s success, but never coming close. Seventeen years later, he returns to the genre to try and shock audiences once again with a tale about a woman who steals babies and fuses them with a tree. Yes, you heard me right. Needless to say, it was nowhere as well received as his previous masterpiece. In fact, Roger Ebert put this on his list of ‘Most Hated Movies’. So is The Guardian really THAT bad? Well…

Hopefully you didn’t confuse this with that other The Guradian movie about Ashton Kutcher on a boat and are still reading. Allow me to try and detail my brief description of the film from earlier. Some text at the beginning explains that druids use to worship trees. Some of those trees are good, others are bad. Okay, I realize how incredibly silly this sounds and I wouldn’t blame you for laughing out loud (I certainly did). Well in case you’re still reading, allow me to continue. We see a husband and wife heading out for the night, but have to turn around, because the wifey forgot her glasses. Oh yeah, how did instantly improve vision not make the top of that to do list? As they get home, they discover their nanny has vanished with their baby, but somewhere in the woods that baby is being sacrificed to keep an evil tree alive. It’s not a cool Satanic sacrifice, like with goats and blood. She just sorta holds the baby up in the air, it disappears and then is a part of the tree, like a carving. Yes! Marvel at the screen-shocking terror as you tilt your head and say, “Huh?”

gdn_2This is when we are introduced to our main characters, Phil and Kate Sterling. Phil works for an advertising agency that moved him out to LA. You’ll notice that for most of the movie, Phil will kinda putter around shirtless in pajama bottoms looking mopey. Shortly, they have a little mush of weird doughy, alien also known as the unknown obsession to women as a baby. Wanting to continue their work, although I think they forgot to give Kate an occupation, they decide to hire a nanny. The decision comes down to the film’s only black person, Arlene, or a suspicious British woman named Camille. To make their choice easier, God decides smite Arlene as she rides her bike into the world’s most deadly pot hole, flipping her off the bike and hurling her down a hill like a rag doll and killing her. Guess who gets the job?

Camille is quickly accepted into their arms and why not? She takes care of the little noise maker. Realizing the movie is starting to trot along without any gore, Camille and the baby are attacked by a group thugs that look like teenagers that never grew out of the psychobilly phase while drinking PBR out in a field somewhere. She leads them into the woods where they come alive, not unlike Evil Dead, and tear the men apart, smashing one’s head like a soggy watermelon and setting another on fire. This tree has more powers than Superman! The absurdity doesn’t stop there. Their neighbor Ned starts crushing on Camille in, I have to admit, a rather charming and chivalric way. Unfortunately chivalry is dead and so is he after being savagely eaten by wolves that protect Camille after he sees her as what she really is. Before he died, he managed to place a phone call to Phil, who was already growing suspicious of her. Odd, her references should have checked out…

gdn_4Oh that’s right, Phil and Kate didn’t bother checking TO SEE IF THE WOMAN CARING FOR THEIR NEWBORN CHILD DIDN’T HAVE ANY KIND OF CRIMINAL OR MENTAL HEALTH BACKGROUND. Although in their defense, I don’t think ‘Evil Tree Spirit’ would have come up. Wouldn’t you know it, none of the references exist. Phil kicks her out and baby Jake needs to be taken to the hospital. Well what a coincidence. Camille tries to steal the baby from the hospital, but Phil puts his Chris Brown lessons to work and smacks her to the ground. Heading home, they find wolves are patrolling the premises, forcing them to retreat to the woods. Bad idea. Camille harnesses the power of the Keebler Elves and tries once again to steal the baby only to be run over by Kate in the jeep (on a side note, this is pretty much the first thing she’s done the whole movie). Phil sees all of the babies in the tree and rationally they try to explain this all to the police. For whatever reason, the cops don’t believe them, so what else is there to do for our heroes except to pack up and move on. But not before Camille can try to steal that baby one last time. I gotta give her an A for effort. Most people quit trying to steal babies only after a few times. Enraged, Phil sets out into the woods with a chainsaw faster than you can say “Groovy” to settle this once and for all.

