Archive for the 'New Releases' Category

May

Comments Off on Spectral (2016)

Welcome to another review, folks! You ever watch a movie, and hope that it’s good, like really wish it turns into a knockout, but then falls JUST short of it? That’s what you’ll get with this movie. Massive potential, a nice drive, but, in the end, it just can’t click that last gear to make it good. So, let’s dive into “Spectral,” a Netflix original.

If cliches make you groan, look away, now. There’s a lone soldier, marching through an unknown wasteland, to fight an unknown foe. Of course, he’s the only survivor of a group that came up against a new kind of enemy. Which begs the question: Why did the rest of his unit die at the hands of this adversary, but he was left alive, and alone? Did his unit hate him that much? Did he miss the ‘move out’ command while in the bathroom? I’m all for setting the scene, but this is stretching it. Oh, look, dead guys.

We should go that way, while ignoring the voice on the radio that’s almost yelling to wait for back up. Cliche number two, in almost as many minutes: He ain’t got time to bleed….er….wait for backup. And you, like me, will be wondering why. Spooky alley filled with war-torn debris and more dead people, not to mention a ghastly apparition? That’s the correct path, right there. Yup. He’s dead. Who saw that coming? Please raise your hands. Exactly.

Cut to a science lab where they will talk a lot of mumbo-jumbo that is completely pointless, as it has nothing to do with the main story. All it tells us is that it’s the future, which we kinda guessed, and they’re searching for a rare element. It’s so rare, in fact, that it used to be used in ink cartridges. Like people, scientists, in the past were just throwing away rare, and valuable, elements to make office toner cartridges. After a failed experiment, a proof of concept, really, the now main character is trying to get a government contract, but doesn’t land it.

Apparently the people in the uniforms instantly think of murder, and weaponizing the tech on display. If you think it’s another stretch, you’re right. After what results in a ‘I would never!’ the story moves on, having a hard pause for this piece of info that lead nowhere. This scene could’ve been skipped over, just to get to the next scene, and introduce the main character with half the dialogue, and none of the plot holes. And guess what? The movie does JUST THAT! Science McScruffyGuy gets sent to the unit that experienced all the death at the apparitions. Why? He invented the tech they use.

Science McScruffyGuy lands overseas with new tech, having been told about the ghost thing, which leads to the military unit trying to bust his chops. Of course, can’t have the military involved in a movie without that scene, can we? Fill in pointless exposition, old buddy syndrome, and then begin to take bets on who’s going to die in the next encounter with the ghosty ghosts. Let’s head into a war-torn city with a scientist who’s never been in combat, wielding tech that’s never been tested! That count you had on who’s going to die? Double it. ‘Cause even the cliché gods throw their hands up.

The scene in the building, as they ascend, looking for evidence of…something, is actually a pretty cool scene. This is where you start to see the influences of the movie begin to emerge, “Ghostbusters,” “Aliens,” and even some “Predator.” The homage is thick, but still BARELY original enough, so you don’t choke on your drink while they nudge you in the ribs with a ‘Huh? Huh? Did ya get it?’ We finally meet the enemy, and also recover the lone survivor of the last squad that went in to fight. So, what are we up against? Evil specters? Demons? Wrathful ghosts? Nope! Blue…mist….ish.

These blue mist creature things descend upon the new soldiers like locusts on a newly grown corn field. And, wouldn’t you know it? These things can only be seen with that exact, specific, one-of-a-kind camera that McScruffyGuy brought along. Now begins the second act: Survival in a war-torn country that looks a lot like the back lot to “Band of Brothers.” We run, scream, and flail our way through the next couple of scenes, only to end up in an iron factory. Because, you know, Third World countries still have those in abundance. Plus, they’re really convenient when you need a plot point.

We find out the invisible ghost-a-ma-things can’t touch, or cross, iron. So we spend the night with the soldiers, and their new orphan wards: Newt 2.0 and other kid. The exposition sleepover ends with the ghost-a-ma-things figuring out a way around the iron defenses, and going full zombie horde on the survivors, and their new dead weights. The next scene, however, is actually pretty cool, I cannot deny it. We begin the run for safety, the ghost-a-ma-things hot on their heels.

