Archive for the 'Bad movie' Category

May

Graduation Day
1981 – R – Troma
Starring Christopher George, Vanna White, Linnea Quigley – Directed by Herb Freed

School kids are going to be graduating and soon, the streets are going to be littered with over privileged kids who think they know it all because they maintained a C average in Psych, drinking and driving during the day, being loud and rude in public places and throwing their trash on the sidewalks. Ah yes, the bright, young future leaders of our businesses and country. In honor of this most joyous celebration (or second most dreaded time of the year, the first being Christmas), we’re gonna sit back with a Troma flick and watch these dunces get hacked and slashed in the appropriately titled Graduation Day. This of course was in the wake of the slasher boom since, hey, Friday the 13th was successful, so let’s just do that.

But does copying its neighbors test make it a passing grade?

It’s the end of the school year and track star Laura collapses and dies after crossing the finish line at the 100 meter race. A metaphor for racing to the finish line in life perhaps? Most likely not, it’s just something that happens in the movie. Coach George Michaels (played by genre favorite Christopher George) is blamed for causing her death from pushing her limits too far and also from being one letter away from having the same name as the guy who was in Wham. Plus, he’s kind of a tool, so that doesn’t help. Laura’s sister Anne comes home after hitching a ride from a sleazy truck driver, which I feel is a one sided representation of a truck driver. Until Big Trouble in Little China, truck drivers were always portrayed as fat, lazy and stupid sleaze balls. Anyway, as another member of the track team jogs through the shady woods near the school, someone with a stop watch and a pair of black leather gloves approaches from behind and slits her throat in under thirty seconds! That’s gotta be some kind of slasher movie record.

gd_2So where does Anne fit into all this? Well, she is here to honor her during graduation and accept her diploma and to thank Laura’s boyfriend, Kevin, for all his support. The two meet up later on (no, it’s not what you think, perv) at Kevin’s grandmother’s house, who spends her last few dragging minutes of life sitting in a rocking chair and staring into space while shouting for people to leave or get out. So, basically every old person ever. Anyway, Anne wanted to meet up with Kevin to give him Laura’s track medal, which I wouldn’t be surprised if he tries to pawn it for cigarette money.

Since this is a slasher in the early 80’s, we enter autopilot where no characters are really developed and only serve the purpose to add to the body count one at a time, as we watch the same set of gloved hands time his kills in under 30 seconds. Quick thought, Dead in 30 Seconds would make a great sequel to Gone in 60 Seconds, so someone get on that. What on Earth is he timing all these deaths for? Is there some sort of forum where he posts his time and competes? Actually, it does tie in with how Laura died and if you made that connection (as I’m sure most of you did during the first kill), you can already make a safe assumption about who the murderer is.

However, this doesn’t stop the film from trying to throw you off. For example, the principal of the school opens his desk to remove a switchblade to peel an apple (cause you know, just eating it regular would be weird…). We also see a stop watch in his desk, so if you didn’t have a brain, something along the lines of, “Duhhh, whaaa? Is he the killer?” may have popped into your skull, but anyone with the intelligence of more than a tangerine knows better.

gd_3*Editor’s note: I mean no offense to tangerines. I like tangerines. They are delicious.

So if you’ve been keep track of everything I told you, pretty much the remainder of the film is like a tame stag reel of random character deaths, which ordinarily isn’t exactly a bad thing. But believe it or not, this is where the movie really starts to feel like it’s dragging. Of all the scenes in a horror film, you should be excited to see characters get offed, but this is where Graduation Day really fails; none of these characters are truly developed. I’m not saying they have to have really emotional and in depth back stories, but ANY kind of character development would have helped to make their murders feel entertaining instead of random shots of people dying, which is truly surprising given that this movie has a fairly decent cast, which ultimately makes it feel like such a waste! Christopher George, Vanna freakin’ White and Linnea Quigley! Even when poor Linnea gets decapitated (surprisingly almost no blood for a decapitation, by the way) the only thing you know about her is that she is a promiscuous stoner. Which I’m sure may sound great to some of you after just reading that, but once you see the execution (both in character development and demise of), you’ll see what I mean.

By now you may have just realized that Anne hasn’t been in the film in quite some time and isn’t she the heroine of the story? Well just when you think that, Anne pays a visit to Coach Michaels and accuses him of murdering her sister to which he denies (I guess he gots to faith… ahem). We already knew this, but the film really wants to drill it into your head that he’s the killer, but since you’re smarter than that, you know it’s hogwash. So more scenes of randoms dying, mostly through virtually bloodless impalements, and the principal yelling at poor Vanna White for the flood of incoming calls about the school kids missing, which understandably brings in the local police. Not shockingly, the film really doesn’t do anything with this either. A detective shows up, states that they are all probably just out partying or running away with their ladies for the weekend. Really driving home the tired cliche of the uninterested local police force that doesn’t really do any police work. Normally this would be frustrating, but thankfully do to the film’s lack of character development, it’s easy not to care.

gd_4A few students find one of the victims stuffed inside a locker, which Coach Michaels (after having been fired) sees since he is nearby. Boy, they really want you to believe he is the killer. Gee, I guess he is and not who it obviously is… speaking of, Kevin is now locked in fistacuffs with Coach, blaming him for all the murders, but… yeah do I need to keep repeating myself? We know who the killer is, but regardless, the movie wants to drag out this false sense suspense for several more minutes as a chase ensues, resulting in Coach Michael’s being gunned down by the cops, leaving Anne to enter the movie once again just as you are thinking, “where the hell is she?”

