The Lost Highway's B-movie Reviews and Cult Films
Sep

posted by admin | September 7, 2014 | B-movie Reviews, B-movies, New Releases, Review by Barry Goodall

Comments Off on Meat.Puppets

It’s not often we don’t do a deep dive into a movie review here on Lost Highway. We pride ourselves on giving you a full rundown on the blood, breasts, and beasts count and it’s highway attraction totals. However in the case of Meat.Puppets we’re not going to spoil any of the surprise as that just wouldn’t be fair to you our mutant reading public. Three girls are being held captive and taunted by some deranged psycho and that’s all you need to know! if we told you anymore we’d have to kill you. Meat.Puppets is directed by illustrator Roger Scholz and stars Ashley Short, Marjorie Pierson Yost, Jessica Rose Van Netten and Larry Lutzeit. This gritty feature was filmed on a budget of $70 despite $50 of that just being used to feed the cast and crew. It is truly one of the best times we had with a short film feature in a long time. You just have to see it for yourself. Get yourself a copy or check it out at your local horror film fest and let the director know what you think. https://www.facebook.com/meat.puppets.movie

Aug

Comments Off on Slumber Party Massacre II

Slumber Party Massacre 2
“The party begins when the lights go out!”

1987 – R – 74 Minutes – Shout! Factory
Starring – Crystal Bernard, Atanas Ilitch, Heidi Kozak – Directed by Deborah Brock

So we have this really controversial, popular film that has some clever jabs about women in horror films… what should we do? Make a sequel, but this time let’s tone all that down and make up for that with a silly villain. Oh and get that chick who played Helen in Wings. Also since the first one had a female director, so we’re gonna need one too. Throw in some topless pillow fights and rock and roll and now we have Slumber Party Massacre II!

I think just about every slasher film in the 80’s had a sequel. After all, it was basically like printing money. But there was something those sequels were all missing that the original had; heart. Is that what I want to say? The original would often have a lot of style or something about it that would stick out and make it popular, so the sequels always tried to repeat that, often making for a bland rehash of the first film. So is Slumber Party Massacre II an exception?

Rather than give us a disposable random character, the film actually centers on Valerie’s sister Courtney, who seems to be suffering from nightmares ever since the events of the first film. Her nightmares consist of… and I kid you not… a Rockabilly serial killer with a drill at the end of his guitar as he torments Valerie in the institution where she now resides and warns Courtney not to “go all the way.” Courtney should consider herself lucky. My nightmares consist of an endless date with Miley Cyrus, only she has the voice of Steve Urkel and won’t shut up about which guy from Supernatural she thinks is cuter.

spm2_2Courtney is (now) a real shy and quiet girl, which kinda seems like the polar opposite of her character from the first film, who has a crush on a super hunky dude Matt and invites him over to watch her all girl pop rock band practice. Oh yeah, she’s in a band now too. Are we sure this is the same girl? Seems like quite a departure from the foul mouthed, bratty pervert. Courtney finally gathers up the courage to invite Matt out to Sheila’s dad’s condo for the weekend. Just a few days of R&R, partying, rocking out and definitely not getting butchered or have premarital sex. Hopefully she can convince mom.

Although the weekend would be her birthday and they are suppose to visit Valerie, Courtney actually makes a solid argument that she doesn’t want to spend her birthday in an institution, so off to the condo to get wasted with the other gals from the band and an all girl band calls for a roll call! There’s the oversexed lead singer Sheila (Juliette Cummins who played Robin in Friday the 13th Part V), the drummer Sally (Heidi Kozak who would go on the next year to be in Friday the 13th Part VII) and the timid, but not as timid as our heroine, Amy. Now that we have these girls in a room isolated from any authority figures, it’s time to pay ever so discreetly to fan service by having the girls deepthroat corndogs and stripdown for a topless pillow fight while spraying champagne all over each other, complete with some slo-mo!