The pick up occurs in a town square-type setting, and honestly, this is the beginning of that ‘I didn’t think they’d kill them’ feeling. This scene is AWESOME! Tanks! Helicopters! Guns! Ghost-a-ma-things! Explosions! And all of this at once! This is the kind of scene that people that love the ’80s and all the glorious ridiculousness live for. The slow-motion shots are simply breathtaking, and the intensity can be felt with every second of what’s happening. So: Kudos on an epic scene, movie. However, all things must come to an end.

That moment, no matter how bad we wanted it to stay, is gone. We arrive at the bunker with the rest of the people that are left from the ghost-a-ma-things and all the war, too. During this scene is where lines are drawn, loyalties divided, and shouts get shoutier. So, remember how it took Science McScruffyGuy years to perfect the tech that he used in the camera that allows them to see the ghost-a-ma-things? Well, it takes him hours to weaponize it, and make it part of the standard kit that they hand out to the soldiers, ready to go and fight the ghosty-ghosts.

Here’s where we bring the review to an end, because we enter the final act, and, as you know, no spoilers in a Deadman review. The direction of this movie is great, taking huge cues, and notes from other movies, and all the greats. Acting ranges from pretty dang good to ‘Is that the read we’re going with on that line?’ There are some really cool shots, and some actual scares, but this movie, I feel, collapses under its own weight at a certain point. I still, however, will highly recommend watching it. Until next time, folks! Stay Tuned!

 

roadside attractions

  • Now those are some neat uniforms
  • Ain’t got time to bleed cliche
  • Ain’t got time for backup cliche
  • Ain’t got time for cliches cliche
  • If it’s such a rare substance why is it in printer cartridges?
  • Proof of concept equals murder
  • Have they never seen a horror film?
totals

2

blood  

BLOOD

Almost no gore, but there’s those effects.

1

blood  

BREASTS

None. Well. Ghost ones.

10

beast BEASTS

Awesome designs, and well executed.

 

6.0 OVERALL
dripper
Nov

Comments Off on The Shallows

petting-zooWelcome back to another review, folks! Don’t you love when a movie has an A class budget, A class team, A class writing, and even A class expectations, but plummets to B status like the suspension of disbelief for certain actors’ toupees? I do! Bad news for them, good news for the B community. So let’s dive in to a newer movie filled with surf, sun, sand, and sharks! “The Shallows” beckons us!

We open with generic blonde actress number 3,349 taking the third-world version of Uber to a beach, whose name stays hidden the entire film. The name is of absolutely ZERO consequence, but I just wanna know! Good mighty mutton, is that annoying, namely because they run the gag several times during the movie. After conversing in very bad Spanish and very, very cliched dialogue possibly setting up her driver as a possible antagonist, we finally see the unnamed beach. Normally I would complain about suspicious truck guy as the bad guy later on, but we all know it’s a shark! It’s like trying to shift the focus of Halloween, setting up the doctor while Michael Myers plays in the background until the last third of the movie. It doesn’t work well there, it doesn’t work well here.

hamBlondie meets two new guys, who also happen to be surfing on this very secret, unnamed beach. Again, trivial as sugar on sand, but it sticks in my sandwich. They surf together, they laugh together, they……pack up and leave. Wait! They’re driving by her stuff! Could they also stoop to the stereotype we think they’re going to and…No. No, they’re not. Well, thank Thor for that. As they take off, following the most common sense rules of surfing, she stays behind and vehemently breaks said rules. I’m not even a surfer, but I know the rules! You don’t sleep on Elm Street, you never go in the woods, you don’t stay in Amityville, you never go in the woods, you don’t surf at dusk, and you never go in the woods. Oh, look, something floating in the distance, past the breakers, and the conspicuously placed buoy. Seriously suspicious buoy. It belongs in the line up from The Usual Suspects. So, Blondie decides to keep going, investigating the floating mass out in the ocean, ignoring all the alarm bells going off in her head, all the red flags, and me screaming at the screen.