So the murderer is dead and everyone can move on, right? Well in such a shocking twist, Anne pays a visit once again to Kevin to see how he is holding up, discovering Laura’s corpse in his room, which could only mean… he is the killer!? Duh, whaaaa?!?! Yeah you saw it coming since he stepped foot into frame. So once again, we partake in another chase scene, leaving you feeling like some exhausted dog; Go fetch the ball, bring it back… but to save us some time, Anne gets the upperhand after a struggle, kicking Kevin onto a giant board of huge nails. You know, even if someone wasn’t killing all the students, I’m sure they would have died anyway, since this school has walls of nails sticking out. And parents think their kids will get hurt playing touch football.

At the end of the day and as much as I hate saying things like this, Graduation Day is nothing more than a Friday the 13th clone and a boring one at that. It feels like something of a cash-in, riding on the coattails of more successful slasher flicks during the boom, than it feels like it actually tried to be something. All of the characters are very one dimensional, the film doesn’t exactly try to play it like the straight man horror film (like Halloween) or even take a chance to let the audience know it’s self aware and spoof the genre. This makes Graduation Day void of (almost) any humor or genuine tense or scary moments. You would think that something following a pretty simple formula would have been successful and make an moderately enjoyable film, but it seems to fall flat in those examples. It’s not that the film itself is confused in which direction it should take the tone or appears to be confused on what it wants to be. It will leave you, for lack of a better word, bored.

Graduation Day
Given the material presented in the movie and being an 80’s slasher, it’s not fun… not even cheesy fun, like something such as Blood Hook or Unhinged. Between the darkness of the film and the headache inducing score makes this one ugly film. It’s hard to believe Troma would later stamp their name on it, seeing as it lacks any elements they are known for. Still, it’s not entirely dreadful, nor is it the worst example of a slasher film. It’s just there, it exists and nothing it presented can save it or make it enjoyable. Not even when Linnea Quigley bears her top. And it takes some sort of bizarro talent to make that not worth the time invested in this film. You’re better of skipping school to avoid this.

Check out this review and plenty others at Goon Reviews.

roadside attractions

  • If the glove fits, you must murder.
  • Murder in 30 Seconds!
  • Track and Field… of Death!
  • Corpse kissing.
  • Relaxing bed of nails.
totals

4

blood

BLOOD

Surprisingly interesting kills with almost no blood.

7

blood

BREASTS

It’s always a pleasure to see Linnea’s pair, but unfortunately it’s in this movie.

1

beast

BEASTS

Blind grandma is far scarier than Kevin.

4 OVERALL
dripper

Watch the entire movie!

trailers

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May

Creatures From the Abyss
1994 – Not Rated – Shriek Show
Starring Clay Rogers, Michael Bon, Sharon Twomey – Directed by Massimiliano Cerchi

Oh my goodness, where do I even begin? I honestly don’t know. I’m completely dumbfounded, like… my brain is trying to reboot. You know, I’ve been watching horror and all kinds of exploitation movies since I was a kid and it’s nice to know that a movie like Creatures From the Abyss can come along and make me say, “What the f**k is this?” Let’s be honest, Italy has made some of the goofiest movies mankind has to offer. Hundreds of years from now after humans have recolonized on a distant planet and are traveling to distant planets to study life from the past, they will stumble upon Earth, dig up this relic and think, “Wow, people in the past were dumb.” I could babble on in complete confusion, but I would only be going in circles, so let’s just start this rodeo.

Five friends frolic and play grab-arse on a Miami beach (because if Italians can’t film in New York, they film in Florida) in front of one of the worst blue-screen stop-motion effects ever. It’s nice that right out the gates the movie is setting the bar that low, as to crush all expectations that you would be seeing anything good. As if it’s saying, “Look pal, this is what you’re in for.” It’s a metaphor for “Abandon hope, ye who enter here.” While this crew of five mismatched dimwits go rafting in a lifeboat with no destination, somewhere else a crew of unknown old guys aboard a yacht are being killed by unknown creatures. So that’s your movie so far; a group of unknown kids are headed somewhere we don’t know to do something, meanwhile a group of unknown old guys somewhere else are being killed by something we don’t see for some unknown reason. That’s a good way to include your audience… by not including them in on anything at all. Well they can’t keep us in the dark forever, so let’s continue.

cfta_2It doesn’t take long for the uncontrollable forces of nature to want these teens dead. Caught in the middle of a storm, drifting in the middle of the ocean, they just so happen to bump into that same yacht and take refuge aboard. But this yacht must be owned by the mad scientists from Resident Evil, seeing as the first thing they walk into is a laboratory and in case you aren’t sure it’s a laboratory, the dweeb of the bunch, Mike (who is also unfortunately our hero), will point it out for you, “It’s a lab!” And don’t worry, he’ll point out many more things, since a rule of bad filmmaking is, ‘if your characters are stupid, your audience is stupider.’ Seriously, this guy makes Nick from Time Chasers look macho and bright. While they are piddling about, something with a wide angle lens is keeping a close eyes on them… very close. So close that it’s completely surprising nobody every sees it! Whatever it is.

