The Lost Highway's B-movie Reviews and Cult Films
Oct

posted by admin | October 22, 2013 | 50's b-movies, Drama, Reviews by the Goon, screeners, Suspense

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The Hitch-Hiker
1953 – Not Rated – Kino Lorber

You’re traveling down a lonely road so void of any life it may as well be a painting. Out of a nowhere like a mirage, a figure seems to be standing still, arm out and thumb extended. You decide to be a good Samaritan and give the drifter a ride. After all, what’s the worse that could happen? Next thing you know, your vehicle is void of any signs of life. Only traces of blood in the driver’s side with a bullet casing in the passenger’s.

This is the kind of fear that The Hitch-Hiker induces. Although it’s not a PSA (though it could be an effective one), it illustrates a ‘your worst nightmare’ scenario when picking up a vagabond. The film immediately puts you in a vice and doesn’t let go until it’s finished. It’s what you immediately think of when you hear “Film-Noir”. It’s dark, it’s dirty and it’s white knuckled. Also interesting to note, it’s directed by Ida Lupino and keep in mind that it was unheard of to have a woman direct back then, especially a crime drama as zealous as this!

Emmett Myers has been hitching for some time. The bronze is hot on his trail, but he remains a step ahead as he leaves a trail of victims, told via spinning newspapers on Lazy Susan’s. Which brings us to our unlucky duo, Roy and Gil, on their way to the Chocolate Mountains for a fishing trip… or so they told their wives. They’re in Mexico when we meet them, passing up a cat house and running smack dab into Emmett on the side of the road, giving him a lift. Their trip instantly turns sour at this moment, as he draws a gun on them when Roy offers him a smoke (this could make a great anti-smoking ad). Emmett immediately takes control, ordering them about and showing that he’s a seasoned veteran at this. Holding them hostage with his gun from the backseat, I can’t help but think of that scene from Pulp Fiction where Vincent accidentally shoots Marvin in the face (throughout the movie, I kept waiting for this to happen). He asks them questions about their lives, what they do and ridiculing their answers, proving he is inside their heads and tells them he intends to kill them once they reach their destination. The look on their faces tells you they know their situation and they know they are over a barrel.

hh_2Knowing that a car ride would get boring (after all, there are only so many times you can sing ’99 Bottles of Beer’), Emmett plays games with his pawns. While pulled over to check the map, Emmett showcases his marksmanship by shooting a tin off a rock from several yards away! Look out, Billy the Kid! He does this with Gil standing nearby, which I’m sure browned his britches. Just having learned that Roy is somewhat of a sharpshooter himself, he directs him to shoot the tin out of Gil’s hand. Remember that scene from The Jackal where Bruce Willis has Jack Black hold up the pack of cigarettes? Kinda reminds me of that.

As they travel across the desert fleeing the authorities, they learn they are being looked for in the Arizona desert. However, they were traveling across the Mexican border. Emmett taunts Roy and Gil for lying to their wives about what they are actually doing and this is a subplot that comes to a halt, as it’s never mentioned again after this. We never really learn what Gil and Roy are doing way out that way, other than a few lines of dialogue. It’s acceptable though, as it doesn’t really chew away at the back of your brain, due to the film’s quick and energetic pace. We jump from one muscle tensing dilemma to the next, but it never becomes incoherent.

After a few hair raising close calls with a few locals, Roy and Gil decide they need to flee or it’s curtains for sure. Waiting for Emmett to sleep, they run off into a field and into an opening. However, Emmett was only playing possum, fooling them with his bum eye and nearly runs them down in the car after Gil trips and falls like a woman in a slasher film. Hopefully he didn’t break a heal.

The closer they get to their destination, the closer they are to their impending doom, Gil starts giving up hope. Acting as if he were already dead, Roy has to push him with the small sliver of hope that they can still make it out of this alive. Cops hot on their tail, Emmett switches clothes with Gil (now disguising himself as a doughy, middle aged man) in the final attempt to take a ferry to his salvation. Seems like them Duke boys sure have themselves in quite the pickle!

