The Lost Highway's B-movie Reviews and Cult Films

posted by Doktor | January 25, 2016 | 90's movies, B-movie Reviews, Horror movies, Review by Doktor, Sci-Fi

Comments Off on Project: Metalbeast

Project Metalbeast Main

Tagline: DNA Overload

Year: 1995                 Runtime: 93 min

Director: Alessandro De Gaetano

Writer: Alessandro De Gaetano, Timothy E. Sabo

Starring: Kim Delaney, Barry Bostwick, Kane Hodder

Is This Normal 01Kane Hodder. Metal Werewolf. Barry “Commander Ace Hunter” Bostwick. Yes, please!

Ah, but like so many b-movies in the 90s, the cover promised more than the movie delivered. Don’t get me wrong, Project: Metalbeast has its moments, when the credit roll ends. Problem is, it doesn’t thrill so much as it talks at you.

Take the opening scene. Stormy sky. Night. Teletype titles:

(tacka-tacka-tacka-tacka) 1974

(tacka-tacka-tacka-tacka) U.S. Military Intelligence

(tacka-tacka-tacka-tacka) Operation Lycanthropus

(tacka-tacka-tacka-tacka) Carpathian Mountains, Hungary

(tacka-tacka-tacka-tacka) Objective: Sample werewolf blood.

(tacka-tacka-tacka-tacka) Purpose: To make an awesome 90s horror flick create a superior combat agent.


Master Sergeant “Way Too Serious” Butler and his idiot sidekick Private “Lackey Bait” Greg break into a random castle. As all Hungarian castles are infested with werewolves, any old castle will do. Butler’s armed to the teeth, i.e. a single 45. No wonder he’s so somber. Lackey is secured with a bulging pack of gear, a bulky metal case, and a camera. Whomever packed his gear completely misunderstood what he was going to be shooting.

Still, Lackey performs his role perfectly, blindly blundering around, always out front, until attacked and killed. Butler, the consummate commander, watches idly as Lackey’s throat is ripped out. He’s more concerned with the dirt under his fingernails. It’s ruined his manicure. Lacky’s camera, not wanting to miss it’s big shot in the “movies,” decides to take a burst of pictures. What’s surprising is, despite being pointed at the ceiling, it manages to capture several in focus and nicely composed pictures of Lackey’s death. Each shot is from a slightly different perspective to boot.

Can your fancy DSLR do that? Don’t think so.

Though still deeply pained by his dirty nails, Butler pulls himself together enough to shot the hulking werewolf a couple times. “Hmm, what do you know, it works,” his look says. I admit I was surprised. I had no idea that a 45 has werewolf stopping power. He extracts some of the werewolf blood with an unnecessary suction device in one of Lackey’s cases. I’m sure a syringe would have worked just fine, but this is 1974. All secret government agents had excessively high tech gear. It’s a thing. Look it up.

With the blood collected, Butler grabs the camera and does Lackey a favor and shoots him in the face. Good job, boy. You’ll go far in this world.

Cut to: U.S. Secret Operations Center.

It looks like a mid-sized high school building, and from what we’ve seen so far this is where the writer spends his weekdays. Nah, I’m just kiddin’. Really the location is all about being broke. They spent all $13.68 of budget on the special effects makeup.

Butler, man of action, is getting antsy. The science tests on the blood are taking too long. Time to introduce some class, some level headed leadership. Enter Miller, Barry “Cool as a Cucumber” Bostwick, to put Butler in his place. Miller’s got this under control and Butler is not going to screw this one up. Sit, Butler, sit! Good dog.

Come to find out, while the tests are not complete, the doctor does know that if they were to use the blood on someone, said someone’s immune system would reject it. Their blood would turn into puss. Their body would swell. They’d suffer an intense fever. Eventually they’d die. Butler and Miller have one track minds, so they ask “That is all fine and good but is the blood diseased?”

Oh, it’s going to be so much fun watching the pair of them die.

Being the MENSA candidate he is, Butler isn’t going to wait for another week. He’s just going to take the blood. So, he sneaks into the lab after hours, because nothing is locked down in a Secret U.S. Operations Center, steals a half syringe, and sneaks off to the bathroom to shoot up.

Hmmm. Maybe this really is a high school after all.

Before he shoots up, Butler taste tests a couple drops. Not bad. A bit gamey. That’s all the science test needed so, yippee ki-yay. After a few moments of twitching like he shot molten iron, he goes all Emo. He returns to his office to reminisce by looking through the slides of Lackey’s final moments.

As he contemplates black, Butler’s sense of hearing starts improving. He hears some of the other doctors making fun of him and his werewolf blood. Why can’t the world just leave him alone!

With all the swirling passions and the icky hair sprouting in unusual places, this would be a terrible time for Miller to bust in and—

PewCue the exposition/Mexican stand off.