They go about the ship, completely ransacking the place for new clothes without a second thought that it may belong to someone or they could intruding on someone’s ship… regardless if nobody is actually there (it’s not the point, dammit!). I may as well point this out now, but every time they walk in the main hallway, you’ll hear an ungodly, off pitched whale noise followed by a child like voice announcing the time from some stupid fish-clock. Oh, and it’s not just two or three times you hear this thing… oh no, they constantly walk by it. All. The. Time. Get used to hearing it ringing in the back of brain. It’s never going away.

But hey ladies, the men have been drifting in sea all day, so while we sit on these cozy sofas, how about you head into the kitchen and don’t come back until you’ve cooked something up, huh? I’m not saying that to be sexist, that’s kinda what happens. Two of the girls, one of which is Mike’s girlfriend, Margaret, go into the kitchen and cook up some fish, while Bobby the nitwit, lamebrain, dingbat, loudmouth or any other insulting way to call someone a neanderthal that I can think of, guzzles down brandy like it’s Capri Sun and sexually assaults Julie. Oh, sorry it’s not sexual assaulting when she finds his horrendous Elvis impersonation charming and giggles while saying, “no.” Meanwhile in the kitchen, the fish that’s being cooked catches ablaze and I don’t mean it catches fire… this thing sends flames shooting up in the air several feet and the fish oozes and gurgles green goo. Eh, Bobby will probably eat it.

cfta_3I hope these kids like their fish really well done. Bobby rams it into his face, belching while he chugs more liquor, clearly proving that men evolved from apes and Dorothy becomes ill, most likely in a combination of the ooze squirting fish and Bobby’s natural funk. She vomits up what looks like milk and egg yolk, followed by beetles to make it one of the most disgusting vomit scenes ever captured on celluloid. Suddenly a crash catches their attention, forcing the guys to investigate. Naturally, Bobby does that thing where he goes ahead, Mike calls his name, then Bobby jumps out and scares him. You know, that same shtick Ash and Scotty play in Evil Dead. Well much to their surprise, someone is alive (remember, Mike will remind you, so don’t worry) and it’s one of the scientists from the earlier cuts! Throughout the pretty much the remainder of the film, he’s in a catatonic like state, but I think that he’s in shock from being in this movie.

What were those scientists doing here? Mike finds his answers back at the lab, where he finds that these scientists found prehistoric fish and the fish broke loose, killed the scientists and blah, blah, blah, when suddenly they are attacked by said prehistoric fish! Good thing these fish can swim through air! Seriously, they do! Mike goes Margot Kidder level of crazy and grinds the fish in a meat grinder and smashes up the lab for good measure, while Bobby stands around with his jaw hanging open. Somewhere in this part of the movie, Margaret tells Mike she is pregnant and wants to get married. Subtle. Mike, with his new knowledge of the crew of this ship, questions the scientist, “How long have you been f***ing fish?” No disgust, no emotion, not even a follow up question. Just lays it out there.

But would you believe me if I told you the movie hasn’t even gotten ridiculous yet?

Upon reading some notes, Mike learns that it isn’t the fish being primordial that causes them to be violent, but from radioactive plankton. You see, earlier Bobby found bags and bags of what he thought was cocaine and was super excited about it. Turns out, it was the aforementioned radioactive plankton that turns people into horny mutant fish creatures…

cfta_4I’m gonna give you a second while that sinks in.

You good? Ok, anyway, Bobby finally talks Julie into sleeping with him, because it’s been awhile since we’ve seen boobs and since Bobby has done something to make you hate human beings. I guess several dozen ‘no’s’ mean ‘yes.’ During this, the armpit of sex scenes, Bobby begins to transform into a giant fish monster, to which Julie pretty much doesn’t notice until Bobby’s eyeballs pop out of his skull and into her mouth (you know, I was gonna make a balls in mouth joke, but this movie is crass enough, so I’m gonna take the high road). You have to know your career has hit a lower point than Courtney Love’s when you direct a giant fish monster thrusting and oozing all over a naked woman and in her mouth. I don’t think fans of tentacle porn would find this erotic. Margaret sees this and runs to get Mike, because if there is anyone that can handle that situation, it’s definitely Mike. However, Julie doesn’t remember anything that happened and Bobby opens the door, looking like his disgusting self (I prefer the mutated-monster-fish Bobby). What in tarnation is going on around here?

If the movie hasn’t repulsed you yet and killed your will to live, give it a few more moments. Soon, Julie begins having cramps and punches her self repeatedly in the stomach, because that’s what doctors recommend you should do for abdominal pain. Then Julie begins to “lay eggs,” which looks like caviar and egg white or melted icecream with crushed up Oreo’s pouring from her… you get the idea. Mike and Margaret finally realize that the ship isn’t so safe after all and that they should grab the scientist (that Mike has occasionally been nursing back to health by feeding him hard booze, because that’s what an unstable mind needs) and get out of dodge. However it won’t be that easy. At least not for people of this caliber of stupid.

