Archive for the '90’s movies' Category

Dec

posted by admin | December 10, 2013 | 90's movies, Action, B-movie Reviews, Review by Tiger Sixon, Sci-Fi

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Judge Dredd

In the future, one man is The Law.” That’s the slogan for the Sylvester Stallone crazy train, Judge Dredd. Based on a popular comic book of the same name, Judge Dredd takes places in a future where everything is as nice as a rusty bear trap. The book-learnin’ term is dystopia, but crap-hole works just fine.

Stallone is pretty much RoboCop, if RoboCop was all human, and wore an even crazier metal codpiece (they even wear similar head gear). Stallone acts as judge, jury, and even executioner in Mega-City One—which looks an awful lot like the Mushroom Kingdom in the Super Mario Bros. movie. Stallone doesn’t just fire bullets, nope, he’s got more catch phrases than a Steve Urkel clip show. “I knew you’d say that,” is one, and as would be expected, “I’ll be the judge of that,” and “Court’s adjourned” are others.

But, you gotta enjoy, on some level, any film what opens with a James Earl Jones voice-over. Yep, the voice of Darth Vader/Simba’s Dad reads the opening narration, setting the tone for this here film. Everything sounds cool when James Earl Jones reads it—heck, I’d pay good money to hear him read Twilight cover to cover.

Since Judge Dredd takes place in the future, you see robots, flying motorcycles, and plenty of spandex. A winning combination, or at least my idea of a hot Saturday night. There’s also Rob Schneider, who plays a hacker. Hey, it was the mid-1990s, every movie needed at least one hacker.

Despite the WTF-ness of Judge Dredd, and its wafer-thin connection to the original comic, if features some fun special effects and make-up effects. The animatronic robot is dang cool, and the make-up for a cyborg-cannibal-mutant is out standing. Sure, Judge Dredd ain’t no Demolition Man (and what is, really?) or even Stop! Or My Mom Will Shoot, but it has its moments—and most of those moments involve giant robots and spandex.

Tiger says, if you are up for some crazy 1990s sci-fi action, give Judge Dredd a watch.


Tiger Sixon is forced to watch B-movies from the comfort of a secret government base in Death Valley. He looks nothing at all like Daniel J. Hogan (@danieljhogan) who draws the comic Clattertron.

roadside attractions

  • Giant Robots
  • Spandex
  • Flying Motorcycles
  • Stallone Impressions
  • Exploding Buildings
  • Big Guns
  • Mutants
  • Cannibals
  • Recycled Food
  • Metal Codpieces
  • Max von Sydow
totals

5

blood

BLOOD

Lots of gun shootin’, but it ain’t too gory.

0

blood

BREASTS

Everyone is covered up in this here flick. But there’s a James Earl Jones voice over, so it ain’t all bad.

10

beast

BEASTS

Giant robots, killer mutant cyborg cannibals, and other crazy things.

5 OVERALL
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Nov

posted by Doktor | November 23, 2013 | 90's movies, Action, Review by Doktor, Sci-Fi

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Tagline: In deep space, the deadliest animal is still woman.

Year: 1990 Runtime: 93 min

Director: Fred Olen Ray

Writer: Paul Garson

Starring: Jan-Michael Vincent, John Phillip Law, Ross Hagen

With an opening title of “Amazing Movies Presents” Alienator flaunts it’s quality like sharting your pantaloons while spreading Grey Poupon with pinkies out. And before I go any farther into the movie I need to dissect the tagline, “In deep space, the deadliest animal is still woman.” First, 90% of the movie takes place on Earth. Second, Alienator is a cyborg who only vaguely resembles a woman. In fact, all the ‘roids have made its jaw so hard and square I’m still not sure if it’s a female. Third, and most importantly, since when have women been considered the most deadly animal? Even if I was willing to give the movie some wiggle room here, assuming the maxim “Hell hath no fury like a woman scorned,” that might mean women are the deadliest of the sexes. The deadliest animal? In all the worlds of deep space? I think somebody was having problems with his wife, girlfriend, lover (or all three) and didn’t have a dog to kick to blow off steam.

Enough with the Persnickety Priss, on to Alienator proper.