Butler, his sack having descended, sneers about smelling fear, living forever, and the $20 Miller still owes him from a couple weeks back. Not ready to become Butler’s victim just yet, Miller slips off to… uhm… turn off his stove. He forgot to turn it off when he left home that morning.

Fun Fact: when you shoot up werewolf infection, as opposed to getting it by being bitten, you can change by will, or as it’s known in show biz, through the “power of plot.”

In one of the labs, a lady doctor cuts her hand. Butler smells the blood. It brings out the beast in him. The Lurvwolf. He doesn’t always hump a lady’s leg on the first date, but when he does he returns to his office to lick his… pride. Or something.

One of the man doctors busts in, ready to save lady doctor’s virtue. Ooooo, bad timing there, chief. Butler has gone full werewolf. Mr. Doctor gets his throat ripped out. So much for chivalry. As WereBulter is chomping on his jugular, the slide projector decides to click through the slideshow of Lackey’s death.

I’d like an order of killing, with a side order of killing, and supersize that for me.

Miller, having thought of a snappy comeback finally, returns to find WereButler still chowing down on Mr. Doctor. That dog will not hunt, sir. Miller shoots WereButler and they put him, as well as the project, on ice. Literally.

Cut to: 1994. NEW U.S. Secret Operations Center.

Now the operations are housed in a mid-sized warehouse. How did this happen you ask? Well, they injected some Hungarian warehouse blood into the high school building and voila, new operations warehouse!

Inside we’re shown Dr. Anna de Carlo’s office. We see her Dermatology degree from the University of Michigan, her humanitarian of the year diploma (That’s right, diploma. It reads diploma in big bold letters at the bottom.), a cute Kangaroo doll on her desk, and her name plate which reads, “Synthetic Tissues Project.” Then a cross fade to her busy at work. Meanwhile all her co-workers are playing pool, poker, and drinking beers.

Cut to next day. Dr. Anna sleeping on her desk. Lt. “Don’t Touch the Hair, Man” Ferraro, one of her co-workers who took the evening off, comes in. He gives her the loving look which says, “Poor kid. Here all night. Again.” He wakes her gently.

This is a perfect time for exposition about what she does.

She’s growing new skin from a mixture of synthetic tissue and metal. Well, kinda. So far all she’s made is stuff that’s hardened to steel. But, poke gooey stuff with an electric prod enough and surely you’ll get synthetic skin that can be transplanted onto humans, right? So, night after night after night, she spends her time poking gooey stuff with an electric prod rather than have a life.

Having enough exposition to explain things for the moment, the movie returns to the plot. Ferraro tells Dr. Anna that some big-shot named Miller is coming on board. There’s a meeting to introduce him at eleventy-hundred hours. Oh, and there’s a little crust in the corner of her mouth.

At the meeting, Miller gives them the old “stink eye” and some “what for” to establish himself as the new head honcho. This doesn’t go over well, but what can they do? Quit and let someone else take all the glory. Well, yeah, but… Anyway, Miller tells the scientists they’ll be moving on to testing their synthetic skin on a cadaver he’ll deliver sometime next week.

Why he’s taking a week to deliver is a mystery? WereBulter is in the basement. Remember in the old U.S. Secret Operations Center and the New U.S. Secret Operations Center are one and the same.

Here we get a touching moment between Miller and WereButler. Miller’s bragging about giving him steel skin. He’ll be indestructible. No worries though, because this time everything is under control.

Behind MeHow? Because.

In spite of their moral reservations and the questionable legality, Dr. Anna and team start grafting synthetic skin onto WereButler. Part way through the operation the notice the three bullets in his chest. Dr. Anna removes them. When she does he comes back to life.

Second Fun Fact: silver bullets don’t kill injection infected werewolves, it just puts them in a coma.

At first WereButler has no brain activity. Granted, that’s because they forgot to plug in the EEG machine. I think his thrashing about, moaning and groaning in pain, and that his eyes were wide open should have indicated conscious, which in itself suggests LOTS of brain activity, but what do I know? I’m no dermatologist.

Dr. Anna confronts Miller, but he’s all, “Feh, it’s not a person anymore. Get back to work.” Who can argue with logic like that. So they return to work. They do call Miller Mr. Poo-Poo Head behind his back from there on out.

You might be wondering why no one, even the base commander, General Hammond, calls someone higher up about all this tom foolery?


All the while WereButler is in pain on the operating table. In her office, Dr. Anna is having a bout with her conscience. You know what that means. Perfect time for exposition about what kind of person Dr. Anna is.

Early in her career as a trauma dermatologist, there was this little girl who came into her ER. Ninety percent of her body was scorched away. Ninety percent of her body was gone and she was still alive? Amazining. Surprisingly, all Dr. Anna could do was watch her die. If there were only some synthetic skin with which to replace 90% of her body!

When the little girl died Dr. Anna believed there was something that left her body. Now though, after what she experienced with WereButler, she’s not sure. All she does know is that something momentous happened, but she’s not sure what.