The alarm is blaring and THAT STUPID, F***ING FISH CLOCK WON’T SHUTUP! Pouring gas all over the ship, Mike’s ready to blow that puppy sky high, when mutated-fish-monster-Bobby attacks him. Mike manages to wet his pants and flee, bumping into Margaret. While trying to escape from the ship with the doctor, Margaret begins to feel ill and feels something changing inside her. It’s a good thing she is pregnant and she and Mike are getting married, so there is no way anything bad could happen… But as she begins to change, she does the ballsiest things anyone has done in this movie; armed with a spear gun, she points it at her face and fires, freeing Mike from the horrible clutches of marriage. Maybe he and the doc can get a sweet bachelor’s pad.

cfta_5Suddenly the super-duper-monster-fish-destroyer-Bobby shows up for the final boss fight, but unfortunately for him, his weakness is crazy, male nourished, drunk scientists, as the scientist plunges a syringe (earlier he made some cocktail in the syringe) killing the creature as the boat explodes and Mike survives… or does he?! Do you really care? Do you really want a sequel?

That was truly… amazing. Wow, I mean, movies don’t get more entertaining than that. It’s a movie that makes Devil Fish look like Jaws. This plot is so, for lack of a better word, stupid, that they had to write even more stupid characters for their plot to seem intelligent. Which is a good segway into the dialogue of this movie. When Mike isn’t pointing out exactly what’s in front of you (again reinforcing that the plot is stupid, so the characters have to be more stupid, so therefor the audience must be incredibly stupid) and Bobby isn’t replusing you with every word farted out of his mouth hole, the screen is littered with revolting, yet incredibly cheap looking special effects that are dripping and oozing all kinds of goo. These are some of the silliest stop motion and animatronic creatures you will ever see. All of these stomach turning effects are filmed up close with wide angle lenses, as are the characters reactions. You thought Bobby was gross enough with food and offal smeared all over his face? Wait til you see it like it’s an inch from your face. Then watch as his face melts apart and he sweats as he heaves and thrusts while doing the nasty. Think about this jackhole procreating. Barf bags not included, but should be.

I don’t know why this exact thought is coming into my brain, but I want to see Andrew W.K. smash a brick into Bobby’s oily, stupid smirking face. Thankfully we do get a break from Bobby’s irritable self and the girls show off their gazongas, grabbing them and commenting that it’s time to get a new bra. At least the director was smart enough to realize he was going to lose the male audience if he didn’t throw in obligatory breast shots every so often. In between those money shots, the film could have gotten boring, but luckily an incompetent writer and director makes for some of the best and cheesiest dialogue. Someone, somewhere in this movie actually says, “They frighten me… they have an evil expression,” when commenting on the fish. It goes beyond over the top ridiculous, that you would swear whoever was atrociously dubbing them were just making stuff up. Like they just made the plot up as they went along, but if that’s the case, I would believe it more than someone was actually paid to write this. So even when nothing is happening, you’re still entranced by whatever they are talking about. It’s more than watching a collective group of numbskulls stammer and try to figure out a mystery that the Scooby Gang could’ve solved in their sleep, it’s… I don’t know how to describe it other than “magnificent.”

Creatures From the Abyss
This is one of those movies that should have become infamously “so bad, it’s good,” like The Room or Troll 2, but since it’s only been put out by Shriek Show in 2007 in the Mutant Monsters Triple Feature pack (along with The Being and The Dark), I don’t think it’s had much luck in the way of marketing, which is a shame, although that triple pack and the movie individually are widely available at a good price. With a little more push, this could have been seen by a wider audience and finally achieved that cult status it deserves or maybe it’s a good thing that it sunk to the bottom of the sea of bad movies, waiting to be discovered by cinephiles with love for the bad and the obscure. Time will tell.

Check out this review and plenty others at Goon Reviews.

roadside attractions

  • Captain Obvious.
  • Radioactive plankton coke party!
  • Beetle regurgitation!
  • Bobby, the man who inspires contraceptives everywhere.
  • Mutated-melting-monster-fish sex scene!
  • Some caviar for the lady?
  • Face full ‘o’ spear!
  • Fish clock…
totals

5

blood

BLOOD

Little but, but plenty of gooey, melty fish monsters.

7

blood

BREASTS

“I think it’s time to buy a new bra!”

3

beast

BEASTS

Laughable automatronic and stop motion fish are no match for Bobby.

5 OVERALL
dripper

Watch the entire movie… in Italian!

trailers

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Apr

Camp Dread
2014 – Unrated – Image Entertainment
Starring Danielle Harris, Eric Roberts, Felissa Rose – Directed by B. Harrison Smith

Not to be confused with the 2004 horror comedy Club Dread, Camp Dread is a movie that will give you a different impression of what it’s about based on the box art. The tagline suggest that I pitch my tent, which is irrelevant to the film, since they all stay in cabins. Kinda stretching that one for a tagline, but whatever. Films do it all the time, but sure enough, there is a photo of a tent right on the front there. I know it sounds like I’m nitpicking and perhaps I am, but another thing that will come to bother me is the image of Danielle Harris, front and center, as well as her name in eye sight. Hell, there’s even a photo of her on the back, so she occupies a good chunk of the overall box art (even the spine). Don’t get me wrong either, I’m not complaining because she is in the movie, but I won’t spoil it now. As we talk about the movie, you’ll see why it bothers me.

