Archive for the 'Halloween films' Category


Comments Off on Halloween III: Season of the Witch

Look, no one loves the “Halloween” series more than I do, at least until Busta Rhymes gets involved. The first film is an unimpeachable classic that defined a subgenre and entirely makes up for “Ghosts of Mars” and “John Carpenter’s Vampires” in the same way that the Beatles catalogue means Paul McCartney still gets to be a legend even though there’s that terrible Christmas song and “Kisses on the Bottom.”

But there’s one movie nestled among the chapters of Michael Myers’ seasonal quest to kill his sister/niece/sister again that does not belong – 1982’s “Halloween III: the Season of the Witch,” or The One Where He Didn’t Come Home. Nope, “Halloween III” doesn’t have Michael. It doesn’t have Michael’s final girl blood relations fleeing into narrow dead ends. It doesn’t have Donald Pleasance earning every bit of his paycheck and all the residuals in the universe as Dr. Loomis, foremost authority in the field of abnormal EVIL child psychology.
John Carpenter and Debra Hill, who created ”Halloween,” its sequel, and produced III, envisioned the series going in an anthology direction after “Halloween II,” like a theatrical “American Horror Story.” But audiences hated “Halloween III” for not being more “Halloween III.” For years, even after I’d memorized Halloweens I, II, IV, and V, I still hadn’t even tried hate-watching III because everyone I knew spat on its clamshell. But you know what? Once I did give it a shot, it instantly became a favorite. Among the Halloween series – which, again, I have memorized, 4srs — I’d put it second in quality only to the first one, although I still watch it far more often. Let me tell you about it!

The movie starts out with an old guy running pell mell to escape what appear to be tax preparers or junior executives, maybe Mormon missionaries, a pretty sweet jack-o-lantern mask stuffed in his waistband. Seeking refuge in a junk yard, old guy manages to commit vehicular manslaughter on them, escapes, later to ruin the shift of a night watchman at a garage who’s just trying to watch a news report about Stonehenge. (Plot point! Plot point!)
Enough of that exciting stuff. We are transported to meet our real hero. Tom Atkins’ Dr. Dan Challis is instantly relatable, although partly because we meet him while he’s being sneered at by his killer shrew ex-wife and disappointing his kids by bringing them less awesome Halloween masks than mom got. (“They’re Silver Shamrock!” the children exclaim, singing along to the commercial for the very same masks at eye-ruining distance from the Magnavox. Get used to that hectoring singsong; it’s going to be a motif.)

Dan is your basic good guy caught up in terrible events; he’s a doctor, sure, but there’s definitely more Sears catalogs and Playboys in his place than medical journals. He drinks when he’s on call, has implied alcoholism, endures a bitter ex-wife with custody of their two kids, and pats the night nurse’s bottom with no fear of repercussion ‘cause he’s too OK to harass anybody. He is an 80s main character in search of a Stephen King novel. He’s a good — not perfect! — but good guy. And he has a sweet mustache.

By the way, bitter ex-wife Linda is played by Nancy Loomis, the same actress who played Annie, one of Laurie Strode’s less fortunate babysitter friends in “Halloween.” (Also her staring corpse in “Halloween II!”) Foul-mouthed and half-naked in “Halloween,” 5 years later, she accessorizes a grey wig with a dowdy shawl and 80% of her lines are yelled over the phone at Challis. Hollywood really is terrible for the aging actress.

Challis gets paged, and the scene can’t jump cut hard enough away from that domestic bliss. The garage night watchman has delivered the old guy to the hospital, still clutching that Halloween mask. (Yes, Silver Shamrock! How did you know?) As Challis asks what happened, old guy is summoned to consciousness by that obnoxious commercial for Silver Shamrock Halloween masks, gasping, “They’re coming to kill…ALL OF US.” Challis prescribes Thorazine, because death threats always look better after a good drug-induced snooze.

While Challis is sleeping something else off in the doctor’s lounge, another Botany 500 suit model stalks into the hospital like so much Michael Myers. This is, in fact, an even less populated and policed hospital than the one in “Halloween II.” He arrows in on the old guy and takes another page from the Michael Myers playbook with a brisk head crushing. The night nurse walks in on the end of it, but luckily for her, the killer doesn’t care, and like a bee that’s spent its one sting, proceeds directly out to the parking lot, douses himself with accelerant, and goes up in a suicidal pyre.