For some reason all I can think is dirty thoughts. This movie was being so subtle, it must have been messing with my mind!

spm2_3And it wouldn’t be a traditional 80’s screwball horror flick if two of the boyfriends didn’t arrive just in time for the show. These two doofuses are Jeff and TJ, the latter of which is that stoner, raspy voiced guy who can’t stop chuckling at all his stupid jokes and says “dude” way more than any human being should be allowed to. Anyone can do his voice. Just ask your friend to do an impression of an 80’s surfer and that’s TJ’s voice. It’s like Keanu Reeves and Spicoli had an illegitimate child. Jeff is that non-defined 80’s guy in a polo with teased fluffy hair that has no personality. You see this guy in every film of that decade and you can’t for the life of you figure out why the characters would hang out with him. You know this pair; the leather jacket wearing slacker that hangs out with the preppy dude in sweaters. Even Matt stops by, so now that our buffet of victims is full, we can kick our exploitation film into high gear.

Courtney’s nightmares are becoming more intense and increasingly more difficult to deal with. Her friends blame it on the hangover, but Courtney can’t shake the feeling that something terrible is about to happen and she couldn’t be more right… TJ offers to heal her like a televangelist and tosses her in the pool, watching her kick and scream until she nearly drowns. The jerk even has a stinger prepared after he apologizes. Seeing as how that friendly traumatic experience didn’t help, Courtney is now having wide awake nightmares, envisioning things like blood pouring out of the bathtub and one of the sickest, gross out moments a film could pull, a giant zit growing on Sally’s face and then exploding, soaking her. This is a moment that should include a barf bag.

After this, Sally winds up missing and further drives Courtney mad. She tries to convince the others that the hallucinations are real, until Officers Voorhees and Krueger show up to ridicule her mental illness. As they finish up their top notch police work, Sally appears with the excuse that she met “some hot guy.” Case closed. Courtney is feeling ashamed and full of low self esteem, which is perfect timing with Matt to go all the way! Just as they are about to, he is ‘penetrated’ with that guitar drill and our rocker pulls his arm off, cackling. Courtney panics and runs to warn the others in an incoherent, blubbering way. At a glance, they don’t believe her, but why on Earth is she covered in blood? They are soon about to find out why! Like ducks in a row (is that the expression?), they meet their demise at the end of the drill, including TJ who gets a leg injury first, forcing him to hobble around like a wounded animal.

I was rooting for TJ to get killed the entire film and when he finally did, I was filled with glee. Not Glee the TV show, that would be stupid, but happiness. But this was a different feeling that you get when there is an obnoxious character you want to get the axe. You see, I actually didn’t mind TJ, mostly due to all the cliches his character played up to. The actor Joel Hoffman was clearly having a blast and as intolerable as a character like that can be, he still manages to make you chuckle with his idiot antics. It’s not like something like Hostel where every character is that character and it makes watching the film insufferable.

spm2_4As Courtney and the survivors dwindle down in numbers, the moment you knew would happen (and hoped for) finally happens… a sing and dance number! It’s surprisingly a catchy little tune and the scene is lit like a giallo film as the killer performs his act, even breaking the fourth wall. But like all musical number, they must end, as Courtney is chased to the roof of a building under construction and she sets him ablaze with no resistance, like he accepts his fate. Either that and he realized he wants out of the movie.

The sun rises, it’s now morning and the police are cleaning up the mess. Courtney, looking understandably in total shock, stops to look at Amy’s body who rises to life with laughter! With a gasp of air, Courtney wakes up next to Matt naked. It was all a dream and she is plagued with guilt after having nightmares about her sister telling her not to go all the way (?). But WAIT! It’s not really Matt! It’s the killer! Now she wakes up… again… in a small room shrieking at the top of her lungs as a drill boars through the floor, symbolizing the danger of sex? Maybe? So… she’s crazy just like her sister and it’s hereditary? The ending has so many twists that even M. Night would tell them to tone it down. I don’t think the ending was trying to be symbolic of anything or have a deeper meaning, but just a twist for the sake of a twist. This was at a time where a twist ending would come along and work, so the next several dozen movies would try to do the same thing even if it made no sense or didn’t fit.

To be honest, I didn’t like this film the first time I saw it. I thought it was stupid and didn’t make sense and was too goofy, like nothing fit together. I can admit when I’m wrong and I must have been watching this movie with my eyes closed because after a another viewing, I actually liked it. Do I like it as much as the first film? Definitely not, but I think my opinion was misguided the first time. For starters, having the girls in this home doing very stereotypical 80’s teen girl sleepover stuff and being in a slasher film, the whole thing feels like Night Trap! I keep expecting to see Commander Simms pop up and pull the plug on me for not protecting them. For me, that feeling is a good thing and it’s resonates throughout the film. What I at first thought to be a cornball, half heart shlocky attempt at cashing in on a sequel to a slasher (it is, but hang on…) turned out to be this massively fun, highly enjoyable slasher that gives you exactly what you are looking for out of an exploitation film.