Originally, Sam Raimi was slated to direct this picture, but backed out early in production to direct Darkman instead and you can really see how this script was tailored towards Raimi’s style and doesn’t exactly suit Friedkin’s. Look at the evidence: The kills are over the top and messy. What should be pretty straight forward and, let’s face it, silly, is bogged down with subplots that seem to go nowhere. What I find really interesting are the type of shots he uses, clearly an homage to Raimi’s cinematography. Especially when we get a wide, low angle chase cam. Hell, the look of the character in the final act; tattered blue button up, messy, wavy hair and a chainsaw… ring a bell? Obviously, I’m not saying that William Friedkin is a bad director. That would be stupid to say, but what I am saying is perhaps he wasn’t a good choice for this type of film. I guess even he realized this, seeing as the TV edit of this film has given directing credit to Alan Smithee.
The Guardian

Having said all that, is The Guardian a horrible film? Not exactly. It’s not great by any measure, but admittedly, I had some fun watching it. The film itself seems well paced, putting in the gory moments just when you are about to get bored, but for such a simple plot, Friedkin does seemingly try to complicate it with unneccasary exposition and dialogue just to draw it out. This is where some good old fashioned Sam Raimi gore would have been a much better filler, but that’s what happens when you rewrite far too many times. A simple idea gets diluted and things begin become overly complicated. Nonetheless, throw on your filthiest pajama bottoms and stop moping around. Watch this one at least once just to keep the Keebler Elf ladies away.

Check out this review and plenty others at Goon Reviews.

roadside attractions

  • Good old fashioned baby snatching.
  • Limb for limb!
  • Hooligan head explosion!
  • Where’s my werewolf?
  • Baby tree.
  • Take a shot every time you think of Evil Dead.
  • Cutting down to size.
totals

7

blood

BLOOD

Head popping, limb ripping, tree spewing blood goodness. Not exactly a walk in the park!

6

blood

BREASTS

Camille can’t wait to show you her twins and I ain’t talking about babies.

5

beast

BEASTS

Nothing a little forest fire can’t handle… and apparently a backhand.

6 OVERALL
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Watch the entire movie!”

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Re

Jun

Comments Off on Hard Target

hard target snake eating

Take Road House, mix with Hard Boiled, add a ladle of gumbo, and you pretty much have 1993’s mullet-tastic Hard Target. Starring the ‘Muscles from Brussels’ himself, Jean-Claude Van Damme, Hard Target is 97 minutes of Cajun-flavored insanity.

But, unlike my twin brother we don’t talk about, this is the good kind of insanity.

Hard Target is a John Woo film, so toss all concepts of reality and physics out the window. Which is fine. The action in Hard Target is so insane, it touches on brilliance. Like most Woo films, there is plenty of gunplay—but there is also upside down gunplay. Yes, Van Damme fires a handgun upside down at one point. It is jaw-droppingly crazy.

Let’s rewind a bit though. Hard Target is a ‘man hunts man for sport’ story, or to be more specific, ‘the rich hunt the poor and homeless for sport.’ It makes one wonder why they don’t reboot this for today, ’cause I’m sure the 1% would eat this up like caviar at a yacht club ho-down.

hard target motorcycle

Representing the poor and the homeless is Van Damme, as Cajun street fightin’ man, Chance. So named because ‘his mama took one.’ The hunters are Lance Hendrickson, the guy who played The Mummy in The Mummy, and a bunch of other toughs, including frequent Arnold Schwarzenegger foil, Sven Thorsen.

While there is plenty of gunplay, including a few crazy guns (even one what shoots arrows), Van Damme’s martial arts skills are given loads of screen time. In fact, one could play a drinking game based on Van Damme knocking cigarettes out of mouths and sunglasses off of faces.