So where do we start? Well, there’s a diner scene with Julian (played by Eric Roberts, turning in the only convincing acting), who plays the director of a fictional slasher movie series called Summer Camp and is now producing a reality TV show based on his horror series and Danielle Harris, is the Sheriff of the small town… and that’s it. I was excited to see her in the role of a sheriff, since it seemed to be something different for her, but this is where the disappointment starts, seeing as after this scene, you won’t see her again for a very long time.

cd_2So a reality TV show themed horror movie, sure you’ve seen this before, but there’s a spin. Seeing as these are all troubled “kids” (clearly in their thirties, but this is even pointed out by Eric Roberts that they aren’t kids, but in their early twenties…), mixed up with drugs, violence or what have you, they have two choices; be a contestant on the show and possibly win a million bucks or face time in jail or rehab. To be honest, what would you go with? On a side note, it is pretty cool that this was filmed at an actual camp in the Poconos. Within moments of exceeding frat boy levels of obnoxious, you come to the realization that these are the characters you are supposed to be identifying with and there’s the underlining problem. NONE of them are identifiable. From the insipid prankster, loudmouth idiot who whenever he spoke, I was screaming “SHUT UP!” at my television to the girl whose dialogue pretty much consist of hate filled, vile homo bashing. Now, I know this can be used to set up a loathsome character, but it becomes so redundant to the point where it’s ineffective and comes off as ignorant. To be fair, there are two other kids that are given some back story and would have been likable if the film had given them a little more development. The only other character that is given a sliver of sympathy is a girl who murdered her brother after he was raping her, but by the end of the film, they manage to strip that away from her.

cd_3It takes serious talent to set up a character with that kind of back story and still make them unlikable by your film’s finale. Wait, is talent the right word?

Julian invites his old producer, John, out to be a part of the show and to bury the hatchet. You see, Julian was notorious for disregarding his actor’s safety and John blew the whistle on him, which in consequence got him black listed from ever directing again. Of course John flies first class to tell Julian off and doesn’t partake in this project. Also joining Julian is Summer Camp actress turned counselor (yeah… quite a coincidence), Rachel, played by Felissa Rose. I was happy to see her come back, but disappointed with how little she is used in the movie and by that I don’t mean she isn’t in it enough, I mean they don’t use her character for much. Come to think of it, they don’t do that with any of the characters in the movie. Like I said, some of them are given a back story or a skill that could be intricate to the plot, but it’s never utilized, because the film makers would rather raise the body count. Hoo-f***ing-ray.

That’s all it is from here… just watching characters die, one by one. The film even drops the ball in this department, often shying away from gore, never really showing much or paying off with its kills. Although some of the kills are creative, such as a prosthetic leg being used to bash someone’s head in and killing another character with a decapitated head. So there is that, but even then it hardly feels worth it. While people are getting picked off, you see Julian has an ulterior motive, a secret plan, but it doesn’t come as a surprise, since you see it coming from the beginning of the film. The killer is exactly who you think it is, certain characters turn on each other the way you thought they would and Eric Roberts is more sleazy than he leads on to be, just as you expected. Speaking of not coming as a surprise, we have a predictable twist ending to get to…

cd_4And just when you were thinking, “Hey, wasn’t Danielle Harris in this movie?” She pops up at the end to unconvincingly tie up the predictable, tired and cliched ending you were really hoping the film wasn’t going for, although it was evident it would, as the movie falls apart in the final act. Well, thanks anyway, Ms. Harris. Your check is in the mail.

For the majority of its run time, Camp Dread walks that fine line of a good bad movie or just bad… and during the final act, it leaps way past that line. This is a film that plays it safe, never taking any risks by sticking to the same predictable cliches you’ve seen done to death and are bored to tears with. It’s almost frustrating at moments when you realize the alternate route they could go in terms of the story and you so badly want it to, but it never does. It tries to push itself at times, trying to be “in your face,” with homophobic bashing and shocking you with potential rape, but it all comes off as annoyingly mean spirited. There is a huge difference between shockingly offensive, controversial and seeming ignorant. This is something the movie can’t seem to figure out, most likely due to the one dimensional, meat headed, bigoted characters, that all seem to be those stereotyped Jersey Shore jock types (because that’s exactly who the majority of any audience wants to spend a 90 minute movie with…). You can’t just have several characters spew out dense, childish homo-bashing lines and expect it to flesh out a character, especially when all of your characters are despicable to begin with. And that’s where one of the major flaws of the movie is; there are too many characters and all but a few are sympathetic, not that they do anything with them anyway. Which brings up another issue… there are WAY too many characters. Camp Dread opts for more characters to increase a body count, rather than a few well developed, solid characters to focus on. It’s a story with too many unlikable, selfish characters with absolutely no character or anything to round them out as a human being. They are just slasher fodder. I can’t tell you how sick and tired I am, or a good population of the horror community for that matter, of horror films that set up horrible, unlikable characters for the sake of getting killed off in the name of a body count. This is a movie will fall into the void of forgettable dime-a-dozen slashers.