Also, we have a little bit of back story, just to fill in the time until the inevitable happens. She was a prominent med school student, has a younger sister, a dead mom, and a father who’s played so many bad guys in movies it’s jarring to see him as a loving dad. I mean that! Back to that floating mass! The water turns gross, seagulls cry out, and that thing is a whale carcass. Now, for those who don’t spend an uncanny amount of time researching sharks, due to an almost crippling fear of sharks, they absolutely love dead whale leftovers. After she finally comes to her senses and tries to ride a wave back to the shore, the sun is already bidding farewell to the- HOLY MOTHER OF MURGATROID! A shark just decided Blondie needed to take up parasailing. Bruce Junior decides to take a taste of our surfer, turning the sea red, and also finally moving the plot forward. Now surfer girl has to use aforementioned floating mass as a refuge from the hungry shark.cramp

Now, some things in movies are hard to believe, thus requiring us to surrender a certain amount of ‘That ain’t real’ to the film. Lately it’s been CGI clogging up the pipeline of creativity, but there are others that are just as guilty. This movie does an incredible job of making the entire thing feel real, from the sea, to the whale, to even the shark, who will be known as Wayne, henceforth. If you get the joke, you’re a nerd. Good for you. Blondie and Wayne play hide the surfer atop the corpse of Free Willy, finally ending in her having to jump and swim for it, stranding her on some nearby coral with a companion that was also injured by Wayne: a seagull, which she lovingly names Steven Seagull. Yes, I chuckled. Here is where the rest of the movie plays out, for the most part. We learn more about her backstory, and spend some time with Steven, and a GoPro, while setting up more desperate situations, building the tension. Hey, look! Our surfer buddies are back!

You know what that means! Trailer fodder! She warns there’s a shark, and, they, of course, don’t believe her. They have a very sudden look of concern, start swimming out to her, and suddenly find out that sharks really do breach like on TV. Surfer guy number two books it, but falls victim to the same fate: Fish food. After they’re dead, night falls and another guy happens to find this very hidden, unnamed beach. Yes, I’m still fuming. Only, he finds it while black out drunk. She calls to him, trying to get help. He wakes up, drops his tequila, and then plays that stereotype we were talking about earlier, but then promptly gets munched by Wayne. Here is where we move into the final play of the movie, and my wrap up.

buoy

Folks, this movie was great! I thought it was a great addition to the classic shark movies. It had its faults, like breaking rules someone who doesn’t spend five minutes on a beach annually, common sense being left in a non-waterproof bag, and the most CGI dolphins I’ve ever seen outside of a SyFy production. It grinds a while, making us wait for the action, rather than building a sense of dread. However, once it gets going, it is full steam ahead, only pausing a few times. There are most definitely moments where you will either guffaw, or have to just throw up your hands, but in the end, I’d happily recommend “The Shallows” for viewing. Thanks for reading, and Stay Tuned!

 

roadside attractions

  • He looks creepy.
  • No named beach is perfectly safe.
  • Seriously creepy guy.
  • Oh, other surfer guys!
  • Why are they creepy, too!?!?
  • Don’t do that.
  • WHY WOULD YOU DO THAT?!?
  • Surprising shark is surprising.
  • Sharks do not come with brakes.
totals

6

blood  

BLOOD

Medically accurate blood, really cool effects.

4

blood  

BREASTS

They’re bikini’d the whole time, but it doesn’t matter.

 

10

beast  

BEASTS

Best shark in a long time.

7.50 OVERALL
dripper
Apr

Comments Off on Ash Vs Evil Dead

days

There is a certain trilogy of movies, all American made, all wonderful to behold; that opened up a new avenue of creativity for generations to come. I’m not talking about any wars that happened amongst the stars, no. I’m speaking of Evil Dead, or The Evil Dead, depending on the movie title. With four movies under it’s franchise name, a myriad of video games, comics, and a gigantic range of other mediums, it would only be fitting that we would continue to want more. Let it never be said that Sam Raimi and The Chin don’t deliver. facial