The Hitch-Hiker
Where was the Jam Handy informational short for this scenario? Based off the actual event in 1950 where a man named Billy Cook murdered a family of five and then was captured after leaving a deputy for dead, makes this movie all that more shocking. It adds a whole other dimension of gut wrenching realism to the film, like another layer of darkness. It’s enough to make anyone paranoid of picking up a stranger. For a short run time of seventy one minutes, The Hitch-Hiker certainly keeps you in suspense and will surprise you. Although the ending does wrap everything up nice and neat, it’s still has a lurid manner throughout the duration and I wasn’t sure what to expect. So take a joy ride with this one and pick up The Hitch-Hiker from Kino Lorber. This is one hitcher that won’t creep you out with stories of Nam or conspiracy theories.

Check out this review and plenty others at Goon Reviews.

roadside attractions

  • Spinning newspapers, always a classic.
  • Viva La Me-hee-co!
  • Lazy eye.
  • Gil: The human lump of bread dough.
  • Shooting competition.
  • Emmett bossy boots.
totals

6

blood

BLOOD

Very little, but the shear idea of violence behind this scenario is pretty disturbing.

0

blood

BREASTS

None, unless you count Gil.

7

beast

BEASTS

Emmett is one sick puppy.

4.3 OVERALL
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Oct

Comments Off on Rocktober Blood

Remember when a killer soundtrack could actually save a horrible movie from extinction? Something that you could rock out to even if the movie didn’t make a lick of sense. Movies like Flashdance, The Sound of Music or that evil orphan movie with little red headed asian girl, Annie. Yes, there’s a handful if not dozens of such films and Rocktober Blood is one of them. It’s pure metalsploitation where a soundtrack will melt your face off, but only long enough to distract you from just what a piece of horse pucky you’re actually watching.

Tray Loren plays Billy “Eye” Harper, a local rocker whose been laying down some “killer” tracks at the recording studio with his back up singer/girlfriend Lynn. Billy isn’t very happy with the record producers, so he starts killing them off while Lynn takes an incredibly long time to undress for the hot tub upstairs. After impaling one of them on coat hook, Billy in his Top Gun sunglasses, forces Lynn to sing at knife point until a security guard breaks up the karaoke. Billy is later arrested, tried, and executed for killing at least 25 people. They obviously didn’t know to rock.

rocktober blood2 years later, Lynn takes over the band and starts her own tour of heavy metal with a blood and guts stage show. She’s obviously working through some relationship issues. Unfortunately she’s starting to see Billy’s face pop-up around town and running into him at parties, which is always awkward. Nobody in her band believes her, especially her manager who suspiciously resembles a beaten Fabio and insists that her friends take her on vacation. They fly her up to a secluded cabin where they all can relax and aerobicise in the wild, but Billy shows up again just to taunt her with his annoying laugh and rummages through her underwear drawer. Lynn insists Billy is alive despite nobody else seeing him and heads back to dig up his grave to prove it. Unfortunately she finds his decayed corpse still wearing a rockin’ bandanna instead. Shyamalan plot twist – Billy is really dead!

Convinced she is going nuts, Lynn decides the best therapy is to get back to her concert tour, but just before the show she is drugged backstage by Billy’s evil twin John who killed everyone years ago and has been following Lynn ever since. “Sorry Billy about that whole conviction and execution thing. My bad.”

Tom handcuffs Lynn to his wrist and performs in front of a live studio audience as Billy. His band is un-phased by it all and continues to rock on. Fabio sneaks up with an electric guitar and mashes him on the head just as Tom finishes out his solo. But haven’t we’ve seen all this before on American Idol?