Slumber Party Massacre 2
Minus the incoherent mess of an ending, Slumber Party Massacre II is a lot of fun, which comes to no surprise from a Roger Corman produced movie. It’s evenly placed and doesn’t run on too long. It’s a popcorn flick filled with exactly what you want: nudity, blood, humor and all the great ingredients to make that perfect cheesy flick. Although it’s evident it wasn’t the filmmakers intention to make a goofball horror-comedy, that’s how it turned out. Nine times out of ten, that is a bad thing, but everything here works. So invite the girls over, slap each other silly with 100 goose down pillows and pop the cork on that champagne! Watch this flick for a good time.

Check out this review and plenty others at Goon Reviews.

roadside attractions

  • A Nightmare on… whatever street Slumber Party Massacre II takes place on.
  • Rock-a-billy nightmare!
  • Pillow fight!
  • TJ.
  • Driller killer.
  • Poppin’ a zit!
  • Slumber Party Inception Massacre.
totals

7

blood

BLOOD

Blood splatters and sprays, limbs fly and zits pop!

7

blood

BREASTS

It wouldn’t be a Corman flick without ’em.

4

beast

BEASTS

The killer is far too enjoyable as a performer than to be scared of him. Still, pretty cool.

6 OVERALL
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trailers

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Aug

Comments Off on The Quiet Ones

The Queit Ones
2014 – PG 13 – 98 Minutes – Lionsgate
Starring Jared Harris, Sam Claflin, Olivia Cook – Directed by John Pogue

Much like the monsters they made films about, Hammer never truly died, although it did lay dormant for a long time. In 2008, they returned with Beyond on the Rave and hit it big with Let Me In in 2010 and The Woman in Black in 2012. This year, they released The Quiet Ones, a film inspired by true events. In a nutshell, the events in this film are based on The Philip Experiment in the 1970’s where a group of Canadian parapsychologists wanted to attempt an experiment to create a ghost, proving their theory that the human mind can produce spirits through expectation, imagination and visualization. Sounds interesting enough for a movie, but given that this is a Hammer production, loads of gothic atmosphere and sleaziness are thrown into the mix, making for a more fictional story than true. Lots of films do this, I’m not saying it’s bad thing, but does it mix well?

tqo_2When he isn’t chain smoking like it’s about to be outlawed, Dr. Coupland (Jared Harris channeling his character from Mr. Deeds) wants to prove that the supernatural doesn’t exist through tortuous and almost medieval experiments, so he recruits the shy, inspiring young filmmaker Brian to document this rather fascinating experiment. Brian is interested right away and along with two of Dr. Coupland’s other students, Krissi (Erin Richards) and Harry, they waste no time to begin their experiment on Jane Harper (Olivia Cook). Jane seems possessed at times and as with any other possession movie that has come out in the last few years, we know she is possessed because she is a pale white woman with stringy hair and wears a white gown. Seriously, why does every possession movie feature a stringy haired white girl in a white gown? Do demons have an obsession toward those or does Hollywood just seem to think that is scary?

Jane is kept in a room with loud music blasting to keep her awake, which Dr, Coupland hopes will piss her off for better results. Sure it seems mean, but it does get good results. And just like any movie about college kids and a teacher conducting a “most unorthodox” experiment, funding is pulled and they have to relocate to a remote run down country house where all the really weird things begin to happen. Janes takes this possession, or negative energy rather, and focuses it on who she calls Evey, which she is given a doll to transfer it to so that it may be destroyed. Sounds easy on paper, but as Jane is driven more insane by these tests, the results become more violent.

tqo_3Brian, increasingly developing feelings for Evey, becomes more upset and less likely to participate (not something you want under your name in the yearbook) as he even begins to develop somewhat of a relationship with Jane. However, this seemingly makes Evey more violent and vomit terrible looking CG tube monster things out of her mouth. When this happens, Dr. Coupland and gang look terrified, but if it were me I would have started laughing. Even after witnessing that silly manifestation, Dr. Coupland is still stubborn about the supernatural, not believing it to be a possession… even after a mysterious cult marking shows up on Jane’s body. So Brian heads off into town uncovering the truth behind the cult symbol and who Evey really is.