Alienator is a story about a bunch of detestable people who all deserve to die. The inhabitants of this “far-off corner of the galaxy” are unsympathetic arses. The ruler, Baal, is a tyrant. The leader of the rebels, Kol, is a sociopath who kills thousands of innocent people. And then there’s Jan-Michael “Airwolf” Vincent, i.e. Commander of Space Prison. I think Commander—that’s his name, or at least the only thing he’s called—is supposed to be a tough cookie who’s just doing his job, but Vincent plays him like a drunk foster parent with a house full of gingers.

Now I might be confused, and this movie sure doesn’t help clear things up, but aren’t we as viewers supposed to care for someone?

When the universe is full of worthless cretins guess what that means for the efficacy of the corrections system? It’s explosive intestinal rot on a 12+ hour flight nightmare. To put it another way, for a maximum security prison PLANET, this facility sure is easy to escape.

The blame lies squarely on the guards’ shoulders. Why? Because all the prison guards stand on the outside of the guard rails during a prison break/shoot out. The guard rails are there because this is a multi-level structure. I’m not sure how being in the danger zone is advantageous, but I have a theory. It makes for a dramatic death when they fall off. One would assume that not falling to their deaths be preferable, but what do I know.

At least the characters in Alienator are consistent with Sci Fi conventions. Namely, no one can shoot straight, much less hit their target. These idiots couldn’t even shoot themselves. Even the Alienator, a hunter with specialized robotic enhancements, can’t hit a target tied down and at point blank range.

So Kol, the rebel leader, escapes from Space Prison and ends up crashing on Earth. When he sees the Earth on his view screen he recognizes it, though how is never explained. Which is a good thing, because when the movie tries to explain itself things go horribly wrong (see first roadside attraction).

For most of the movie Kol is acting like he can’t breathe. He grabs at a collar on his neck, which suggests it has something to do with his distress. Yet, when he puts his fingers in between the collar and his neck there’s plenty of room. Was it randomly squeezing? Was it injecting him with something? Shocking him? Was it really hurting him? I just dunno. I don’t think the filmmakers did either.

Oh, another neat feature of the collar is that it’s a tracking device. Naturally this is a boon for the Alienator. Unfortunately, it’s a two-way device. For some reason it alerts the wearer that the hunter is close by. Is this a psychological feature meant to scare the bejesus out of the person? Why not make the collar do something cool like, uhm, I don’t know, stun the prisoner? Or, better still, have it blow off their head. Problem solved.

Wait… right. Sorry. It wasn’t in the script. Nevermind.

Kol wanders out of his ship and gets hit by the requisite group of college kids on vacation in their RV. Rick is the overbearing, self-serving jerk. Bennie is the smart one with glasses. Caroline is the blonde bimbo. And rounding out the group is Tara, the brunette. They scoop up Kol and take him to the ranger station.

At the ranger station, Ward Armstrong, the ranger, gets the story. Of course the kids don’t know much, only that they want to get out before they’re caught up in legal hassles. Kol violently comes to. He tells them he’s from another planet and on the run for his life. Both Ranger Ward and the Scooby-Doo crew believe it. Why not? Nothing strange about a space foreigner on the run from the space law. When Rick doubts the validity of the story he’s the “crazy” one.

Another reason why some people deserve to die. And right on cue here comes Alienator.

She indiscriminately kills people and destroys things, even when they are NOT interfering with her objective. The poor doctor who was summoned to help Kol is toasted for his troubles. Cars are vaporized. Ranger Ward’s cabin is shot up, and the sad part is, no one was in the cabin. She was just shooting the place up. She even kills the comic relief hillbillies. Though, in her defense, they were shooting at her.

Luckily for our heroes(?) when a ‘Roid Ragin’ Space Terminator™ comes to camp there’s a gun-crazy Colonel, with all kinds of illegal weapons, living within walking distance. While he doesn’t put much stock in the spaceman story, he is ready for a fight. Especially when it means he can use his anti-personnel mine.

While they are fortifying the Colonel’s hut, Alienator has a touching moment with a doe. Aw.

Then the final boss battle. Guns, crossbow bolts, and the anti-personnel mine don’t even scratch her tin can brassiere. What does bring her down is a net made of chicken wire. It short circuits her circuits which drains her power. How? See the first roadside attraction for the movie’s explanation.