Camp Dread
It’s frustrating because although this plot is so generic and uninspiring, there are moments where if the filmmakers had taken a risk, it could have been something unexpected and possibly good. It often teases something scandalous, like a lesbian sex scene, but never goes that route. It’s a film that really wants to shock you with sex, violence and imagery, but it comes off as annoying instead. Like those vegetarians that have to constantly remind you they are a vegetarian and scoff and get upset when there aren’t more vegetarian options at places to eat. It really pains me to experience what I felt while watching this film, because it sounded interesting, but alas, just a diarrhea wolf in sheep clothing. Overall, there isn’t much to be offered here in terms of story, gore, nudity… nothing to really give fans anything they want, unless you are looking for a shameless body count. Perhaps you should go to space camp instead.

Check out this review and plenty others at Goon Reviews.

roadside attractions

  • Eric Roberts, professional sleaze.
  • Hello, Danielle Harris…
  • Angela returns to camp.
  • He has a ‘leg up.’
  • Hanging meat.
  • Head catapulting!
  • …goodbye, Danielle Harris.
totals

6

blood

BLOOD

Arrow through the eye and a decapitation, but mostly tame.

4

blood

BREASTS

A peak here and there.

3

beast

BEASTS

When it comes down to it, just about everyone is a monster and it is stale.

4.3 OVERALL
dripper

Watch the trailer for “Camp Dread!

trailers

dripper
Mar

posted by Barry Goodall | March 31, 2014 | 90's movies, B-movie Reviews, B-movies, Bad movie, Review by Barry Goodall

Warwick Davis never dreamed after being trapped in a tin can by George Lucas that he’d be playing the most famous homocidal Irish midget ( that is if you don’t count a raging preschool Peter o’ toole.) Sure we’ve had Jason in Space, Pinhead in space, heck we’ve even had Pigs in space. But what happens if you stick a Leprechaun in zero gravity?


Leprechaun 4 attempts to answer this  as Warwick once again puts on the  buckled shoes to brings chaos to the galaxy. It  also likes to pretend the first 3 movies were never even made as we find our green midget friend not only in one piece but  living the rich life on a desolate planet along with his alien princess hostage. How he got there, nobody knows. His plan is to marry her, kill her off and become king to steal her planet’s gold. overall its a pretty effective pre-nup. Meanwhile a ship of testerone filled marines are hankering to fill him with McBullet holes instead.


Led by a loud mouth sergeant with a disco ball for a skull, they find his hideout and blow him into a thousand bits. One of the marines relieves himself on the remains which gives the soldier an electric jolt that causes him to give birth to the leprechaun through his crotch. (Those with heart conditions or that may or may not be pregnant should not watch this scene.)


The Leprechaun now  loose on the ship, is being hunted down by the Marines who are getting picked off one by one through a series of bad one liners and dumb space pranks. Even the chrome-dome sergeant gets remote controlled and turned into a transvestite lounge singer much to the horror of the rest of the crew. Meanwhile back in the ship’s lab, a German Cyborg named Dr. Mittenhand, is taking blood samples from the unconscious princess  so that he can regenerate some of his lost limbs. Yes, her blood is magic and she curses people by flashing them her breasts. Her planet must be somewhere near the Mardi Gras nebula. She’s revived by the doc’s assistant who gets his face pancaked smashed and decides to partner with the Leprecuan for the promise of fortune and likely more body glitter spray.The leprechaun gets a hold of the healing formula and blender mixes it with some ground up spider DNA changing the doc into an eight legged german spiderborg named Mittenspider! Hitler would be proud.


Mittenspider redecorates the spaceship in a sticky web while trying to uncode the DNA mixup at his computer.  Before he can trap any renegade space flies, the other soldiers blow him to bits with a can of  liquid nitrogen and a quick shot to the thorax. Back down in the cargo hold, the leprechaun uses a shrinking/enlarg-o ray to grow himself into a 20 ft. soldier stomping monster. Nothing a leaky airlock won’t fix though, as he gets sucked into space and explodes into little green space chunks including a floating hand that flips everyone the bird. That pretty much sums up how most of the audiences felt about this movie.


Not the best in Leprechaun series but that’s a low bar set even for a midget. Barry Goodall says grab a bowl full of lucky charms and hunker down for some gravity free leprechaun action. It’s a pretty fun time depending on how much whisky you had before.

roadside attractions

  • Leprechaun Light sabre attack
  • Disco head marines
  • Giant blue cave rats
  • Flesh eating bacteria walk-in garbage disposals
  • Princess glitter spray
  • Pizza face
  • Giant leprechaun with optional giant german cyborg spider. Now with kung-fu grip.
totals

5

blood

BLOOD

Some red stuff but there’s plenty of goo!

7

blood

BREASTS

one of the best gratuitous breast flashings used as an alien curse of death since Lady Gaga.

9

beast

BEASTS

Plenty of creature features in this with a giant leprechaun, a german floor cleaner, and a cyborg spider hybrid. It’s like Cirque du Soleil.