Challis gets to see the conflagration and is on hand the next morning when police reveal the body to a young woman, the old guy’s daughter, Ellie Grimbridge. She identifies the body, horrified and grieving, but also cute. Later, she tracks Challis down in a bar and asks whether her father said anything the night he died. Challis tries a comforting lie, but when that fizzles, he expresses an urgent desire to find out what’s going on. And an amateur sleuthing team is born! Cue the upbeat opening.

Challis and Ellie check out her father’s shop, where he has a conspicuous inventory of those Silver Shamrock Halloween masks, and decide to take a day trip to the mask factory, his last known whereabouts before what we saw in the first 15 minutes of the movie. Challis also asks a friend in the coroner’s office to do the autopsy on the old man’s murderer and pass Challis any fun, plot-advancing tidbits.
The Silver Shamrock factory is located in a Southern California company town called Santa Mira, populated by…Irish immigrants. OK, sure. Realizing it’s too small a town to snoop without a cover story, Challis and Ellie decide to pretend to be a couple, buyers from the factory like Ellie’s dad was, and book a room at the local motel. Luckily, Ellie also packed lingerie for her day trip to track her father’s last movements with the nice, strange doctor.

We also meet an angry woman staying at the motel, in town to pick up her mask order, and another buyer, Buddy, with his wife and truly obnoxious brat, who are so National Lampoon, guys, I’m not kidding. So a lot of the snooping comes to Ellie and Challis at the motel, and that’s convenient. We learn that the factory (and thus the town) is run by Conal Cochran, a famous maker of novelty gags, toys, and masks, and Challis risks all kinds of fun backwash sharing his brown bag o’ booze with a local deadbeat, who points out the video cameras monitoring the whole town and complains bitterly that the factory is staffed entirely with outside people, not local talent like himself.

The night wears on. Ellie’s lingerie goes on, and maybe off, but we don’t see that. This is pretty PG-13 here. The deadbeat is double head crushed by more tax preparers of the night. And angry lady toys with one of the Silver Shamrock masks, unleashing a beam that fries her face off and generates worms and bugs from the gaping face holes. Face obliteration is a pretty ironic thing for a mask to do, and it’s still a fairly good practical effect, trading blood for broken teeth and exposed sinews.

The next day, best Halloween mask salesman evar Buddy and his family are taking a tour of the factory, which Ellie and Challis manage to glom onto. Cochran tours them personally though the place, and we get a closer look at his legacy of successful clockwork toys (Plot point! Plot point!) as well as the mask making process – less the tantalizing “final processing,” which Cochran explains has to do with trade secrets and volatile chemicals. He doesn’t want anyone to get hurt.

Speaking of getting hurt, Challis spots some more of the menswear models of doom and recognizes their eerie resemblance to the killer what bonfired himself in the hospital parking lot. Ellie also spots her dad’s car, partially hidden under a tarp, although she’s prevented from getting close by more members of the Silver Shamrock Kraftwerk tribute band.
And then our heroes, with the proof that Ellie’s dad was there (which wasn’t really at issue, was it?) and the serious heebie jeebies, hear what the audience is yelling at them and decide to get the hell out of Halloweentown. But FIRST, Challis wants to call the cops. Dumb, dumb, stupid man. While Ellie packs her one tiny overnight bag, he goes to the motel office and finds all lines are routed to a wrong number recording. By the time he gets back to the room, Ellie’s gone, and the room is surrounded by blank-faced, sharp-dressed men. So Challis is off to the races.

For a while, he manages to kill rather than be killed, and soon realizes that the suited baddies in pursuit are automatons, super realistic killbot versions of the clockwork toys that helped make Cochran so successful. So are most of the people in Santa Mira. But if Challis were successful in escaping, we wouldn’t get a villain speech, and we do get one from Cochran, a splendid speech not just about his evil plan, but about Halloween itself and, unlike Dr. Loomis, he pronounces Samhain correctly.
Challis isn’t down for the count though. There’s more movie left, a big scary child sacrificing plot to avert, and a cute girl to save, too. I’m leaving out a lot of good stuff actually, like what happens to Challis’ coroner friend and Cochran’s demonstration of his evil plan for Halloween night. You should watch and see. …Probably not while wearing a Halloween mask though.

roadside attractions

  • Killer Clockworks from Killarney
  • Honey mustard blood
  • “Halloween” Easter eggs
  • I’m crushing your head (x2)
  • Face/off
  • Killer driller
  • Willy Wonka level cruelty to children
  • A cult following




Not a bloodbath. More of an acid bath with snakes and worms playing pinochle in dissolved skulls.