At this point the movie knows it’s got nothing to loose, ‘cos it had nothing to begin with, so it pulls a M. Night Salamidingdong twist. Kol’s never made himself worthy of all of the trouble Ranger Ward and the Scooby-Doo crew are going through for him. Now that the Alienator’s dead, he uses is heretofore secret psi powers. He heals Rick who was almost choked to death. He then Force chokes Rick into submission. He Jedi Mind Tricks Rick into following him into the woods where finally he takes over Rick’s form.

HUH?

You mean all this time Kol had these powers and only now he’s using them. AFTER he’s been saved. And this is the “good guy” who’s leading the rebellion against the Great Tyrant Baal? But like all those purple nurples  you received by bullies in high school gym, the twisting isn’t over.

Alienator isn’t dead, but you knew that was coming. Rick (i.e. Kol) starts acting like a bigger jerk than usual, almost raping Tara in front of everyone. Another fight ensues, but it’s nerd boy Bennie who steps up. Ranger Ward initially stopped the assault but got shot for his trouble. While everyone, Colonel included, looks on at the one-sided fight between Rick (i.e. Kol) and Bennie, Alienator comes in from behind and cuts off Rick (i.e. Kol’s) head. The head turns back into Kol’s and he promptly vomits out Space Milk Blood™.

Alienator checks to make sure he was her target, the ONLY time she checks, and when satisfied calls in that the job’s done. Then, after almost being killed by these people, she tosses Ranger Ward a bag of loose gems (which she was hiding where exactly?) and bugs off like nothing happened. Oh, and she left her gun, too. Was that ‘Roid Ragin’ Space Terminator™ gratitude, or was her encounter with Bambi, while digging a punji stick out of her foot, the tender moment which warmed her icy, mechanical heart?

Does it matter?

No, it doesn’t matter because the movie still isn’t over. Back on Space Prison Planet there’s a final twist. It turns out that the Delegate General, who was at Space Prison Planet only as an observer to the execution, wasn’t who he said he was. He was, in fact—Kol’s father.

OH LORDY!

A light sword through the gut care of Commander Airwolf and all is wrapped up in a tangled mess.

roadside attractions

  • Be Amazed by gibberish explanations like, “The net’s created a perpendicular magnetic pole. It’s syphoning off her electrons in alignment with the Earth’s axis.”
  • Hear Alienator’s gun make light saber sounds & the light saber make laser blast noises.
  • Wonder how the light saber and sound effects got past Lucas.
  • Marvel at how 17 minutes into the movie they ran out of money for space special effects, causing the remainder of the film to be shot in some state camp ground.
  • Read all the credits for all the three named actors who took up the extra letters which left Teagan Clive to be billed only as Teagan.
totals

5

blood

BLOOD

There’s not a lot of blood, but there is yellow goo and Space Milk™.

0

blood

BREASTS

It tries to give us a little something, something in the Commander’s assistant’s top, but a cut out showing her bra is weak. Fail.

10

beast

BEASTS

I’m not quite sure who the bad guy was in the movie, so I’m giving the movie a ten because it had so MANY possibilities.

5 OVERALL
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Watch the trailer for “Alienator”

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Sep

posted by admin | September 14, 2013 | 90's movies, Drama, Fantasy, Horror movies, Reviews by the Goon, Sci-Fi

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The Guardian

In 1973, William Friedkin shocked the world with a masterful little horror flick called The Exorcist. The film was executed so flawlessly, it became a ‘must’ staple of the horror world and films since then have tried to mimic it’s success, but never coming close. Seventeen years later, he returns to the genre to try and shock audiences once again with a tale about a woman who steals babies and fuses them with a tree. Yes, you heard me right. Needless to say, it was nowhere as well received as his previous masterpiece. In fact, Roger Ebert put this on his list of ‘Most Hated Movies’. So is The Guardian really THAT bad? Well…

Hopefully you didn’t confuse this with that other The Guradian movie about Ashton Kutcher on a boat and are still reading. Allow me to try and detail my brief description of the film from earlier. Some text at the beginning explains that druids use to worship trees. Some of those trees are good, others are bad. Okay, I realize how incredibly silly this sounds and I wouldn’t blame you for laughing out loud (I certainly did). Well in case you’re still reading, allow me to continue. We see a husband and wife heading out for the night, but have to turn around, because the wifey forgot her glasses. Oh yeah, how did instantly improve vision not make the top of that to do list? As they get home, they discover their nanny has vanished with their baby, but somewhere in the woods that baby is being sacrificed to keep an evil tree alive. It’s not a cool Satanic sacrifice, like with goats and blood. She just sorta holds the baby up in the air, it disappears and then is a part of the tree, like a carving. Yes! Marvel at the screen-shocking terror as you tilt your head and say, “Huh?”