With the fate of the rebooted movie’s sequel in perpetual development hell we are given, instead, a 10 episode look into the life of the original Deadite killer, himself: Ashley J Williams. I’ve watched this series with a glee that is hardly able to be successfully described, every joke, every reference, and every gratuitous splash of blood was taken in with nothing but sheer adoration. And that is what this series does, it brings back the character of Ash, still played by none other than The Chin, himself, and puts him in all new situations. After a drunken night capped off with a little recreational self medication Ash is trying to impress a girl with “Poetry” and opens that most sacred of books: The Necronomicon. Of course, he’s too inebriated to realize what he’s doing, but that doesn’t stop our hero from reciting the same summoning spell that got his friends killed. You’d think he’d get it through his head to never open that thing again, but he doesn’t. But, I mean, who hasn’t accidentally read from an ancient, evil scripture, summoned demons, and got a whole lot of folks killed? Just me? Anyways, true to form, this is when things start going south, and in a hurry.

At his job, not S-Mart, unfortunately, we meet Ash’s new sidekicks, Pablo, and Kelly, and our adventures really begin. We get a lot of story from the man, himself, as to why he’s hiding out in a crappy trailer in a no-name town in Michigan, and it all boils down to the fact that Ash has developed a streak of yellow, choosing flight over fight. While I’d like to fault him for that, truth be told, I can’t. Every time that book and him come into some kind of contact folks die horrible deaths. But, let’s get to the fun! ENTER THE DEADITES! Exposition be damned, it’s time to go full Evil Dead ahead! Pablo and Kelly are grabbed in Ash’s trailer, and the fight for their life can be only be tipped by an act of heroism or cowardice. For a moment or two the titular hero contemplates leaving his new friends to their fate, but has a change of heart. With all the Raimi directing glory we love Ash enters the fray, flinging axes, blowing skulls into mush with his trusty Boomstick, and dismembering his sweet, old, neighbor with that signature chainsaw arm. And where there’s blood, there’s a lot of it, and I do mean a lot. Holy glorious globs of ooey-gooey, Batman! One-liners are delivered, and we speed off into the credits, ending our first episode.

manualI think it worth mentioning, at this point, that from his last appearance on screen we’ve glorified Ash, a little. And the series is hilariously aware of that, reminding us constantly that he is, indeed, a complete moron who does one thing well: killing Deadites. I’m highly grateful for this, because it would’ve been easy to write Ash into this perfect hero, developed through his years of solitude, and all the tropes we could’ve seen come with re-entering a character like this, but instead, we get that love-able screwhead we all got some of our best one-liners from. Maybe there is hope for Michigan U graduates, after all. Now, enter more characters and arcs. We get a cop, her partner, and even get to find out what happened to that girl that loved poetry. Hint: It doesn’t end well for a lot of people. Practical effects make the ‘Ick’ factor register high in these episodes as we witness that poetry lover twist her own head 180 degrees to stare down the two police officers. Amanda, the cop that will be hunting our main guy, watches in horror as she loses her partner to a set of taxidermy horns, and then proceeds to blow his head off. Literally. We watch it happen, in full HD glory.

As Ash and company head towards a man that can give them more information about the book Amanda sits in contemplation of what happened. Enter Ruby, played by the beautiful Lucy Lawless, yes, THAT Lucy Lawless. I’ll give you a second to fangasm. Okay? Moving on. Ruby starts up the motor in Amanda’s head about what’s really going on, urging her to find Ash, the cause of all of this. So we have our two main plots, folks! But it doesn’t stop there, no, no, no. This series takes us all over the place, throwing demons, Deadites, and other ghouls at us, and never, ever, not once shying away from the gore. The comedy will have you laughing, the horror is actually pretty damned good, and the characters are all highly love-able. Although the series does get a little Game of Thrones-y by killing off some titular characters later on, it is still just as awesome. We get a giant chunk of Evil Dead and all it does is leave fans wanting more. Bruce Campbell resuming the role of Ash is just as entertaining as it’s ever been, Lucy Lawless joining him on screen is just as awesome, Pablo and Kelly do an outstanding job of supporting roles, and even manage to get in on some of the action.meds

It is with no hesitation that I recommend this series, and cannot wait for the second season to release. If you’re an Evil Dead fan you’re going to absolutely love it. If you’re just a fan of horror, in general, the humor might be hit and miss, but the experience is just as fulfilling. Go give it some love, and tell them Deadman sent you. Thanks for reading, folks. Stay Tuned!

roadside attractions

  • The Classic.
  • The Chin 4.0
  • Yeah, she thought about it.
  • Why is she here?
  • Scream king and queen.
  • Oh. That’s why.
  • Give Ash a hand!
  • Of course it’s evil!
totals

10

blood  

BLOOD

All the blood. All of it.