There are three shining jewels in Hard Target, which make it worth a watch alone. First, Van Damme’s mullet. It is the stuff of legends. If you looked up ‘Kentucky Waterfall‘ in the hair dictionary, there would be a screen capture of Hard Target. Second, the infamous ‘snake-punching’ scene. Van Damme shows he has a way with nature—by beating the ever-living crap out of a snake puppet. The cherry on top is Van Damme doing the bayou version of St. Patrick, and biting off the snake’s rattle (Van Damme has his reasons).

brimley hard target

The last jewel in Hard Target‘s triple crown is Wilfred Brimley. Yes. Mr. Oatmeal plays Van Damme’s moonshiner, swamp dwelling uncle—complete with a Cajun accent. I like to think Brimley was the inspiration for Katniss in The Hunger Games, because he is an ace with the bow, and if you squint real hard, he kinda looks like [what’s her face].

An’ don’t go thinking Hard Target is all snake-punching and fancy kickin’ neither. There is plenty of motorcycle action too—mostly EXPLODING motorcycles (it is a John Woo movie after all), the best of which is the scene where Van Damme STANDS UP on a moving motorcycle to shoot bad guys.

If you have an itch for an over-the-top, physics ignoring action film, then Hard Target is the scratch you need. Tiger says, Hard Target is a must watch.


Tiger Sixon is forced to watch B-movies from the comfort of a secret government base in Death Valley. He looks nothing at all like Daniel J. Hogan (@danieljhogan) who draws the comic Clattertron.

roadside attractions

  • Arrow Guns
  • Upside Down Guns
  • Snake Punching
  • Snake Biting
  • Kicked Off Sunglasses
  • Crazy Guns
  • Hands Free Motorcycles
  • Cajun Moonshiners
  • Creepy Parade Floats
  • Kicking
  • Mullets
  • Exploding Motorcycles
totals

10

blood

BLOOD

People get shot, kicked, stabbed, blown up, and bit by snakes.

2

blood

BREASTS

You see a pair on an ad for an adult business. That’s it.

9

beast

BEASTS

Van Damme and those hunting him count as beasts, because why not?

7 OVERALL
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Now here’s a helpful b-movie survival tip from Hard Target!

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Mar

Comments Off on Tremors (1990)

Tremors

If there’s one thing in America that we know how to do right it’s to make things bigger. Double Cheeseburger? Sure only if you’re a communist. We take our burgers with triple meat patties, bacon and a fried egg thank you very much. Grocery shopping? That should always require a forklift and a back brace. We buy our mayonnaise in 50 gallon, bathe in big gulps and  toss dwarfs just for fun. Huge is the American way. Let the Europeans make tiny furniture if they want to. We’ll take the Lazy Boy with the built in fridge that can seat 20. Sure, we might not have the smartest kids in the world but they will be the biggest and they will sit on anyone that oppose us. Heck yeah ‘Merica!

TremorsSpeaking of super sizing, some giant man-eating worms are trying to eat Kevin Bacon and Fred Ward, and only the dad from Family Ties and his 100 pounds of TNT can stop em’.  Somewhere out in the desert a small town has been having problems with sheep mutilations, backed up sewage and a rapid outbreak of guys stranded on telephone polls. Valentine (Kevin Bacon) and Earl (Fred Willard) are the local handymen who get a gooey sock puppet stuck to their pickup truck when they’re sent to investigate. Turns out it’s from an underground worms (or graboids as the locals call them) which are attracted to noise and constant bickering which Valentine and Earl do plenty of. They’re just like your mom and dad except with more drinking. The handymen are set out on horseback to try to get help before the worms swallow the whole town up and nobody notices.

Out in the desert the horses get worminated and Valentine and Earl have to high jump over an aqueduct just as  a mutant nightcrawler smashes it’s noggin into a concrete barrier. The resident hottie seismologist shows up and teaches them to pole vault across rocks so they don’t become worm food. It’s sure lucky those Olympic gymnastics left all their practice equipment behind. Then they all high tail it back to town with the graboids in hot pursuit and hang out on the grocery store roof and yell at each other.