gdn_2This is when we are introduced to our main characters, Phil and Kate Sterling. Phil works for an advertising agency that moved him out to LA. You’ll notice that for most of the movie, Phil will kinda putter around shirtless in pajama bottoms looking mopey. Shortly, they have a little mush of weird doughy, alien also known as the unknown obsession to women as a baby. Wanting to continue their work, although I think they forgot to give Kate an occupation, they decide to hire a nanny. The decision comes down to the film’s only black person, Arlene, or a suspicious British woman named Camille. To make their choice easier, God decides smite Arlene as she rides her bike into the world’s most deadly pot hole, flipping her off the bike and hurling her down a hill like a rag doll and killing her. Guess who gets the job?

Camille is quickly accepted into their arms and why not? She takes care of the little noise maker. Realizing the movie is starting to trot along without any gore, Camille and the baby are attacked by a group thugs that look like teenagers that never grew out of the psychobilly phase while drinking PBR out in a field somewhere. She leads them into the woods where they come alive, not unlike Evil Dead, and tear the men apart, smashing one’s head like a soggy watermelon and setting another on fire. This tree has more powers than Superman! The absurdity doesn’t stop there. Their neighbor Ned starts crushing on Camille in, I have to admit, a rather charming and chivalric way. Unfortunately chivalry is dead and so is he after being savagely eaten by wolves that protect Camille after he sees her as what she really is. Before he died, he managed to place a phone call to Phil, who was already growing suspicious of her. Odd, her references should have checked out…

gdn_4Oh that’s right, Phil and Kate didn’t bother checking TO SEE IF THE WOMAN CARING FOR THEIR NEWBORN CHILD DIDN’T HAVE ANY KIND OF CRIMINAL OR MENTAL HEALTH BACKGROUND. Although in their defense, I don’t think ‘Evil Tree Spirit’ would have come up. Wouldn’t you know it, none of the references exist. Phil kicks her out and baby Jake needs to be taken to the hospital. Well what a coincidence. Camille tries to steal the baby from the hospital, but Phil puts his Chris Brown lessons to work and smacks her to the ground. Heading home, they find wolves are patrolling the premises, forcing them to retreat to the woods. Bad idea. Camille harnesses the power of the Keebler Elves and tries once again to steal the baby only to be run over by Kate in the jeep (on a side note, this is pretty much the first thing she’s done the whole movie). Phil sees all of the babies in the tree and rationally they try to explain this all to the police. For whatever reason, the cops don’t believe them, so what else is there to do for our heroes except to pack up and move on. But not before Camille can try to steal that baby one last time. I gotta give her an A for effort. Most people quit trying to steal babies only after a few times. Enraged, Phil sets out into the woods with a chainsaw faster than you can say “Groovy” to settle this once and for all.

Originally, Sam Raimi was slated to direct this picture, but backed out early in production to direct Darkman instead and you can really see how this script was tailored towards Raimi’s style and doesn’t exactly suit Friedkin’s. Look at the evidence: The kills are over the top and messy. What should be pretty straight forward and, let’s face it, silly, is bogged down with subplots that seem to go nowhere. What I find really interesting are the type of shots he uses, clearly an homage to Raimi’s cinematography. Especially when we get a wide, low angle chase cam. Hell, the look of the character in the final act; tattered blue button up, messy, wavy hair and a chainsaw… ring a bell? Obviously, I’m not saying that William Friedkin is a bad director. That would be stupid to say, but what I am saying is perhaps he wasn’t a good choice for this type of film. I guess even he realized this, seeing as the TV edit of this film has given directing credit to Alan Smithee.
The Guardian

Having said all that, is The Guardian a horrible film? Not exactly. It’s not great by any measure, but admittedly, I had some fun watching it. The film itself seems well paced, putting in the gory moments just when you are about to get bored, but for such a simple plot, Friedkin does seemingly try to complicate it with unneccasary exposition and dialogue just to draw it out. This is where some good old fashioned Sam Raimi gore would have been a much better filler, but that’s what happens when you rewrite far too many times. A simple idea gets diluted and things begin become overly complicated. Nonetheless, throw on your filthiest pajama bottoms and stop moping around. Watch this one at least once just to keep the Keebler Elf ladies away.