.3 Glancing nip slip. Be ready to hit pause.



BEASTS Once again, the real monster is man and army of his killer robots.

8 OVERALL Maybe they should have called it All Hallows Eve or Samhain or The Night Celtic Witches Sacrifice All Y’All’s Children.” “Halloween III” both deserves the Halloween name and doesn’t deserve the short shrift it’s gotten because of the “Halloween” name. On its own merits, you get a great cast, a fairly original story in the vein of 70s, early 80s conspiracy horror with both witchy and technological components, a spooky Kraftwerky soundtrack, and plenty of memorable practical effects that still ook out effectively decades later.

Watch the trailer to “Halloween III: Season of the Witch”



posted by Barry Goodall | October 23, 2011 | Halloween films, Holiday films

Comments Off on Super-Uber Duper Halloween Movie List

It’s that time a year again. Time when little monsters beg for snacks and drunk soccer moms dress as slutty pirates. No it’s not kids eat free night at Long John Silvers, it’s time for our annual “Movies you might have seen but maybe not but if you didn’t then check them out halloween night movie list” or “MYMHSBMNBIYDTCTOHNML” for short. Our highway mutant editors came up with a list that in no way reflects good taste, human decency or a proper hygiene and to that we say “heck yeah!” So here’s our movie list which is in no particular order mostly because we ain’t no communists.

1. The Frighteners
Three years before that kid saw dead folk in The Sixth Sense, Michael J. Fox had a similar affliction in this here flick. But, unlike the mopey kid in Sixth Sense, MJF used his powers to make some extra cash.

2. Trick r’ Treat
A collection of interlaced short stories which nobody but four people saw, Trick r’ Treat is a hoot. Shame it didn’t get the attention it deserved, much like Jaleel White’s one man musical, Urkel Rex.

3. Ernest Scared Stupid
Yes, this may fall under the ‘kiddie’ category, but aside from being an important Public Service Announcement about the dangers of trolls, it is some of Jim Varney’s finest work as Ernest.

4. Planet Terror
A throwback to over-the-top zombie movies (are there any other kind?), Planet Terror is as fun as it is gory.

5. Call of Cthulhu
For those what like their horror a bit more on the ‘cerebral’ side (and I don’t mean floating killer brains), check out this take on H. P. Lovecraft’s classic story. It is black and white, and not a talkie, but captures the mood (and time) of the story pretty well.

6. John Carpenter’s Vampires
No Halloween movie list is complete with out at least one JC flick. Vampires is funny, gory, and gritty. No fancy hairdos or sparkling here. Trivia: stars Sheryl Lee, Twin Peaks’ Laura Palmer. Yes, please.

7. Dead Alive
Most blood and gore I’ve seen, and I’ve been looking for years to find more; all of it is absolutely gratuitous. The story of a momma’s boy whose mother is bitten by a spider monkey and becomes a zombie. Unable to properly “deal” with his mother, a comedy of errors insures and the plague spreads quickly. But the real gem is the Kung Fu priest and his line, “I kick ass for the Lord!” Can I get an Ahmen!?!

8. Evil Dead 2
This one is a no brainer. Yes, it is a popular favorite, but it stands the test of time and needs to be on any Halloween list.

9. Ghost Dad
83 minutes of terror. Bill Cosby (yes) rises from the dead to wreck havoc on those who done him wrong. Or he just comes back as a ghost and tries to make his kids love him. I can’t remember. I always pass out after the first ten minutes due to brain failure.

10. Thirst
A vampire movie that is actually cool. Not because some aesthetically pleasing teens are wearing tight black leather, but because the story is excellent. Tired of feeling useless watching patients die at the hospital he works for, a Catholic priest volunteers for an experiment to find a cure for a deadly, and incurable, disease. During one of his blood transfusions he is tainted with vampire blood. Without knowing what’s happened, he has to come to terms with his new urges and his religious calling.

11. The Signal
Someone has started broadcasting a signal on all devices, radio, television, interwebs, etc., that has driven people insane. A young girl tries to make it to a rendezvous with her lover at a train station, all the while being pursued by her husband, and what seems like the whole of the city, that’s gone psychotic. Another great mix of bloody horror and humor.

12. Murder Party
Christopher Hawley is a loser who mistakenly gets an invite to a Halloween party. The group throwing the party intends to kill him for their “art”. What they get is mayhem, mishap and hilarity.