6 OVERALL
dripper

Watch the trailer to “Leprechaun 4: In Space”

trailers

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Mar

posted by The Goon | March 28, 2014 | Action, Bad movie, Horror movies, Reviews by the Goon, modern horror

Day of the Dead
2008 – R – Millennium Films
Starring Mena Suvari, Nick Cannon, Ving Rhames – Directed by Steve Miner

It’s easy to have a biased opinion on remakes these days because of the sheer volume of them. People will pass judgement without even seeing a trailer just because it’s a remake. Although we complain, we are first in line to go see them. Sure, over the past few years, remakes are more commonplace than ever, however filmmakers seem to be taking the source material more seriously while adding their own view or style to it, giving it a fresh and unique spin, so they are telling the same story without making it a carbon copy. Unfortunately that seems to be few and far between. A good majority of the time, we either get unnecessary updates that are aforementioned carbon copies or we get an insulting misrepresentation of source material, so painful it stings. And possibly the most painful of them all is Day of the Dead.

Talk about missing not only the mark, but the concept, the social satire, the amazing practical effects, the story telling, the larger than life characters, competent film making and story telling. Sure it’s common for a film maker to want to take a different approach when doing a remake (in fact, it’s something I encourage and want them to do), but there is a fine line between creativity and total stupidity. What do I mean? Do you remember how the other Dead film’s open? With interesting characters in the middle of a situation they are unaware of that they must immediately adapt to. How does this film open? With a group of four teens dancing in a missile silo playing grab arse. If there is one way to make your characters be as unrelatable as possible, it’s to have them do something that nobody can relate to. I think this concept is lost when older people are trying to write about what they think teens do now.

dotd_2Anyhow, our two main teens, Trevor and Nina, decide they’ve seen enough prepubescent groping from their friends Kyle and… nameless girl and want to head home to make whoopee in a more comfortable setting. Along the way, Kyle seems to be showing signs of a cold, you know… obvious foreshadowing, so throw out any hope for suspense. It turns out there is an outbreak of this virus all over town and the military is now blocking any way in or out. Rhodes (played by Ving Rhames, sleepwalking through this performance) heads up the roadblock and couldn’t seem more uninterested if he were trying. One thing you may notice about these soldiers is that they aren’t exactly armed, leading you to believe it’s the Reserves. This brings me to one of my biggest gripes about the film, Rhodes is seriously underwhelming and stripped of what made him a threatening menace in the original. Ving Rhames moans out every line of dialogue like he’s falling asleep and never once gives any indication that he is a force to be reckoned with, because in this film, he isn’t.

Among his squad is Sarah, who the camera is pointed at most of the time (since it’s insulting to call her our heroine), rookie Bud (who I’m sure you all remember as the intelligent zombie BUB with a military background from Romero’s original) and the increasingly annoying, false representation of a generation, one liner, cliche spewing Salazar played by Nick Cannon. Never in my life have I wanted to physically assault a character after every cocky line of dialogue spewed from their stupid face as I have Salazar. Since Sarah’s mother is sick with coincidental plot device syndrome, she and Bud take a drive to her house and along the way, they have a one on one. She tells him her gun isn’t loaded and that it’s complicated (another plot point that is never truly explained) and he tells her that he is a vegetarian (which will come back to provide the “jumping the shark” holy grail of all plot points), only to run into her brother Trevor and Nina where the mellow drama begins. Trevor holds a grudge against his sister for wanting to do something with her life and leaving and to my recollection, this is never resolved or fully explained, making it entirely pointless. Then again, I could say that about everything in this movie.

Learning that Kyle was showing the same symptoms, they all head over to his house and find his parents mutilated and report it to Rhodes while en route to get their mother to the hospital where we meet the other insult to source material, Dr. Logan, who is now suave and sleazy, rather than a burnt out scientist on the verge of losing his mind, because you know, that might have been interesting. When at the hospital, Sarah leaves her brother to look after their mother, while Rhodes then sends a team to check on Kyle’s house, but come to find out, there are three bodies instead of the reported two. Yes, in this movies, the zombies are intelligent and set traps, but that is the least of the stupidest abilities the zombies have in this movie…

dotd_3This is when things go to hell, both for the characters and for you, the viewer. All of the infected people go from catatonic to undead with super human powers! Not only are they incredibly fast and agile, they can also leap great distances and crawl on the walls and ceiling! Hmm, maybe it was a radioactive spider that bit all of them. Now, there is nothing wrong with wanting to do something different, as I stated earlier. Making changes that a pose a threat can make for the characters to develop and adjust to the situation in an interesting way and possibly provide you with something you haven’t seen before, but IT HAS TO MAKE SENSE! Other than a quick one sentence explanation that is never followed up on, it is never mentioned how this virus can give the undead abilities that are outside of normal human capabilities. If you want us to believe the creatures can do this, again, IT HAS TO MAKE SENSE in your film’s reality. If the movie hasn’t completely lost you earlier, it definitely will now.

During the undead attack, Rhodes is immediately devoured, which could be a good thing that this piss poor version of the character is done with, or it will anger you that perhaps one of the greatest antagonists in a zombie flick was portrayed against everything that made him great. Either way, he does come back undead, giving an mildly interesting chase scene with no legs, only to be comically killed off by Salazar, adding insult to injury.