10

blood  

BREASTS

Only one pair. But. They’re totally Lawless.

10

beast  

BEASTS

Deadites, demons, and darkness, oh my!

10.00 OVERALL
dripper

Watch the trailer for Ash Vs Evil Dead

trailers
dripper
Dec

Comments Off on Harbinger Down

Welcome back to another review, folks! Today we’ll be taking in a low budget little masterpiece that I thoroughly enjoyed. What makes it special? Aliens? Nope. Zombies? No. This little piece of film is about the adorable little microbe known as the waterbear. Let’s take a look at Harbinger Down.

I’ve said it once, I’ll say it again, and I’ll say it as long as I remember how to: Practical effects will always trump CGI. And I must give kudos to the makers for understanding this. Let’s begin the setup this odd tale of frozen horror. We start off in 1982 with a Russian cosmonaut falling to earth, calling for help, I presume, and having pink yogurt leaked onto his face. I don’t blame him, yogurt on my face would upset me, too. He disappears into the clouds above the arctic circle and we have our very first scene of the movie. Way to make it vague, guys.

Next up our buffet of people start to introduce themselves, names don’t matter, of course, because they’re all just human sized happy meals. Our title gives us a Hans Zimmer “BWOM” on to the screen and we’re into the ship of the movie title: The Harbinger. The crew is introduced, bad accents and all. Everyone say ‘Hi’ Lance Henrikson! Or as he will always be known to the Sci-Fi world: Bishop! Exposition is the name of the game as things are explained and you’re simply cringing at some of the attempts at acting. And, just for safety, let’s throw in a fart joke. More exposition and B-roll of ‘Deadliest Catch’ try to convince us that we’re really on a ship. We’re not, and the crabs are only mentioned once more. That’s not a plot point, it’s a plot afterthought.

The plot rears its ugly head! Just as the view of the CGI whales was getting good, too. Something in the ice caught the attention of Main Character Girl, and they grab it. And I do love the switching of camera angles to the discovery channel type narrative. The line “Some things should stay frozen.” could’ve been a great omen, but it’s passed over like a sneeze in the wind. We find out what happened to our Russian cosmonaut: He’s the chunk of ice they just grabbed. And I do have to admire the fact that the captain can look at the helmet of said cosmonaut and instantly tell it’s been frozen since the ’80’s. Maybe Soviet Identification-101 was a requisite of his captain schooling. I, once more, blame Michigan State.

After more exposition, and the main love interest whispering his every line, and I mean every line. We finally get to the autopsy of the fallen astronaut. Or, rather, the bad wax statue that is supposed to represent him. DUN DUN DUNNN!!! Russian McBadchick reveals that the yogurt that leaked on our space guys face was actually waterbears. To which we all responded with an unenthusiastic, “Okay.” Which is followed up with the subtle foreshadowing through the “Double Cross” vodka brand. After retrieving a sample from the mansicle, spouting puns bad enough to make even the punniest person groan, we get the plot moving along. Finally. We’re a good chunk of time into this movie and no one has died a horrible, grizzly death yet!

There we go! Tentacles come to the rescue and squish the head of the mechanic, marking the first death. And we’re back to explaining stuff. Oh, come on, guys! You can’t start up the mayhem and have it just cut off! If you’re gonna start the party, and the killing, keep it going! No amount of brooding music can make up for poor pacing. After some unnecessary yelling our resident jerk professor becomes infected with waterbears, and turns red, sprouts four huge flesh tubes on his back and spews out more death yogurt. Still cringing from that bit of ick, we get a few little homages to what probably inspired this movie: The Thing. And like The Thing, lines are drawn, and sides are chosen. Then all of that is instantly forgotten.