Meanwhile, the Jumanji girl gets nearly eaten while playing on a pogo stick and Reba McEntire and Michael Gross blast a graboid in their rec-room with enough firepower to defeat North Korea. They’re quickly outnumbered so Valentine uses a lawn mower as a decoy and  they all load up in the back of a semi that he drives behind a bulldozer towards the mountains. It sounds a lot like the end of the Sound of Music except with less nazis.The graboids set a booby trap for the truck and the town folk get stuck on a rock where they start worm fishing with dynamite in hopes to escape. It’s effective but messy. The last worm smartens up and refuses to take the bait but chases Valentine towards a cliff crashing into a gooey mess onto the rocks below. Valentine does a footloose punch dance in a grain silo and saves the town from a life without rock n’ roll. Oh wait…that was another movie. Anyways, Barry Goodall says to give “Tremors” a shake. You’ll get a little more joy out of baiting your fishing hook next time.

and before you might decide on something else to watch, remember  that Reba Macantire is watching you, always. She’s like a red headed country music ninja santa.

roadside attractions

  • excessive rock,paper, scissors
  • pogo sticking
  • multiple pee breaks
  • moron kid stuck on outhouse
  • explosion fishing
  • septic tank-fu
  • Reba McEntire-fu
  • 6 degrees of Bacon
  • worm drilling
  • rock pole vaulting
totals

6

blood

BLOOD

Sheep guts, drilling graboids, multiple worm explosions and worm shrapnel. Multiple graboid snacking on town folk.

0

blood

BREASTS

Nadda Ta-ta.

8

beast

BEASTS

So many worms you’d think it was a redneck bait shop.

9.7 OVERALL
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Check out this trailer for “Tremors”

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Mar

Comments Off on Rage

rage

Whenever I want to talk about this movie, I want to yell, “RAAAAGE!” much like those Surge commercials back in the day. Possibly while skydiving, devouring a bag of Dorito’s and slamming a 24 oz. of Mountain Dew and you know something? That’s not a far off description from the movie. This movie is seriously EXTREEEEEME! Everything gets shot, shatters and explodes or gets a roundhouse kick to the dome… mostly in slow motion.

This plot actually shares something similar with 28 Days Later, believe it or not. This evil corporation (is there ever a good one?), Westech, is experimenting with a rage type virus on monkeys and then on illegal immigrants to create the perfect batch of super soldiers. So, shove off Steve Rogers, you shmuck! You see, this shady cop working with Westech by rounding up illegal immigrants for them to run their experiments. But, one of these round ups goes sour and one of these illegal immigrants who’s been supplying Westech with illegal immigrants (I know, just stay with me) decides to start a firefight and flees the scene. He happens to hijack family man and second grade teacher, Alex Gainer, played by the arse kicking brit, Gary Daniels.

Kelly kidnaps Gainer and says since he’s a limey, he’ll work fine for the experiments and claiming, “He don’t speak no good English.” Since Gainer just happens to be in peak physical condition, they all go along with it. No need to run any other tests to see if he has any health conditions or diseases. They just inject him with some unknown liquid to make him go crazy, so there is no need to train him on survival skills or how to use weapons. But shoot, wouldn’t luck have it, Alex also happens to be a martial arts expert, flips his poop switch after the injection and escapes… but not before beating the pulp out of everyone or filling them full of bullet holes! And what would any good action scenes be if they didn’t have nameless thugs being thrown dozens of feet from an explosion in slow-motion? Did you miss that part? Don’t worry. It happens like a thousand more times.

Alex is an unstoppable killing machine! Until Kelly tazers his nards. That’ll put anything down. However, it doesn’t last long as he manages to flee these villains on foot in dark after they threw him in the trunk of a car. They didn’t even get in the car to chase him. I believe the excuse they had was, “It’s too dark to see.” Hmm, well good thing you didn’t come prepared by bringing flashlights. Then you would have to do some work.