13. Shawn of the Dead
Best. Romantic. Comedy. Ever. It took me a while to realize it was a romantic comedy because the genre is so masterfully hidden under the layers of “buddy flick” and “zombie outbreak”. Pure GENIUS.

14. The Mist
Whereas this movie has monsters, and blood and guts, the real horror of the film is what happens because of the people who are trapped, trying to survive. In true Stephen King fashion, no one gets away clean in this film, and the worst of the worst is saved for the very end. The last minute is heartbreaking.

15. Audition
This movie can be incredibly slow. I almost didn’t make it through the film. It’s about a man who’s raised his son alone after his wife died in childbirth. Now, some 17 years later, he’s looking to remarry but doesn’t know how to meet women. A friend, who’s a movie producer invites him to take part in some auditions he’s holding to fill the female lead to help him break the ice. Know this, it is WELL worth what the film’s building up to in the last 25 minutes. When it hits the fan it’ll freak you out, but good.

16. The Ugly
From New Zeland, a good looking psycho thinks he’s ugly and everyone laughs at him, so he starts butchering every chick he comes across with a straight razor because he is possessed by The Ugly. Tries to have a good relationship, but whatever pseudo-demonic force inhabits him just won’t let go, despite the best efforts of a psychologist who comes to love and understand poor Simon. Awesome mental hospital scenes, and a decent twist on the end.

17. The Abominable Dr. Phibes
Willy Wonka’s Candyman up against the diabolical Vincent Price and his wind-up jazz band. Psychedelic dance scenes, prolonged organ playing (of the musical type, you perverts!), and some of the fanciest death scenes ever! My particular favorite is the frog mask. It doesn’t get much more technicolor than this.

18. The Stuff
The best parasitic alien dessert food movie yet. White gunk bubbling from the ground is discovered by two hobos whose first instinct is to taste it. It takes off like effing wildfire, and the only things standing between The Stuff and world domination are a little boy and an industrial spy. You get an excellent grocery store freakout, melting faces, and sentient cool whip. It’ll make you think twice about eating a twinkie ever again!

19. Stanley
Vietnam veteran gets along better with snakes than he does people; your typical traditional country native fighting off the sleezy, drug-addled land developer. He takes matters into his own hands and sics his pet rattlesnake Stanley on the city scum, and then in a moment of pure ‘What just happened?’ kidnaps the developer’s daughter after he’s filled the pool with various and sundry snakes, and she falls in love with the cold-blooded swamp stud. He plans to make her his Eve, but she wants to go to the rock-n-roll show, and in a climactic man vs. nature scene, he reaps the venom he spewed.

20. Don’t Answer the Phone
Psychopathic pudge-bucket throttles ladies with extreme prejudice. Amateur S&M photography sessions, and extreme stalking behavior. The one that got away is chased and psychologically tortured, but thankfully a hunky police officer feels sorry for her and annihilates the bad guy.

21. The Blob
I can’t say much about this one other than if frigging rocks. The quintessential Earth vs. Extraterrestrial Gunk movie. Just awesome fun all the way around.

22. House
William Katt, a horror writer with PTSD inherits his aunt’s haunted house, where his son disappeared years before. Estranged from his soap star wife, he goes to the house to write his Vietnam memoirs, but ends up doing battle with the supernatura, led by Bull from Night Court. The Greatest American Hero dukes it out with sentient garden tools, slime glopola monsters, demonic troll kids, and a taxidermied swordfish. Badass.

23. Dr. Giggles
Crazy surgeon takes revenge on his home town for the deaths of his parents. His mom died of a bad heart, and his surgeon father tried to find her a replacement…by cutting the hearts out of townsfolk. They gave him the Frankenstein pitchfork treatment, but not before he had sewn the young doctor into his mother’s corpse. He runs into a teenager with the same condition as dear momma had, and makes it his mission to kill her friends and transplant her heart.

24. Popcorn
A twist on the wax museum revenge story; this time set in a movie theater where a college film studies class puts on a horror movie extravaganza, but someone’s got their sights set on murder! A little girl with vague memories of almost getting murdered by a cult, the movie the cult was filming showing up, and the hideously deformed creepazoid hiding his marred visage behind elaborate makeup untl the final showdown. Great sendups of William Castle classics and old theater gimmicks.