Ladies, and gentlemen! Let’s meet our creature! Attached to the ceiling, and the cosmonaut, it instantly eats the Inuit of the movie. Bishop steals a line from “Jaws” and we continue on, trying to figure out who’s infected and who’s not. Someone asks just how smart the thing is, and before you can say ‘How could they cut the power, man, they’re animals!’ it cuts the power. They go after the creature with liquid nitrogen, freeze it, and continue to advance the plot, which also seems to be frozen. Russian McBadchick reveals her true purpose, and an infected crew member burns on the deck. We find out that Main Character Girls mother died, to what end, I have no idea. A random tentacle eats the black girl and we finally start the murder spree…..I hope.

The Cosmonauts reanimated lower torso sprouts a head of its own and takes down Russian McBadchick. I retyped that sentence three times, but they all came out just as bad. And now we take another break from our monsters to bring you some plot device involving explosives. You don’t care, I don’t care. Main Character Girl goes for a dip in waterbear sludge for the explosives. More tentacles! Another creature appears and we lose Bishop, uh, the captain; who instructs the crew to stay away from him, but has them all join him on the deck two minutes later. Russian McBadchick comes back for one last scare as an infected, and we move into the final scenes.

No spoilers, here, folks, but I will recommend to keep watching. Is it a bad movie, is it a good movie? Well, it’s a creature movie with a lot of charm. Mostly practical effects, and the old school charm of older movies like “The Thing” and even “Tremors” earns this creature feature major bonus points. It has some major pacing problems, and some of the acting can be hokey, but all in in all, you can tell the entire crew is invested and wants it to succeed, and it’s that little touch of passion that makes movies like this gold. Cons aside, it’s a fun romp with some surprises up its sleeve, and I recommend checking it out on Netflix to relive some classic monster magic without having to resort to classic monster movies. Thanks for reading, folks! Stay Tuned!

roadside attractions

  • Blue ice balls.
  • Kill it with…ice?
  • Aw. It’s kind of cute.
  • Legs don’t fail me now!
  • Bishop has aged.
  • No longer cute!
totals

8

blood

BLOOD

Good amounts of blood, guts, and gross icky-ness.

0

blood

BREASTS

None. None at all.

10

beast

BEASTS

Who knew bears were so terrifying?

8.5 OVERALL
dripper

Watch the trailer for Harbinger Down

trailers
dripper
Oct

Comments Off on Extinction (2015)

Welcome to another review, folks! It seems the world can’t get enough of zombies: TV shows, movies, dolls, video games, books, it doesn’t matter. So film studios depend upon the word “zombie” to get attention, or some kind of segue into the more mainstream focus. Sometimes it works, sometimes it doesn’t, and sometimes it should. “Extinction” is one that should get some recognition. Now, before you get your pretenses in place, let’s get a good look at this little movie that could.

This movie began with so much camera shake, I tried to put my seat belt on. Note to directors: Shaky cam is bad. And if the movie DOES call for it: Less is more! A man, his wife, their infant daughter and his best friend are trying to get away from the oncoming zombie apocalypse, that started well before the movie did. They’re on a bus with a large amount of people, and two army guys, all just as terrified as the next person, for good reason: The zombies have caught up! Now the bus is just a meal in a box, as they wait for the inevitable. The first military guy exits the bus, gets eaten, and the second one doesn’t fair any better. One of the gentlemen (who will be a main character later on) takes the lead, and tries to retrieve weapons from the land of jump scares. The first part of this movie is filled with jump scares, so get ready for that, along with neck-breaking shaky cam. For those with a weak stomach, skip this part altogether.

More tragedy strikes! The main characters are in all sorts of trouble; the wife is injured, the baby is covered in blood. Whose blood is it? Tune in next time to find out! Same undead time! Same undead channel! And now that the pulse-pounding beginning is over, prepare for something truly intense: FAMILY BONDING. Here’s where things grind to a halt, changing the pace so hard an airbag would deploy. One minute there’s running zombies, army guys firing guns everywhere, screaming, blood, and violence, and the next it’s father-daughter bonding time in a winter wonderland. While none of this is explained outright, hints are dropped. Get used to this domestic scene, because it lasts longer than most sequels do.