Rocktober Blood has very little to do with Oktober or Rock and contains very little blood. Playing Guitar Hero has better character development but at least it all ends on a high note. Barry Goodall gives it 2 guitar riffs out of 5 mostly for the gratuitous areobicizing.

roadside attractions

  • Gratuitous backup singing
  • Wall coat peg impalement
  • Neck slashin’
  • “lactose intolerant” Fabio
  • Breakdancing werewolf
  • Jacuzzi dunking
  • Death by steam cleaning
  • Heart ripping with optional decapitation
  • Death by rock!
totals

8

blood

BLOOD

A few good splatters and neck slicing though most of it happens on a rock stage with corn syrup.

8

blood

BREASTS

Does it count if it’s the same hot tub scene shown twice? Yes, yes it does.

1

beast

BEASTS

Billy who is strangely reminiscent of a screaming cub bear lost in the woods.

3.5 OVERALL
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Oct

Comments Off on Phoenix the Warrior

Tagline: Sexploitation Sinema Has Never Been So Fun!

Year: 1988 Runtime: 89 min

Director: Robert Hayes

Writer: Robert Hayes, Dan Rotblatt

Starring: Persis Khambatta, Kathleen Kinmont, Peggy McIntaggart

Phoenix the Warrior is also known as She-Wolves of the Wasteland. I mention this partially for thoroughness’s sake, but mostly because it sets expectations exactly where they need to be. This is a very simple movie: put scantily clad, or preferably topless, women in front of the camera for roughly 90 minutes. And that’s exactly what the film delivers.

The story, such as it is, goes like this: a bacteriological war killed most of the world’s men and left only a handful of women.The Reverend Mother (think female Emperor Palpatine) rose into power, both in government and in magic. Don’t know how, it’s just vomited out in the opening exposition. Somehow—I’m going with Science Magick™—she creates all the post-war people, which are all women. Thing is, she is powered by draining the life from others, and women don’t have as much juice as men. Problem is, she’s killed all the men “working” them in the sperm banks. So…

The final seed is stolen by The Breeders, a group of women who want to breed more humans, and used to impregnate Keela, some woman. And by the grace of the Goddess it’s a boy.

(And there was much rejoicing. Yay.)

Phoenix comes along just in time to save Keela from the Reverend Mother and her goonettes. Then the passage of time goes all quantum retarded. The day after they escape Skyler, the boy child, is born. I assume that this streamlined procreation process is due to the lack of men. Whatever. Doesn’t matter. There’s lots of topless women in the tribe that takes Phoenix and Keela in.

The Reverend Mother has the power of Baby Birth Detection with Slight Baby GPS, which gives her the location to send the goonettes, led by Cobalt (Persis “Ilia” Khambatta). Unfortunately only the Topless Ones are killed in the raid. Phoenix, Keela, and newborn Skyler escape.

The next day Skyler is about 5 years old. Nah, just kidding. He’s five because it is five years later. Robert Hayes is terrible about conveying the passage of time. Just when the audience is completely confused, he falls back on exposition in order to set things straight. Keela: “No one has seen us in 5 years.”

Oh. Ok. Thanks. That cleared that up. Not much has changed in 5 years. Everyone looks the same. Clothes are the same. Hair’s the same. What the hell? Maybe it’s that good dessert air. Show some breast and all is forgotten.

While on the run Phoenix, Keela, and Skyler find a ramshackle shack. They bed down for the night only to wake to a gas masked interloper standing over them. Phoenix kicks her in the va-jay-jay and Keela busts her in the head with a rock. Down she goes. Under the gas mask is…

A MAN! Named, conveniently, Guy.

Realization sets in. Oh, noes! He’s broke! “There’s nothing more useless than a man that doesn’t work.” Preach on, Phoenix. (She’s talking about his pee-pee.)

Meanwhile, a drifter brings a toy to Cobalt who takes it to the Reverend Mother. Using her powers as an object empath, she determines it is the boy child’s toy. And again she uses her power of Slight Baby GPS to locate the boy child.

In their lust to satisfy the Reverend Mother, the goonettes rush in all half-vaginaed. Their plan? Crash their truck through the shanty where he’s hiding. Nothing could possibly go wrong, amirite? Luckily Guy has an escape pipe which he, Keela, and Skyler manage to get through. Unluckily Phoenix gets captured.