25. American Gothic

Traumatized woman takes an island vacation with her friends, only they land on an island inhabited by a family of nutballs who murder folks from the modern day and make them into mummified dolls for the kids. This one goes full circle, everyone getting hacked up except for the crazy lady, who goes so absolutely and perfectly insane that she joins up with the family, only to go EVEN MORE CRAZY and kill them all. Amazing


posted by admin | October 31, 2010 | Feature, Halloween films, Review by Barry Goodall

Comments Off on 10 Favorite Horrifying Movie Scenes for Halloween

When you remember some of your favorite horror films certain scenes come to mind. Some are great jump moments, others combine all the best elements together into something that is truly timeless and classic. These are scenes that helped define the genre of horror and kept us awake at night while they replayed in our heads. Here’s a top 10 list of a few of our favorites to get you in the mood for a halloween movie night. Don’t worry, we’ll leave the light on in the hallway for ya.

Women in Black (her appearance on the bog.)
“I was also afraid my 4th grade English teacher would appear on a creepy bog.”

Prince of Darkness (The brodcast at the church)
“If you mess with your antenna, you can either get in the Lion’s game or open a portal to hell.”

Exorcist 3 (attack in the hospital)
“And you thought only staph infections were problems in hospitals.”

Halloween 3 (Mask death scene)
“Well it still beats watching American Idol.”

Blair Witch (ending scene in basement)
“He was just going down to the basement to get another beer.”

The Shining (evil twins in the hallway)
“There’s nothing much scarier that British children in a Motel 6.”

Poltergiest (the clown attack)
“Clowns are just the devil’s groupies.”

Salem’s Lot (Danny gets a visit from his vampire brother)
“Late night window washers of EVIL!”

Stephen King’s IT (Pennywise in the sewer)
“Tim Curry wether in drag or in a sewer is still horrifying.”

Nightmare on Elm St. (where’s your hall pass and tina in a body bag)
“Ziplock storage bags are incredibly versatile.”


posted by admin | October 30, 2010 | B-movie Reviews, B-movies, Bad movie, Halloween films, Review by Doktor

Comments Off on “The Room” Rest Stop Review Edition

oh the horror of the room!The Room is THE text book example of the phrase “the whole is greater than the sum of it’s parts.” To see just how this works, let’s break it down into its component parts.

Acting = suck. None of the acting is good. Some is less terrible than others, but that can also be said of cancer. The best of the bad acting falls squarely on Tommy Wiseau. From his odd “American” accent, to his stilted delivery, to his misshaped face, it’s a smorgasbord of stinky green cheese.

Music = suck. Watch the love scenes with the subtitles on. First, you’ll thank me for giving you something other than Wiseau’s deformed, naked buttocks to look at. Second, and more to the point, you’ll see lyrics that even horny teenagers instantly recognize as terrible.

Story = suck. There’s supposed to be some kind of moral, I think. Something about not being able to trust people. It’s touted as having “the passion of Tennesee [sic] Williams”. By that I’m assuming they are referring to the fact that it’s gay, but that’s not cool. What’s better are the many unceremoniously dropped plot points. It’s not just small ones that come and go in a line or two. My favorite would have to be the mother who causally mentions she’s dying from breast cancer. It’s dismissed rather flippantly and then it’s never brought up again. Ever.

Title & Poster = suck. As a title, The Room would have you think there is something significant about a particular room, that it takes place in one room. Nope. The film is set all over, different rooms, the roof, the park, the coffee shop, etc.. Also, with a name like The Room, why is the movie’s poster a close up shot of Tommy Wiseau?

So, if we add it all up, Suck + Suck + Suck + Suck = (and you don’t need a Ph.D. in preventative mathematics to work this out) Suck, right?


I know. I know. It’s seems impossible. I believe it has something to do with transubstantiated quadruple negative transference, that is, all the suck aspects of this film, mixed together, transconfoobalates into AWE-some! I have racked my brain trying to figure this out, and will continue to do so for years to come but, even with all of my Science, I have to admit that in the end it’s all magic in a box.

Part of me desperately wants to believe Wiseau is a genius. That same part of me believes with the right amount of discipline and practice I can be a Jedi.

One way or the other, for those of us who are fans of the cult/late, late, late movies, Tommy Wiseau is our new champion, and The Room is his magnum opus. It’s also his only movie, but that’s just a silly little technicality. So keep your eyes on Wiseau, ‘cos he is very much the Edward Wood, Jr. of our time.

Now you too can experience the terror of “The Room” in the classic style of a Rocky Horror picture show event for your Halloween movie night or any night for that matter. This handy “oh hi dandy” participation guide will make your next movie event that much more vaguely european. Hurry before you get cancer!

