posted by retroman | October 10, 2010 | 80's movies, B-movie Reviews, B-movies, Horror movies, Review by Doktor

There isn’t a word to describe how totally AWE-some this movie is. That’s mostly ‘cos this movie isn’t all that awesome. The instant I saw Jeremy “One Life to Live” Slate was crossing over into horror I decided to use my time more wisely, I began to search my dog for that louse that had been evading me for months. He was an onery cuss, the louse, and when I found him he put up a good fight. In the end, I got him.
That is a far more entertaining story, so I will now return to my disgustion of The Dead Pit.
This is your typical 1980’s horror set in a mental asylum flick. The plot goes something like this, there’s a crazy psychologist who is killing his patients ‘cos… it’s fun? A colleague catches him in the act and is forced to kill him. Rather than go to the police, the good doctor boards up (i.e. drives a couple nails and fills the gap with spackle) the secret basement pit and all the dead patients therein and promptly forgets about the whole mess. Twenty years pass and there’s an earthquake which opens the “sealed” basement, releasing the zombie psychologist. There’s not much more by way of explanation, and that’s a good thing, ‘cos as the Jolly Green Mongoloid would have called it, “Ho, Ho, Ho, UMH-tarded!”
The Mad Psychologist is so mad, that when he returns from the dead, he wears rubber gloves. I’m not sure what that’s supposed to do. He’s dead, or undead, so he doesn’t have to worry about any germs. The people he’s treating are soon going to be dead, so no need to protect them…
It makes my head hurt, so I’m going to move on.
Our hero, Jane Doe, has had her memory taken, surgically. She was found wandering around, unawares of who she was. The court sentenced her to a stay at the mental hospital for “therapy” until such time as her memory returned. After much convoluted plot twists, we discover that her memoryectomy was performed when she was a small child. Not only that, but it was performed by the Mad Psychologist, who, remember, was killed twenty years earlier.

Which means she’s been wandering around for 20 something years as an amnesiac…
I think I can actually feel a tumor forming.
There is one attribute, one saving grace, which our heroine possesses, breasts. More importantly, she has the exhibitionistic dignity required to present them for our viewing pleasure. It’s not cheaply thrown in there. Rather, I find how Brett Leonard, the writer/director, slipped them into the story to be dignified. Jane is tied up in a basement. She is wearing a half wife-beater and panties, both cotton, both white. A cackling nurse isn’t so much spraying Jane’s face and chest as she’s BLASTING them. So much so, in fact, Jane’s half shirt rips right off.
Ah, subtly, thy name is Brett Leonard.
So, in the end, the Mad Psychologist’s pit of dead patients comes back to life to, uhm, do something. It’s not to kill Jane, ‘cos Mad Psychologist has her captured and tied down next to the pit when they rise, and they pass right by her. I ‘spose it’s ‘cos he’s her [spoiler] father. What they do is get out and wander around a bit, disabling all the vehicles in the parking lot. They then take after the staff. They kill the two police guards, who, in all honesty, deserve worse. If you fail to see the group of about twenty shuffling zombie patients coming at you across a wide open area, moaning and carrying on, you need to be removed from the gene pool. They go on to kill a couple orderlies, a nurse or two and all the patients.

Not wanting to get arrested for loitering, they set their sites on Jane and her convenient friend the Demolitions Man. Demo Man whips up a bomb to weaken the truss on the water tower, which has been “blessed” by the other convenient character, Nun Nutter. Nuns can’t bless things, much less would they do so by just repeating “in nomine patris et fillii et Spiritus Sancti” (in the name of the father, the son and the holy spirit), but I digress. The game plan is such: when the tower topples the blessed water will pour down into the cellar and consecrate the unholy ground of the pit, thus turning the zombies into pudding.
When it comes down to it, Demo Man was caught without his Hero’s Death Exemption card and therefore has to go down the with water tower. While he’s blowing himself up, Jane faces off with her daddy, Mad Psychologist, one last time.
Naturally, when Mad Psychologist melts we get a shot of Jane kneeling down, eyes closed. The camera slowly pans into her face and… all together now… her eyes are glowing red, just like his did. Thankfully, it’s over, and to the best of my knowledge there was no sequel.
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Check out the trailer for “The Dead Pit”















poor boy, and Rich Boy is trying to convince her he’s better. With a Ouija board. Yeah, I know, you’d think it’d be a little sexy, what with the board sitting on their knees and them having to get close, but his pinky ring and her firey mane gets in the way. I’m serious; it looks like Tawny had been attacked by the Blob, only it didn’t eat her, it just chose to perch on her head forever. I know this was in the Whitesnake “Here I Go Again” heyday, but come on, this is a ridiculous amount of hair.
After Zarabeth’s untimely death, Brandon discovers that he’s been duped; he was given a chalkboard with Linda’s grocery list instead of his ouija, so he decides to go on a fact-finding mission. Jim witnesses Linda undergo a psychic attack during which she flings herself around like…well, I can’t really say what she flings herself around like, or the site will get letters, so I’ll say that it was graceless, and quite the opposite of the way she flung herself around in the Whitesnake videos. She gets a concussion, and is admitted to the hospital, and Jim finds out that she’s really not pregnant, so all this morning sickness is ouija-induced after all. That pesky cop comes around again, making more references to magicians and jugglers, and implying that Jim’s missing drywall hammer is responsible for another death.
Speaking of poorly planned science projects, Dr. Paul Armstrong (Larry Blamire) has taken his very housewively wife, Betty (Fay Masterson) to the woods in search of a meteorite so that he can conduct some “science” on it. Apparently, this was during a time when science didn’t really need to have any reason or specific purpose. Paul suspects it contains Atmospherium and much like the hair gel on John Stamos hair could reveal many dark secrets of the known universe. At around this same time a big burly fellow, Dr. Roger Flemming is out exploring the wilderness and cohorting with free range forest rangers at least when he’s not caught inner dialoging. Not sure what he’s a doctor of… flannel shirts perhaps, but he desperately needs Atmospherium so that he can resurrect a bleach white lab skeleton in a hidden cave. It’s like Kate Moss got lost on a camping trip. Roger believes the skeleton once resurrected will help him rule the world… or maybe win the lotto and finally meet some girls.
Paul and Betty using a battery volt meter find the small meteorite glowing like a passed out Tinker Bell in the grass and takes it back to his mail order science lab at the cabin. Learning of this, Crowbar and Lattice use a modified corking gun to turn themselves into awkward 50’s fashion models so they can fool Betty and Paul or as they refer to them as “the pleasant entertaining monkeys.” Lattice enjoys her new inverted cloth funnels the humans call “a dress” and with Crowbar solve the mysteries of door handles. Dr. Flemming finds the left behind space gun and transmogrifies some woodland creatures into his date to take to the cabin (not legal in most states except Alabama and Utah.) He hopes bringing a date will make him less suspicious but his new creation, Animala has all the dinner table manners of a Jack Russell Terrier in a beatnik bodysuit. She sniffs people, eats from a a dinner plate like it’s a pig trough, and picks gnats off of the guests for some neighborly grooming. Sounds like the perfect date to me. A door to door forest ranger also shows up with warnings of killer mutants. With all the plate licking and mutilation stories how will Paul ever get to do science?
This could be the funniest spoof of vintage 50’s b-movies ever made with some obvious nods to “Plan 9 from Outerspace” and “Attack of the killer Shrews.” It perfectly recreates the low budget feel and wooden acting from that golden era of schlocky cinema so check it out and be sure to keep a extra case of Atmoshperium in your cooler, just in case. I hear it’s worth a fortune.










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