After cycling through survival set-ups, how they’re surviving, and what they’re doing to stay sane, we finally delve into the characters, themselves. It seems the family plus one have made themselves a little outpost: Two houses in a northern climate. across the street from the other, sharing resources, but that’s about it. We see few interactions between the men, as the environment paints the relationship between the two as less than hospitable. The ex-best friend has let all hygiene go, as he’s transformed into Rob Zombie’s crazier and dirtier cousin: Scruffy McCrazyDude, who spends his evenings broadcasting to any survivors out in the frozen wasteland, and getting blind, stinking drunk. Meanwhile, Angry McHostileDad spends hours with his daughter, and all seems right with the end of the world.

But, hey, this is a zombie movie! Where are the zombies? This question is the one I pondered, about the same time everyone else does at this point. The director must have foreseen that, and decided to give us a reminder that it is, indeed, a zombie movie. Scruffy McCrazyDude goes on a supply run to an old haunt, to not only get the little girl a birthday present, but to top off on end of the world stuff. A local piece of wildlife alerts him that things can still live. Then the same piece of wildlife gets eaten like a piece of cake at a two-year-old’s birthday party. Scruffy follows the shadowy creature back to their homestead, where Angry McHostileDad is showing his daughter how to shoot a gun, which attracts the beast.

The zombies at the beginning of the film are typical runners who chase their prey and eat them. The zombies at the second half are completely new: white skin, blank eyes, nude, and they hunt by sound. I like this change, making the creatures evolve with their natural environment, changing the way they hunt. I’m impressed by the switch from Play Doh-caked faces to this new super zombie. But you can’t have zombies without making them a threat. Scruffy defends the little girl from the first attack on the homestead, but gets bitten while Angry leaves him to fate to save his daughter. The three prepare for the worst: Scruffy becomes part of the legion of the undead. But days go by, and nothing happens. It seems these zombies have a glitch: their bite doesn’t turn you. This fortunate, or unfortunate, event leads Angry and Scruffy to make up and be friends, even to the point of going on a supply run together, daughter included.

During their little family trip to the grocery store, we begin to learn about what went down between all the adults in the movie, giving some background to the drama. It’s kind of hard to follow if you haven’t been paying attention, but the gist is there. While the family is shopping, they find a young woman, frozen in terror and ice. They take her back to the honeycomb hideout to find out her story, while discovering that Scruffy didn’t finish off the new zombie. Instead he took a note from “The Walking Dead’s” Michonne and disabled it, chaining it to his house for research. This decision doesn’t sit well with Angry, and things really go downhill. But, as always, no spoilers here, folks. But I will end with this: There’s a hell of an ending.

With the pace a lot slower than most modern horror movies, “Extinction” may be harder for younger audiences to grind through, but old schoolers enjoy the massive character development. There are typical “Why would you do that?!?” moments that every horror movie suffers from, but, show me one that doesn’t. There’s plenty I left out of this review, and for good reason: I want you guys to check this one out. Top-notch gore, acting, creatures, and setup, but it’s a shame it suffers from such a generic name. I recommend this movie, available on Netflix, with a big bucket of popcorn and the lights out. Thanks for reading, folks! And, as always, Stay Tuned!

roadside attractions

  • What did you think would happen?
  • Did you forget how doors work?
  • Run! Run! You can stay still.
  • Winterwonderland of Death
  • Who wrote that?
  • THAT had to hurt!
totals

7

blood

BLOOD

The blood flows, the body parts rain down, it is awesome!

0

blood

BREASTS

None. None at all.

8

beast

BEASTS

Cool new design to a tired genre!

8.5 OVERALL
dripper

Watch the trailer for Extinction

trailers

dripper

About the Highway

Lost Highway is your satirical detour down the twisted back roads of b-movies and cult films reviews. learn more >>