A good majority of the movie is the soldiers WITHOUT WEAPONS trying to escape from the hospital and is it boring. During the escape, Bud is bit on the hand. Salazar wants to waste him, but Sarah pleads and says he can be of use until he turns, at which point, she will take care of it. After stealing Rhode’s Humvee and stopping at a gun store that somehow has fully automatic weapons, Bud turns into a zombie, but to their surprise, he’s obedient like a soldier, which I suppose is fine. But in the most idiotic of explanations as to why he isn’t trying to eat them, as Sarah says, is because he’s a vegetarian. So let me get this straight… in this backwards world, if you were a vegetarian, when turned into a zombie, you won’t crave human flesh? In this health aware world where vegetarians are pretty dominant, these zombies are supposed to be a threat? I’m sorry… I need a minute to wash my brain off all the stupid.

Trevor and Nina managed to escape to a radio station where a few other survivors are holed up and wouldn’t you know it, a few of them are hiding the fact that they are infected. The film does try to pass off some suspense here where you briefly wonder who’s infected, but then you realize it doesn’t matter since the three brief characters that have nothing to do with the plot are killed, leaving Trevor and Nina to be rescued by Sarah.

dotd_4By the way, it’s at this point I realized they’ve been calling Sarah “Corporal Cross” when it’s referenced that their family’s last name is Bowman, so… did the writer just forget this or is he as brain dead as the zombies? Speaking of, in true nature to this film, it’s never explained.

After an accident from a run in with zombie Kyle, they come across an underground bunker that just so happens to be where the scientists were developing the virus for…? There is a scene with Mad TV’s Pat Kilbane, but he barely brushes the topic. It’s never fully explained, so who cares! We don’t need to explain anything when we have zombies! And that’s how the film treats you; as if you are stupid and they can shove zombies into something and you’ll watch it, which I guess this means we did, so joke’s on us. Touche. Anyway, while they putz around and failing to provide any exposition, zombies attack and kill Logan, which I’m sure we’re all heart broken over since he was so likable, as is Salazar (FINALLY). I really haven’t talked much about his character, other than how intolerable and irritating his “hip-teen-lingo-catch-phrase-of-the-day” dialogue is, but trust me… the less said, the better. It’s like being talked down to by an older person who is trying to relate to your generation.

So Sarah, Nina and Trevor escape and the film throws in an ineffective jump scare. Nobody cares. It’s over.

Like all uninspiring remakes, these characters can only be identified by their stereotyped character trait. The tone of the film comes off as a cheap teen slasher flick, maybe due to the fact that Steve Miner directed, whose previous works included Friday the 13th Parts 2 and 3 and Halloween: H20. And For a movie called Day of the Dead, a lot of it takes place at night, but I guess that’s just me nitpicking.

Day of the Dead feels more like a humdrum teen slasher of the post Scream era then it does your insipid cut-and-paste zombie flick. How many times are we going to see the same story about some virus spreading the infection? Why do these filmmakers feel like they need to explain everything? If you have a strong enough story and characters that we care about, details like that are left a mystery and it adds to the doomed feeling of the situation the characters are in and that’s part of what made George Romero’s movies work! If you’re going to remake one of his movies and claim you are being faithful, while putting a fresh “spin” on it, the least you could do is just that. There’s another thing that gets thrown out in the remake world too much; “putting a fresh spin on it.” When you hear that, it usually means they gave the characters cell phones and Facebook jokes in their dialogue. Updating a film is fine. That’s been done since the dawn of films, but you need to make your characters relevant to the time period and give us examples of why they work in the situation that’s going on, instead of vomiting out the same annoying, slang spewing rejects from cliched stereotypes.

Day of the Dead
Not only is this a god awful remake, but a god awful film overall with absolutely nothing good about it. I found it to be unenjoyable, even with a group of friends looking for a cheesy movie to have fun with. Everything about this film is not only a misrepresentation of its source material, but to the genre as well to the point where it feels insulting. Even the editing seems to be sped up or have frames chopped out so the zombies seem like they are more supernatural, which comes off as laughably bad (but not frustrating like Automaton Transfusion). And of course being a late 2000’s horror film, practically all of the effects are unnecessary CGI and boy, does it look terrible. I’ve seen better effects in Asylum movies. I don’t know what else to say. This movie is so awful, they couldn’t even get it released theatrically! I can only tell you that this is one of the few times I would urge someone to stay away from a film. Treat it like a zombie outbreak; get out of there and stay away from this stinker as far as possible!

Check out this review and plenty others at Goon Reviews.

roadside attractions

  • Drinking game… just drink because you are watching this train wreck.
  • I didn’t know it was possible to make Ving Rhames look like Steve Urkel.
  • Nick Cannon’s one liners.
  • No brains, I’m a vegan.
  • Your friendly neighborhood Spider-Zombie!
  • Dr. Douche.
  • If you haven’t beat yourself senseless while watching this movie, you are a brave soul.
totals

5

blood

BLOOD

Regardless of the horrendous CG gore, it’s still pretty tame by today’s standards.

0

blood

BREASTS

As if this film would give you even one second of something to look at.

3

beast

BEASTS

You think super ability zombies would be scary, but no. Under played and laughably stupid.

2.6 OVERALL
dripper

Watch the entire movie… if you you don’t want any brain cells!

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Lost Highway is your satirical detour down the twisted back roads of b-movies and cult films reviews. learn more >>