Here there’s the obligatory “gladiator fighting pits” scene. Phoenix makes a friend of Neon, one of the gladiatoresses. Phoenix then kicks some butt. Keela and Guy come to her rescue. Weeeeee!

Back together and with some sweet post-apocolypse wheels, they make a run for the Badlands in order to find some place safe to live.

This is an even better idea than the goonettes running their truck into the shanty. The Badlands are the home of the Rezule, TV worshiping mutants. Honestly they don’t seem very tough or frightening. Considering they don’t have guns, and Phoenix and crew do, I can’t understand why they were worried. It’s like being worried by Romero zombies or 70’s Daleks. You can walk by them, but it was in the script so the Rezule are fearsome.

To insult our intelligence Phoenix says, “End of the road,” when they make it to the Badlands. The end of the road is a slight hill with dead bushes. There’s no way they can drive a car though that, so they set off on foot. Hayes couldn’t think of something more realistic like running out of gas? Sigh.

The Doofus Crew promptly gets captured. Magically, out of the dead bushes, comes Cobalt and the goonettes. They take Guy and Skyler. The Rezule get to deal with Phoenix and Keela.

Now is the Reverend Mother’s moment of glory. She has Guy to refill the bank. She has Skyler to refill herself. Perfect, right? She starts off by telling Skyler to prepare himself. Really? Prepare himself? What is the boy going to do? Ask for a blind fold and a cigarette? Pray to his God? Eat his final meal? He’s five. He just stands there looking at her.

Guy, whose chained nearby, tells the Reverend Mother to take him instead. Naturally he won’t do, plus he’s got a bank to fill. Being a nice lady, the Reverend Mother gives Guy the option to watch.

At this point you’d think the Reverend Mother would dig in, right? Everything she’s been waiting years for is right there. She’s told Skyler to prepare himself. Guy’s watching. Well, not so much. What she does is sit there. She waits, giving Phoenix and Keela time escape (with the miraculously timed arrival of Neon, remember her?) to make it to her, set up a pointless diversion, kill her goonettes, and ultimately kill her. Too bad intelligence wasn’t one of the Reverend Mother’s powers.

The movie closes with the same inexplicable scene that opens the film: Phoenix, horseback, on the beach.

roadside attractions

  • Witness the Topless Dance of Birth! Goddess be praised!
  • Thrill at the vicious fight choreography!
  • Boobs! ‘Nuff said.
  • Marvel at the Rezule, TV people in the badlands who read from the scriptures of TV Guide!
  • Fill your eyes with Bikini Babes with machine guns!
totals

5

blood

BLOOD

There are a few good shots, but for all the burlets spent there’s not much blood spilled.

10

blood

BREASTS

The one thing this film got right: lots of breasts to keep the audience’s attention.

5

beast

BEASTS

In a dystopian world you’d think there would be more mutants. Sadly there’s only the Reverend Mother and the Rezule.

6.66 OVERALL
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Oct

posted by admin | October 15, 2013 | 50's b-movies, Drama, Horror movies, Reviews by the Goon, Suspense

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House of Wax
1953 – Not Rated – Warner Bros.

They stare at you with lifeless eyes that seem to follow you no matter where you go, wax sculptures are pretty damn creepy. Or maybe it’s how real and unassuming they are and that they could grab you as you pass by. It could be a million reasons, most of them I don’t know, but they get under your skin. I’m surprised more movies don’t feature killer wax people, but maybe it’s because the bar was set a little too high in House of Wax.