The Room Audience Participation Guide (PDF)



Comments Off on 10 Best Shriek-tracks for Halloween

There was a time not that long ago when soundtracks in horror movies actually played an important role and were treated like major characters. Each score had its own distinct personality and complemented all of the onscreen action. In slasher films usually, a series of well-placed sound cues from an orchestra or a pulsating synth rhythm would signal the killer is close by, or that the victim is about to triumph over his or her attacker. What you saw on screen and heard both worked together to create the desired thrills and chills. But sadly, not the same can be said about the majority of soulless “film scores” being churned out today. The current crop of horror composers aim for cheap scares by using loud, random noises to get a reaction out of the audience. There isn’t any kind of build-up to create tension or a feeling of dread in horror films of the new millennium, just musical punch lines that arrive way too soon and don’t end up paying off for the audience. Instead of having memorable themes like “The Shape Stalks” from “Halloween” or the “Main Title” from “Jaws” that made your heart race the first time you heard them, “music” in recent horror movies has been replaced by generic, headache-inducing distractions that totally take you out of the movie experience.

But don’t worry, Ghouls and Ghoulettes. We have put together a list of classic horror soundtracks from different eras (when movie music still mattered) that are guaranteed to make your Halloween party festive and extra creepy this year.

1. Trick ‘r Treat

Douglas Pipes (“Monster House“) delivers a surprisingly creepy film score that, along with the film, perfectly captures the spirit of Halloween. At times his composing style will remind you of the late composers, Jerry Goldsmith and Bernard Herrmann. The whole soundtrack is overflowing with eerie goodness, but standout tracks are “Main Titles”, “To The Quarry”, and “Pumpkin Shooter/Meet Sam.”

2. Damien: Omen II

This soundtrack can easily be considered one of composer Jerry Goldsmith’s masterpieces. With each track you can hear the forthcoming sense of doom that is simmering just beneath the surface. His mixture of dark mass chants and startling electronic sound effects would make even Jason Voorhees cry for his mommy.

3. Creepshow

As far as horror movie anthologies are concerned, “Creepshow” is one on the best. And John Harrison’s spooky film score has one of the best opening tracks that I’ve ever heard on a horror soundtrack. Listening to each track will make you feel like you are watching the movie all over again. The CD features previously unreleased music from “Mansions of the Moon“, “Shoobie Doobie Moon“, as well as some music from the “Tales from the Darkside” TV show.

4. Psycho (1960)

Another personal favorite soundtrack of mine. Bernard Herrmann composed this iconic score which has sent a collective shiver down the spines of fans spanning many generations. The stabbing string section on the track “Prelude” still cuts just as deep today, even though the music is almost 50 years old. Now let me go, because I think I hear “Mother” calling me.

5. Hellraiser

Christopher Young’s spine-tingling masterwork is the perfect compliment to Clive Barker’s nightmarish directorial debut. Young has created a score that features some of the most hauntingly beautiful music that I’ve ever heard in a horror movie. I couldn’t imagine watching “Hellraiser” without hearing his music.

6. Tenebre

You can’t have a top ten horror soundtrack list without including Italian Prog Rock band, Goblin, which has consistently composed some of the most unique sounding and memorable music for horror movies. At the request of director Dario Argento, three of the four original members from Goblin reunited to create a hypnotic and energetic score filled with enough up-tempo tracks that will surely have any wallflowers at your party cutting a rug.

7. Phantasm

This is another movie that just wouldn’t have the same impact if it had different music. Composing duo Fred Myrow and Malcom Seagrave collaborated to create my all-time favorite movie soundtrack that perfectly frames Reggie’s and Mike’s life-or-death struggle against the evil Tall Man.

8. Dawn of the Dead (1978)

Goblin creates another wildly inventive score using a variety of instruments and sound effects for Romero’s fan favorite zombie film. When you hear the tortured moans of the undead on track 2, “Zombi”, you’ll want to quickly lock all of your doors and board up every window to protect yourself from the coming zombie invasion.

9. The Amityville Horror (1979)

Nominated for an Academy Award, master composer Lao Shiffrin’s soundtrack is the scariest part of the movie. Without his pulse-pounding music, “Amityville Horror” would’ve been even more of a snoozer.

10. The Thing

If after listening to this score you mistakenly thought John Carpenter did the music, don’t beat yourself up too much. Because just like how the parasitic alien in the movie was able to imitate other life forms, composer Enio Morricone masterfully emulated Carpenter’s distinct style when he created this bleak, minimalist soundtrack that will chill you to the bone.

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