We also begin to see who Dr. Coupland really is. Well, he is still Dr. Coupland, but I am referring to his past and who the boy is in the video that he shows throughout the movie. We also learn of his motives and this is when the film starts to turn into a Hammer film… kind of. Jane, most likely because she is being driven mad, attempts to have sex with Brian and even flashes him while she is in the bathtub. The camera quickly cuts away from this, as if it is ashamed of its own content. Jane even begins to cut herself, but once the blood starts to ooze out, the cameras once again cut away. This all begs the question, then why have this at all? Is there a demand for safe, watered down horror films that I’m not aware of? Who watches these scenes and says, “Oh cool, there were almost boobs there!”

As the film begins to whimper out and we now know Jane’s history, Dr. Coupland begins to become more of a villain archetype, almost downright cartoonish. Tragic things begin to befall our cast and it’s up to Brian to stop it!

Surprisingly, The Quiet Ones is swimming with mood, nicely blending the free spirit look of the 70’s with the traditional rustic, gothic scenery that Hammer is notorious for. Unfortunately, that’s pretty much where their influence ends. The film does mix a nice blend of found footage and typical movie, as we watch the film as usual, then through the eyes of Brian or through the lens of his camera I should say. Although since this is the 70’s and he’s shooting on film, the snob in me can’t help but wonder how on Earth he is recording sound, since we never see any sound equipment recording it seperately and I’m pretty sure cameras, and film, back then couldn’t record sound.

tqo_4But enough nitpicking, let’s get down to brass tax.

Just when something suspenseful and scary is picking up speed and the tension is building, the film cuts abruptly to the next scene. Substituting loud noises for genuine scares, the film never reaches true levels of terror, though it continuously makes you think it will. Think of walking quietly down a hallway with a friend and then they bang as loud as they can on a wall. That’s the kind of scares you’re in for here.

Sure the movie has blood and violence, sure the movie has sex, but The Quiet Ones is afraid to show any of it. Instead it merely wants to hint at it, forgetting that it’s a horror film. This is one of those cases where the final product really could have benefited from an ‘R’ rating. At the end of the day, it was nothing more than watered down imagery and loud jump scares and although I didn’t hate it, it’s nothing I’m going to remember, which is such a shame since all of the actors bring in real solid performances. Jared Harris has made a profession of playing the scumbag type of character and really makes Dr. Coupland detestable, yet likable. Olivia Cook is sinister and sympathetic, Sam Claflin is the likable moral centered one and Erin Richards is gorgeous as a 70’s tramp.

You really can’t help but to think of where all this talent and this idea could have gone if it weren’t so by the books and watered down. I can’t tell you how tired I am of the PG-13 horror movie craze that producers seem to be wanting to shove down our throats. Instead of getting a truly shocking, frightening film, we get something safe for the kids just to sell tickets. And how do these films generally do? Terrible. So what’s the point of making it PG-13 if your ticket sales aren’t really improving? If you’re going to imply all this sex and violence, grows some gonads and make it shocking. Your audience will respect and appreciate you for it. Instead what we get is the most shining example of a film playing it safe in recent memory.

The Queit Ones
I have an idea for an experiment. Try to sit through a PG-13 horror film like The Quiet Ones and try to get scared by it.

Check out this review and plenty others at Goon Reviews.

roadside attractions

  • Hammer is too legit too quit.
  • Olivia Cook naked… almost!
  • Jared Harris, professional a-hole.
  • There is one scare with a car door.
  • Burning down the house.
  • CG poop snake monster thing. (?)
totals

5

blood

BLOOD

Nothing oozing or squirting, but we see the walls painted with it.

3

blood

BREASTS

Olivia Cook in a bathtub should be the most amazing thing, but…

7

beast

BEASTS

Olivia Cook plays one terrifying girl, you’d have to be crazy to date her!