A remake of the 1933 film Mystery of the Wax Museum, this film opens up and escalates to speculative and terrifying quickly. Very quickly. Professor Henry Jarrod (played by Vincent Price) masterfully sculpts wax figures that are so lifelike, you would swear that they were palpable. Among his collection, he hails his Marie Antoinette to be his masterpiece. He walks around talking to his sculptures, seemingly having private conversations with them. As this scene goes on, you are becoming more and more aware of how quiant and detached from humanity he is. He seems pretty batty, but most great artists weren’t exactly sane. Jarrod could make a fortune if he were to “sell out”, which his business partner Matthew Burke encourages him to do. But Jarrod is in it for the art, not the money and if we learned anything from Aliens, anyone named Burke is all about the fame and fortune. He starts dumping gasoline all over the place like he has more important things to do, intending to torch it and cash in the insurance policy. Before they can discuss it, like a true pyro, he sets the place ablaze. He was that confident it was a solid plan, that he didn’t even need to think it through. Or maybe he likes to burn buildings down. Either way, Jarrod reasonably becomes enraged and desperately attempts to save his sculptures as they melt like cheese, eyeballs falling out of their heads. After being attacked by Jarrod, Burke fights him and throws gasoline all over Jarrod, leaving him to die in the fire.

how_3Time passes and Burke seems to be living it up. That is, until he’s murdered by a disfigured man, along with his fiance, Cathy. Cathy’s friend Sue Allen happens to find her carcass there with the disfigured man hovering over it and chases her out the window and down the street (cue Benny Hill music). She manages to escape the horror and inform the police. It’s then that they are discovering that Cathy’s body, along with several others, have disappeared from the morgue. Who would steal bodies? With the McRib making a comeback, it would make sense that McDonald’s could be the culprit, but we all know they use former boy band members. Could it be that Jarrod survived and is exacting revenge? Nah, that would be crazy.

Well, I guess it is crazy since eighteen months pass and it seems Jarrod has opened a new wax museum called “Chamber of Horrors” that showcases horrific crimes in history… and current ones, as Burke’s death is displayed there. However, Jarrod didn’t escape unharmed. He’s bound to a wheelchair and no longer has use of his hands. He’s assisted by a deaf-mute, Igor (Charles Bronson). I was kinda hoping he would have a hump on his back, but I guess that’s a different Igor. So, who’s making this wonderful statues? He has hired a top sculptor, Leon, who is basically like the Michael Jackson of sculpting. The movie has slowed down the pace noticeably by this point as Scott, who has grown fond of Sue Allen, decides to take her mind of her recent tragedies and takes her on a tour of the wax museum that showcases horrific murders. Sue Allen can’t help but feel uneasy by the Joan of Arc display, noticing that it bears an uncanny resemblance to her recently deceased friend Cathy, right down to her pierced ears. You can probably tell where this is going, but it’s the journey getting there that makes this movie shocking and fun to watch. Jarrod becomes hypnotically charmed by her and seems to think she would make the perfect model of Marie Antoinette. Finding that Scott also happens to be a sculptor (geez, how many sculptors are there?), he offers him a job based on that reason. Way to play, playa.

But that Joan of Arc sculpture sure has given Sue Allen the heebie jeebies. Bringing the police along with her to the wax museum, they take note that John Wilkes Booth looks an awful lot like a murdered city official whose body is missing. Eh, it’s probably a coincidence.

how_4Taking a Scooby Doo style approach, Sue checks out the museum and takes a closer look at the Joan of Arc sculpture (how infatuated is this woman?). But she accidentally knocks the wig off and sees the blonde hair underneath, coming to the conclusion that it looks like Cathy, because IT IS Cathy! Oh, if it weren’t for you meddling kids. This is actually quite a shocking turn. I suppose next they are going to reveal that Jarrod can actually walk and is only pretending to be handicapped… Well, son of a…

In one of the coolest effects ever, Jarrod finally grabs hold of Sue and she begins to give him a rap on the brow repeatedly as his face shatters away to reveal that he was the disfigured man committing all the murders! Meanwhile this is happening, Leon is rolling over on Jarrod to the police, revealing everything and basically handing him on a platter. Little advice to all you inspiring criminals out there: If you’re gonna go in business with someone, make sure you can trust them not to reveal your plot to the authorities. Cats out of the bag now! The Police and Scott make haste to rescue Sue before she becomes a wax statue and end this movie on a positive note.