Check out this review and plenty others at Goon Reviews.

roadside attractions

  • Good old fashioned baby snatching.
  • Limb for limb!
  • Hooligan head explosion!
  • Where’s my werewolf?
  • Baby tree.
  • Take a shot every time you think of Evil Dead.
  • Cutting down to size.
totals

7

blood

BLOOD

Head popping, limb ripping, tree spewing blood goodness. Not exactly a walk in the park!

6

blood

BREASTS

Camille can’t wait to show you her twins and I ain’t talking about babies.

5

beast

BEASTS

Nothing a little forest fire can’t handle… and apparently a backhand.

6 OVERALL
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Watch the entire movie!”

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Re

Jun

Comments Off on Hard Target

hard target snake eating

Take Road House, mix with Hard Boiled, add a ladle of gumbo, and you pretty much have 1993’s mullet-tastic Hard Target. Starring the ‘Muscles from Brussels’ himself, Jean-Claude Van Damme, Hard Target is 97 minutes of Cajun-flavored insanity.

But, unlike my twin brother we don’t talk about, this is the good kind of insanity.

Hard Target is a John Woo film, so toss all concepts of reality and physics out the window. Which is fine. The action in Hard Target is so insane, it touches on brilliance. Like most Woo films, there is plenty of gunplay—but there is also upside down gunplay. Yes, Van Damme fires a handgun upside down at one point. It is jaw-droppingly crazy.

Let’s rewind a bit though. Hard Target is a ‘man hunts man for sport’ story, or to be more specific, ‘the rich hunt the poor and homeless for sport.’ It makes one wonder why they don’t reboot this for today, ’cause I’m sure the 1% would eat this up like caviar at a yacht club ho-down.

hard target motorcycle

Representing the poor and the homeless is Van Damme, as Cajun street fightin’ man, Chance. So named because ‘his mama took one.’ The hunters are Lance Hendrickson, the guy who played The Mummy in The Mummy, and a bunch of other toughs, including frequent Arnold Schwarzenegger foil, Sven Thorsen.

While there is plenty of gunplay, including a few crazy guns (even one what shoots arrows), Van Damme’s martial arts skills are given loads of screen time. In fact, one could play a drinking game based on Van Damme knocking cigarettes out of mouths and sunglasses off of faces.

There are three shining jewels in Hard Target, which make it worth a watch alone. First, Van Damme’s mullet. It is the stuff of legends. If you looked up ‘Kentucky Waterfall‘ in the hair dictionary, there would be a screen capture of Hard Target. Second, the infamous ‘snake-punching’ scene. Van Damme shows he has a way with nature—by beating the ever-living crap out of a snake puppet. The cherry on top is Van Damme doing the bayou version of St. Patrick, and biting off the snake’s rattle (Van Damme has his reasons).

brimley hard target

The last jewel in Hard Target‘s triple crown is Wilfred Brimley. Yes. Mr. Oatmeal plays Van Damme’s moonshiner, swamp dwelling uncle—complete with a Cajun accent. I like to think Brimley was the inspiration for Katniss in The Hunger Games, because he is an ace with the bow, and if you squint real hard, he kinda looks like [what’s her face].

An’ don’t go thinking Hard Target is all snake-punching and fancy kickin’ neither. There is plenty of motorcycle action too—mostly EXPLODING motorcycles (it is a John Woo movie after all), the best of which is the scene where Van Damme STANDS UP on a moving motorcycle to shoot bad guys.

If you have an itch for an over-the-top, physics ignoring action film, then Hard Target is the scratch you need. Tiger says, Hard Target is a must watch.


Tiger Sixon is forced to watch B-movies from the comfort of a secret government base in Death Valley. He looks nothing at all like Daniel J. Hogan (@danieljhogan) who draws the comic Clattertron.

roadside attractions

  • Arrow Guns
  • Upside Down Guns
  • Snake Punching
  • Snake Biting
  • Kicked Off Sunglasses
  • Crazy Guns
  • Hands Free Motorcycles
  • Cajun Moonshiners
  • Creepy Parade Floats
  • Kicking
  • Mullets
  • Exploding Motorcycles
totals

10

blood

BLOOD

People get shot, kicked, stabbed, blown up, and bit by snakes.