Next comes a long and destructive car chase scene, using a tractor trailer, reminding one of Terminator 2. Alex manages to hijack a semi in order to plow through a barricade. Let the carnage begin! This seriously goes on for at least fifteen minutes. Every police car and another tractor trailer that tries to stop Alex get smashed, exploded, and flipped through the air. He causes so much destruction, that a car literally flies about thirty feet in the air, doing flips, landing and exploding. Only the beefiest of men could do something like that. This scene concludes when Kelly, being the caring soul he is, commandeers a school bus and tries to take down Alex head-on, but Alex, being the nimble, ninja skilled, school teacher he is, surfs on top of the truck and leaps from it as it crashes into the bus and explodes. Don’t worry, he made it out of that situation without a scratch. Kelly on the other hand…

After this comes the film’s greatest fight scene, or maybe one of the best fight scenes in a movie ever. Alex stumbles into a random home like a hopped up hobo and begins rummaging through the refrigerator, ramming day old chicken, milk and tomato juice into his face. While all of this is going on, mind you, the owner of the house is upstairs with his dominatrix. Both of them leather bound… all while Flight of the Valkyries plays on the radio. Not since Apocalypse Now has that song sent chills down man’s spine and instilled images of chaos and violence into our minds. But to answer your burning question, yes the dominatrix does get punched in the face.

rageBy now, you’re starting to sense a pattern: Action beat, exposition, action beat, exposition and so on. There is a journalist and his cameraman (or lady in this case) who aren’t really given much to do except question the antagonists in this flick, as the duo sets out to prove that Alex is innocent. Which I do have to question at this point: When does it stop being self defense after you gunned down countless thugs, beat up a dozen or more cops, crashed more vehicles than The Dukes of Hazzard and caused more property damage than Godzilla? Eh, he’s just a good guy trying to prove he’s innocent!

The film adds another villain, kind of a crooked federal agent, who is trying to bring Alex back to the lab. In the process of trying to accomplish said mission, he punches Alex’s wife in the face. Everyone gets beat up in this movie. I’m surprised nobody took a swing at his daughter. I would have loved to see her do a slow motion roundhouse kick to some dudes stomach. That would have been baller, son. Also, one of the best stunts in the movie takes place on a skyscraper with Gary Daniels dangling from it and falling as he is trying to escape someone from a helicopter shooting at him. But, luckily he lands on his feet without a twisted ankle or scratch and runs off to the next action scene.

To conclude this review that has possibly gone on too long, for a movie that seems like it should have been simple to write about, I found myself having a lot to say. Sure, the script serves as a purpose to get actor Gary Daniels from action beat to the next and he doesn’t deliver any action movie one liners, but holy crap… the action is awesomely over the top! I found myself completely entertained this entire flick and (as much as I hate to use this expression, so I will change it just a bit) I found myself at the edge of my uncomfortable futon.

The film does suffer from questionable editing from time to time (you’ll know it once you see it) and the even though the film had a climatic end movie shoot out, it felt like the final showdown between hero and villain was weak. Trust me; it doesn’t go down at all how you think it would. Also, most of Alex’s dialogue is, “BLEEEH! YAGGHHH! ARGH! UMPH!” You get the idea. But if you love cheesy films that have better action than most movies now, and I know you do, watch this. Heck, even if you don’t you should still watch this.

roadside attractions

  • Slo-Mo EXPLO!
  • Take a shot every time someone flies from an explosion in slo-mo
  • Take a shot every time Gary Daniels is grunting.
  • Roundhouse-O-Rama.
  • Tractor Troubles.
totals

7

blood

BLOOD

Squibs and scratches, but more than enough explosions to keep your inner arsonist happy.

4

blood

BREASTS

Just Gary Daniels glistening, sweaty chesticles.

8

beast

BEASTS

Gary Daniels annihilating everything in site.

8.1 OVERALL
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Check out this trailer from “Rage”

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About the Highway

Lost Highway is your satirical detour down the twisted back roads of b-movies and cult films reviews. learn more >>