House of Wax
Not only is House of Wax the first color 3-D picture to be shot by an American studio, it’s also one of the first horror roles Vincent Price starred in and right away, you can tell he has a knack for it. From the first moment you see him have a conversation with a lifeless sculpture, you can feel the hairs stand up on the back of your neck. And he does this even before he has the makeup on! There is a good reason he is known as “The Merchant of Menace.” It’s been said a million times and it goes without saying, but I’m going to go ahead and say it: This is without a doubt one of the best horror classics. It’s a true insight into how frightening these actors could play their characters, how special effects could shock you and how dark and violent a movie can be without gore. If you haven’t seen it, shame on you. It’s been sixty years, for crying out loud! Just don’t watch the 2005 remake. It’ll make your skin melt… and it has Paris Hilton.

Check out this review and plenty others at Goon Reviews.

roadside attractions

  • We don’t need no water, let the mother burn.
  • Vincent Price, Street Brawler.
  • “Hanging” around.
  • Pre-Freddy Krueger.
  • Braindead Bronson.
  • Is there a sculptor in the house?
  • Bikini wax of death!
  • Wheelchair Psyche.
totals

5

blood

BLOOD

No blood, but wax sculptures melt in a way that will make your stomach turn.

2

blood

BREASTS

This was made before boobs were invented.

9

beast

BEASTS

If Charles Bronson as a menacing thug ain’t spooking ya, Vincent Price sure will.

5.3 OVERALL
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Oct

posted by Barry Goodall | October 15, 2013 | B-movies, Guest Review, New Releases

Comments Off on Ghost Shark: A guest review by Deadman

GhostShark

Shark movies are a dime a dozen. Even more common than shark movies are bad shark movies, lke this little SyFy-produced gem aptly named Ghost Shark. Boy, are we in for a whopper: a fisherman’s tale so hard to believe Bruce from Jaws is rolling in his grave. We start the movie with three extras turned plot devices and all the cursing a major network can allow. It sounds more like the would-be conversation of a couple of tweens who just learned their first swear words. And these three salty folks are on a chartered ship trying to catch a fish to win a contest that has not been mentioned, or ever gets mentioned, in the entire movie. Plot device,ho! The female aboard the ship has a tiny handy-cam which she’s filming the entire venture with, giving us our first “That’s gonna come back later” moment. Upon hooking what we’re lead to believe is an award-winning fish, for the contest that is never again brought up, we have apparently a great white shark that comes and not only eats the fish on the line but spits the stripped carcass back onto the chartered boat. Take a minute to let that ‘Tom & Jerry’ moment sink in. Got it? Okay. Let’s continue.

In a “murderous rage,” and I use quotation marks because the actor has the emotional range of a highway billboard sign, Redneck Fisherman #1 starts to shoot at the shark. It gets better. After shooting the shark with a .357 revolver, he gets all Daryl Dixon and uses a crossbow. Don’t finish that sigh, yet. Following the eight bullets fired from the six shooter, and the crossbow bolt to the face, the guy adds insult to injury by pouring hot sauce on the shark. Now you can imagine that all this was some grand chase or some kind of pursuit or multiple sessions of the shark surfacing, but this all happens at the back of the boat and the shark stays to take it all. The final straw to this attack is when the couple on the back of the boat throw a stick ofdynamite into the shark’s open mouth, which proceeds to explode, but doesn’t kill the shark. That’s right, a stick of dynamite, in the mouth of the shark, and that DOES NOT kill it. Whilst the drunken fishermen celebrate their victory over the hungry predator, the shark that we now know is destined to be the title character, swims to a cave to die when the walls glow with symbols that were probably drawn by the producer’s infant son. A bad CGI shark dies and floats to the depths of the ocean.