5 OVERALL
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Aug

Comments Off on Poltergiest 2: the Other Side

poltergiest 2

When I used to  buy real music albums before they became these darn interweb downloads, they used to have 2 actual sides on a record. Yup, you had to get up and flip a record to listen to more Mili Vanili or what we referred to in my days to as “mood killers.”  Most of the time  the “a” side would have all those top hits you’d hear on the radio but the b-side would be the leftovers, the forgottens, the land of misfit songs. Occasionally you’d find a hidden gem in the rubble of Casio loop tracks that was actually pretty good. It’s the same way I feel about Poltergiest 2: the other side. Heck, even it’s title says “b-side” and in comparison to the original it isn’t nearly as good but still has a few clever moments.

poltergiest 2Since all those fun times in Cuesta Verda when their house imploded, the Freelings have moved in with their Grandma Jess.  Steve Freeling (Craig T Nelson) has  started selling vacuums to pay the bills but is saving a ton on cable without a demon ready TV. Little Carol Anne has become a clairvoyant but only uses her powers to pick out yarn colors with her hands. Sure she’ll get made fun of in school but just wait until senior prom when there’s a bucket of pig blood. Also there’s the younger brother Robby. He’s bummed they don’t have a TV but still hates clowns and trees. Rightfully so, I think that kid had a tougher time that  Carol Anne did at the old house. Oh, and what the heck happened to older sister? Where did she run off to? Did she go to college? end up in loony bin? Nobody even mentions her. It’s as if she got wrote out of existence like that dog in the Brady Bunch.

One night Grandma Jess dies in her sleep so The poltergeist take the opportunity to call up Carol Anne on her toy phone and harass her like A Comcast sales rep. Long distances rates to hell are actually quite reasonable that time of night so some evil spirits escape into the wall shaking the house violently and send the Freeling family packin’. Taylor, a wise indian stops them on their way out telling them it’s better to stay and fight the evil. Steven says Taylor can stay but he’s taking his family to a  diner to drown their sorrows in milkshakes and talk to possessed ladies at the pie carousel.

poltergiest 2The next day Carol Anne gets stalked at the mall by a old preacher named Kane dressed as an emo Colonel Sanders. He catches Carol Anne and sings her a song until her mother, Diane finds her. She thanks him and runs away missing out on all the great mom jeans sales. Meanwhile, Steven has gone out in the desert to smoke Indian weed in a hut with his new BIP (Best Indian Pal.) He’s hoping to get in touch with his inner warrior or stoned hippie but hallucinates some bad special effects instead. At least he gets a cool Eagle feather out of the trip.
The Freelings return to the house after Taylor did a quick ghost cleaning which strangely smells like bleach, but the old preacher shows up the next day on their sidewalk telling them they’re “all going to dieee in thereeee!!”. Those are some mighty aggressive door-to-door sales techniques. Steve tells him to take a hike and Robby’s braces try to strangle him that night in the bathroom. It’s Orthodonics of the damned!

Tangina the tiny psychic finally shows up to help Diana tap her own psychic powers and discover the history of Kane who buried all his followers in a cave below the Freelings old house. Steven doesn’t handle the news well and becomes a raging alcoholic who drinks some tequila with a demonic worm in it. It possesses him briefly making him…. well…. a bigger raging alcoholic.  He upchucks it thanks to the Power of Love and it becomes a big demonic spider monkey instead.  It tries to choke him in the foyer but Steven fights it off with a puff of holy smoke. Lucky he inhaled but didn’t swallow.

The family flees the house  in their station wagon pursued by possessed chainsaws and angry jumper cables and they decided to head back to Cuesta Verde to do battle with Kane on his home turf. Once in their abandoned neighborhood, They head down into the cave and jump into a magic fire Taylor prepared. They  float around a bit and stab the Kane monster with a spear from an indian souvenir shop before he can absorb Carol Anne. It amounts to the most anti climatic  battle since that one guy punched Justin Bieber in the face at the airport. The family emerge safely and are finally free from the evil’s clutches and other movie contractual obligations. Yes, Craig T. Nelson could finally go on to make and even worse evil…Coach.

Poltergiest 2 is a fun ride despite being very psychic munkchin light. Barry Goodall says take a trip to other side but always bring an Indian pal along for the ride.

roadside attractions

  • Creepy Colonal Sanders
  • More Zombie-fu
  • Taquilla Posession
  • Indian Fireside Cookouts
  • Orthodonic posession
  • Cave Spelunking
  • Levitating Chainsaw
totals

6

blood

BLOOD

More goo that red stuff but nobody should ever drink taquila,ever!

0

blood

BREASTS

It’s Freeling family friendly terror. No nudity allowed.