2

blood

BREASTS

You see a pair on an ad for an adult business. That’s it.

9

beast

BEASTS

Van Damme and those hunting him count as beasts, because why not?

7 OVERALL
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Now here’s a helpful b-movie survival tip from Hard Target!

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Mar

Comments Off on Tremors (1990)

Tremors

If there’s one thing in America that we know how to do right it’s to make things bigger. Double Cheeseburger? Sure only if you’re a communist. We take our burgers with triple meat patties, bacon and a fried egg thank you very much. Grocery shopping? That should always require a forklift and a back brace. We buy our mayonnaise in 50 gallon, bathe in big gulps and  toss dwarfs just for fun. Huge is the American way. Let the Europeans make tiny furniture if they want to. We’ll take the Lazy Boy with the built in fridge that can seat 20. Sure, we might not have the smartest kids in the world but they will be the biggest and they will sit on anyone that oppose us. Heck yeah ‘Merica!

TremorsSpeaking of super sizing, some giant man-eating worms are trying to eat Kevin Bacon and Fred Ward, and only the dad from Family Ties and his 100 pounds of TNT can stop em’.  Somewhere out in the desert a small town has been having problems with sheep mutilations, backed up sewage and a rapid outbreak of guys stranded on telephone polls. Valentine (Kevin Bacon) and Earl (Fred Willard) are the local handymen who get a gooey sock puppet stuck to their pickup truck when they’re sent to investigate. Turns out it’s from an underground worms (or graboids as the locals call them) which are attracted to noise and constant bickering which Valentine and Earl do plenty of. They’re just like your mom and dad except with more drinking. The handymen are set out on horseback to try to get help before the worms swallow the whole town up and nobody notices.

Out in the desert the horses get worminated and Valentine and Earl have to high jump over an aqueduct just as  a mutant nightcrawler smashes it’s noggin into a concrete barrier. The resident hottie seismologist shows up and teaches them to pole vault across rocks so they don’t become worm food. It’s sure lucky those Olympic gymnastics left all their practice equipment behind. Then they all high tail it back to town with the graboids in hot pursuit and hang out on the grocery store roof and yell at each other.

Meanwhile, the Jumanji girl gets nearly eaten while playing on a pogo stick and Reba McEntire and Michael Gross blast a graboid in their rec-room with enough firepower to defeat North Korea. They’re quickly outnumbered so Valentine uses a lawn mower as a decoy and  they all load up in the back of a semi that he drives behind a bulldozer towards the mountains. It sounds a lot like the end of the Sound of Music except with less nazis.The graboids set a booby trap for the truck and the town folk get stuck on a rock where they start worm fishing with dynamite in hopes to escape. It’s effective but messy. The last worm smartens up and refuses to take the bait but chases Valentine towards a cliff crashing into a gooey mess onto the rocks below. Valentine does a footloose punch dance in a grain silo and saves the town from a life without rock n’ roll. Oh wait…that was another movie. Anyways, Barry Goodall says to give “Tremors” a shake. You’ll get a little more joy out of baiting your fishing hook next time.

and before you might decide on something else to watch, remember  that Reba Macantire is watching you, always. She’s like a red headed country music ninja santa.

roadside attractions

  • excessive rock,paper, scissors
  • pogo sticking
  • multiple pee breaks
  • moron kid stuck on outhouse
  • explosion fishing
  • septic tank-fu
  • Reba McEntire-fu
  • 6 degrees of Bacon
  • worm drilling
  • rock pole vaulting
totals

6

blood

BLOOD

Sheep guts, drilling graboids, multiple worm explosions and worm shrapnel. Multiple graboid snacking on town folk.

0

blood

BREASTS

Nadda Ta-ta.

8

beast

BEASTS

So many worms you’d think it was a redneck bait shop.

9.7 OVERALL
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Check out this trailer for “Tremors”

trailers

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About the Highway

Lost Highway is your satirical detour down the twisted back roads of b-movies and cult films reviews. learn more >>