Already tough to swallow? We’ve only gotten past the first scene, folks. The shark that went to die in the glowing cave, by the way, that never gets explained, comes back as a see-throughblue predator of the deep that can now leap over tall boats with a single splash, bite peoplein half like they’re made of Wonderbread, and the ability to….Oops. Spoilers. Remember that previously mentioned handy-cam? Yeah. We get the set-up for the first half of the movie from the supposed footage from that thing. Enter the rest of the cast! Teenagers galore and bikinis (although very old styled) abound and not a single person outside of the main characters are on the beach! No, really, stock footage is used to establish a busy beach and then real footage takes over and it seems these kids are the only occupants. Now begins all the worst shark attacks that man can muster and paste to film. First shark attack is a teenage girl, bitten in half, off the top of a Jet Ski. Ghost sharks can leap. The chartered boat shows up with “blood all over the deck” (in reality it’s just a bloody hat) at the same time, thus leading the Scooby Doo gang to put together the shark-killed folks. Yeah, I know. But at some points it really does play out like a cartoon.

Begin the great investigation! And I meant the Scooby Doo reference. Almost every adult in this movie is simply unwilling to budge on any point made, even when they witness the shark comeout of a man’s body, splitting him in twain, just a few feet away from them. Yes, folks, that’s the Ghost Shark’s super power! The edge that makes it the most dangerous CG critter this side of Starship Troopers is that it can “haunt” any standing or running water around the town! Kids are devoured going down a slip and slide, modeled like a shark, of course, cheerleaders are chomped on during a summer car wash, and the aforementioned man split in two met his fate at the hands of the office water cooler. Oh, the humanity! Oh, the horror! Oh, my glob! It doesn’t make this movie ANY BETTER! Almost everyone that meets up with the apparition is guaranteed certain death, except the main characters, of course. The sister of the main female protagonist gets mauled in her bathtub, only resulting in a badly applied make-up effect of a bad cut. So I’ve gone through some of the attacks, leaving out the pool party attack where a severed head ends up impaled on a champagne bottle, but there is one thing we haven’t covered: actors. All these players are no-name actors except for Richard Moll. That’s right, Bull fromNight Court ended up on a SyFy shark movie.

So now that we’ve gotten the meat of the movie out of the way, let’s discuss how they “kill”the Ghost Shark. Call the Ghostbusters? No. Perform some voodoo ritual? No. Sing a song and show it that only true love can prosper? No. After a false ending of stabbing the shark with the bolt from the crossbow above and it exploding like an incorporeal pinata, the only way to kill the shark is the way they’d been discussing for the last 20 minutes in the movie: blow up that glowing cave! (Fake CGI shark cadaver included). But what’s this? Lo, those who could only see THIS plot twist coming, will have called it and knew its arrival. It starts raining! More specifically, IT STARTS RAINING GHOST SHARKS! Goodbye, Richard Moll, you will not be missed. But this is a SyFy movie. They blow up the cave and the whole town is saved. For the credits, the last survivors go for a swim in the now safe ocean, somehow forgetting their father, friends, lovers, county officials, and someone’s dog, are all dead. You can breathe now, folks. It’s over. If you think reading it was hard, try watching it!

Blood: 7 – less than a hanful of good gore spouts.
Breasts: 5 – It’s a SyFy feature
Beasts: 3 = less than convincing and sadly…Sad

Deadman is a published writer, YouTube reviewer of video games, movies and the like. Also a zombie survivalist who has a series to help those get through Z-Day. A lover of all things horror and B-Flick. Born and raised in El Paso, Texas. An artist, gamer, and father. He games as often as possible and when he’s not gaming he’s creating some literary work. Weird sense of humor, but always willing to make fun of himself, too. Another interesting note is that he is blamed by friends and family to be responsible for the zombie apocalypse; being evil isn’t easy these days.

Deadman is his second name, the first one has been stricken from history. Ask him anything
and he’ll probably have an answer.

Deadman0204.blogspot.com
Youtube.com/deadman0204

About the Highway

Lost Highway is your satirical detour down the twisted back roads of b-movies and cult films reviews. learn more >>