9

beast

BEASTS

A creepy preacher, evil taquilla worn, squid people, a lot of zombies, some weird spider monkey demon thing that climbs walls.

8.2 OVERALL
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Aug

posted by Blake | August 18, 2014 | 80's b-movies, 80's movies, B-movie Reviews, B-movies, Bad movie

Comments Off on Robo Vampire (1988) review by Blake Lindsey

robo vampires

I have been watching B-films since I was a kid, recognizing at an early age that low-budget cinema is usually far more entertaining than the latest Michael Bay blockbusters.  Occasionally I run across a movie that shatters all of my previously-held notions of just what constitutes a “bad” film, leaving me slack-jawed at Man’s capacity to produce truly abysmal art.  “Robo Vampire” is one such movie, a cinematic singularity from which no particle of light escapes; I was humbled by it.

The film was cobbled together in 1988 by Filmark Intl. Ltd., the brainchild of Tomas Tang, producer and often director of very-low-budget action movies featuring ninjas, sorcerers, jiang shi, and anything else that was in vogue at the moment.  The director is listed as “Joe Livingstone,” a pseudonym for either Tang, himself, or his mentor and onetime-partner Godfrey Ho.  Apparently, there was a jiang shi craze in Hong Kong films at the time, and Verhoeven’s “Robocop” had been released the previous year to great acclaim, and since Tang usually produced low-budget kung fu films featuring drug triads, well….why not slap all three together and try to hit one out of the park?  This makes the plot amusingly moronic at best, confusing and aimless at worst.

Adding to its incoherence, “Robo Vampire” is actually two separate films fused artlessly together by bad dubbing and butcher-block cutting and splicing.  The first is a kung fu/jiang shi/Robocop rip-off set and filmed in Hong Kong, featuring a war between a heroin kingpin and the paramilitary drug enforcement agency trying to bring him down. The second is a wholly-uncredited Thai film featuring actor Sorapong Chatree who is something of a legend in Thailand. Although the Thai film is pure filler and contributes nothing towards advancing the plotline of the movie, it’s not a complete wash: it does contribute a couple of babes, a rape scene (obligatory for all Asian action B-films), a really bad come-on line, a Thai girl cutting open and sewing up a real cow and one of the most ludicrous stunt stand-ins I’ve ever seen.

robo vampireA  plot summary of this movie deserves a book, but here’s the gist of it.  A Hong Kong drug lord, Mr. Yung (played by a Guido Sarducci stunt double) is being vexed by Hong Kong’s paramilitary anti-drug squad, led by the apparently 16-year-old Mr. Glenn.  Glenn’s best agent is Tom the Goddamned Anti-Drug Agent (hereafter Tom GADA) who leads several successful busts, drawing the ire of Guido.  Guido then does what any good Italian Triad leader does: he hires a Taoist sorcerer-priest to train a special squad of jiang shi (a uniquely Chinese hybrid of psychic vampire and zombie) to deal with the situation.

Scene in Hong Kong, where the Taoist is demonstrating the effectiveness of the Vampire ProjectTM to some skeptics from the “Organization”; this movie is full of characters who drift in and out at need and are never explained nor seen again, like Red Shirts on the Enterprise.  He proceeds to transform one of the jiang shi into a “Vampire Monster,” which adds wearing a gorilla suit off the Clearance rack at Spirit to its already formidable undead powers.  Towards the end of the scene, a Caucasian female ghost enters fly-by-wire and challenges the Taoist.  In a badly-acted exposition she states that her name is Christine, that the Vampire Monster is her lover Peter, and that since they were banned from marriage by his Chinese parents, they committed suicide to be together in the afterlife but he has ruined their plans.  While this scene is ludicrous and cumbersome, the sting of it is taken away by the fact that Christine is wearing a very sheer white ghost-gown and is obviously bra-less.

robo vampireElsewhere, Tom GADA is killed by the Vampire Beast in a failed attempt to bust the Taoist and there’s some Thai film segments to add confusion.  Cut to a hospital.  Ex-Tom is lying on a slab, and his best friend and boss Teen Glenn casually authorizes a Nameless Tech to begin transforming his corpse into “an android-like robot” (his exact words).  The Tech begins shoving enormous, kludgy late-70s components into ex-Tom’s chromed and bisected torso, then sealing him up using a blowtorch (a sparkler stuck on a cardboard handle).  “RoboWarrior” is then activated, and some of his skills are shown on a firing range.  Unfortunately, RoboWarrior looks like the type of abysmal, amateurish cosplay gear you generally see worn by high-school kids at fourth-rate Cons. Someone from Costuming scored a bunch of those silver rayon sleeveless vests popular back in the early 80s and cut them up, then spray-glued them to cardboard cutouts and cricket padding sewn on a pair of coveralls; it’s that bad.

After some intervening Thai-film filler, Guido and two henchmen are being pursued along a shoreline by RoboWarrior but they lead him into a trap—-a circle of flames!   He burrows in the sand and escapes by digging his way clear, then fights off four jiang shi before one of Guido’s boys takes him down with a Light Antitank Weapon.  He “deactivates” in a fireball, giving us another great moment in this film: the “robot” that explodes in flames is a rag doll soaked in gasoline and wrapped in tinfoil (see photo).  This also points out one of the central production details of this movie: there is not a single special effect in this film that is not derived from fireworks or gasoline.  Even the gunfire in the Hong Kong half of the film is all black powder cap work with a badly-dubbed sound effects track.

Cut to the hospital again, with RoboWarrior back on the table again.  The attending doctor declares, “I’m afraid he short-circuited,” but the Nameless Tech retorts that it’s “not that serious.”  A few turns with a cheap, cordless power screwdriver, a few significant glances among the staff, and another session with the sparkler-torch and RoboWarrior rises again!

I can’t think of any other film with the pure genius to show a ghost and a gorilla vampire having sex, only to be interrupted by a robot hunting an Asian drug lord and his henchmen, because that is exactly what comes next.   After some come-hither glances, Christine the bra-less ghost and Peter the vampire gorilla begin some bizarre Monster Mash foreplay followed by the bump-and-grind to consummate their “marriage” from earlier in the film.  Unfortunately, their coitus goes interruptus through RoboWarrior, and monkey-boy’s not about to tag him in.  Christine puts on the frightened-girl act, begging (paradoxically) “Please don’t kill us, we love each other!  You can kill us but wait until our love is consummated.”  This gives RoboWarrior a flashback to his days as Tom GADA and the night his wife dumped him because he was a cop.  This sad imitation of a Murphy Moment has nothing to do with the scene at hand, but since that can be said about 75% of the film that isn’t a real problem.  The happy couple take advantage of his confusion to fight him to a standstill, the scene ending with the two of them doing a Riffraff/Magenta thing.  There is no sign of RoboWarrior, and no explanation of where he has gone.

After another section of Thai-film filler, we finally get to the Big Showdown: Guido and his boys face RoboWarrior and get wasted.  The four jiang shi then attack, only to fall one-by-one.  Finally, the Vampire Monster and RoboWarrior go head-to-head in a hopping battle across half of Hong Kong.  Elsewhere, Christine the bra-less ghost attacks the Taoist for reasons unknown, but after she strips her gown off (again inexplicably, but who cares?) he banishes her by writing a spell across her cleavage.  He then calls more jiang shi as reinforcements against RoboWarrior, but Christine comes flouncing back out of nowhere and claws his face, killing him. She is not seen again. The four new jiang shi fall, then RoboWarrior fires his flamethrower out of the barrel of his machine gun and torches the Vampire Monster (the stream of fire is actually a gasoline-soaked length of rope stretched from the gun-barrel to the target…really).  The Vampire Monster is finished, as we know because the gasoline-soaked rag doll in his robes and suspended from a rope off a balcony is burning while he howls.

RoboWarrior marches away from the corpses and the ruins.  The End.

If all of this sounds somewhat incoherent, good; it is, and I haven’t even mentioned half of it.   But if you’re into bad cinema, watching Robo Vampire is a mystical experience.   Check it out.

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roadside attractions

  • Gorilla vampire-on-ghost sex
  • Two films for the price of one
  • “Android-like” robot
  • Robocop cosplay tips
  • Gasoline and fireworks
totals

3

blood

BLOOD

Eye-gouging, flesh devouring, real cow-gutting

3

blood

BREASTS

Ghostly but firm

4

beast

BEASTS

Jiang shi, “Vampire Monster”, sexy specter

3.3 OVERALL
dripper

Watch the trailer to Robo Vampire

trailers

dripper

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