Well, I’m no philosopher, but a person who was dead for 20 years came back to life. And he is writing in agony as you wallow in your exposition. There’s that.

Being all alone and in pain, Miller takes a moment to evil gloat over WereButler. Miller shows him pictures of Lackey’s death, blurts out that WereButler has been frozen for 20 years, and delights in the fact that he will NEVER pay the $20 he owes.

Tender moment over, Dr. Anna returns to work. Dr. Anna finally moves past her blasé attitude and gives WereButler a shot some Demerol. For some reason this causes him to have an accident. Exhausted by all the work, it’s time for a break, during which time Larry “the black guy” is sent to get surgical tubing to make a catheter.

Dr. Anna uses her break to get a code key from Hacker Chick, the operations center’s IT department, to Miller’s office. Miller uses his break to call his mommy. WereButler uses his to transform and kill Larry.

Looks like he wanted a catheter even less than Larry wanted to put it in.

Finally, time for some well deserved killing.

Is This Normal 02Sadly, now that he’s finally free, the first thing WereButler takes his rage out on is a dipping bird novelty toy. Really? He couldn’t punch a wall? Maybe kick through a door? I suppose not. Those things cost money and there just wasn’t enough in the budget. Thankfully a hapless guard wanders across his path, and feeling silly at wasting all his AWE-some, WereButler dispatches him, but good.

Unluckily for WereButler the other guards that show up are armed with fire extinguishers.

Third Fun Fact: fire extinguisher spray causes injection infected werewolves to partially transform back and go into nap mode.

Back in the lab, Dr. Anna’s idiot assistant, Weenie Intern Guy, keeps trying to pierce WereButler’s steel skin with a syringe of sedative. There is plenty of his body that’s not covered, but why go there? That’d be too easy. Defeated, they give up. Instead, they hook him up to electrodes and fry him. Why?

Because. And science.

While he’s getting juiced, Dr. Anna has to go see how Larry died.

Seriously. I’m not making this up. She has to see how Larry died. The stupidity boggles the mind.

I normally don’t talk to my television, but it helped me fight back the urge to get violent, “WereButler, you know, the steel skinned werewolf you only moments ago hooked up to electrodes? Yeah, him. He attacked Larry. Hulking metal werewolf attacks ‘Kan be pretti nasti.’ In this case it killed him. Also, remember how everyone just finished telling you how he, WereButler, you know, the steel skinned werewolf, attacked Larry? Remember that? Well, that’s how he died.”

Just as I was about to pop a brain infarction the answer hit me. The reason she had to see what killed Larry was the filmmaker spent money on some special effects makeup. That’s why he didn’t have WereButler smashing up the place. Some nasti cuts and a severed arm have more production value than a smashed door.

My bad for ever doubting.

When she returns to the lab she unilaterally decides the best thing to do is put WereButler out of their misery. Finally. She would do the deed herself but first she, ehrm… has some stuff to do. Ferraro, too. In the meantime, they instruct Weenie Intern Guy to inject sedative in WereButler’s eye. Really. In his eye. First they fry him because they can’t sedate him. Now they’re going to inject him in his eye. Poor bastard.

Thing is, this whole time WereButler’s been awake, with enhanced werewolf hearing. He heard the whole conversation.

Goodbye, Weenie Intern Guy.

Dr. Anna goes to get the gun and silver bullets she saw in Miller’s desk drawer earlier. Too bad, Dr. Anna. Miller has already grabbed them. Miller is 99 things, but a sucker isn’t one of them.

Ferraro steals all of General Hammond’s silver coin collection, which oddly enough, he keeps lying out on his desk, only half in protective cases. Ferraro takes them to his lab to make some special silver bullets. Special silver bazooka bullets.

While they are running their errands, WereButler kills Weenie Intern Guy and sets out on the killing spree we’ve been waiting for.

Sort of.

For an emergency situation this base is incredibly laissez-faire. No alarm. No guards sweeping the parameter. Miller and General Hammond are casually walking through the building. That’s when they come upon the dead body, i.e. WereButler’s rampage. Miller is not impressed with the kill count so he shoots General Hammond’s knees to leave him as bait. No sooner does Miller leave the room than WereButler is creeping up on Hammond. WereButler picks Hammond up and…

We get to watch Hammond’s feet twitch as his neck snaps, or his head is crushed, or something happens up higher where we can’t see.

Miller happens into Ferraro, Dr. Anna, and Hacker Chick. Ferraro runs interference for the ladies so they can get away and takes a bullet for his trouble. Considering he only has 6 bullets, Miller is being incredibly generous shooting people.

Cute ShoesDr. Anna and Hacker Chick end up in the freezer room in the basement, i.e. the cryo-lab where Miller was storing WereButler all these years. Leaving the door wide open behind them, Miller easily deduces where to go.

Just when I thought the movie was out of exposition, there is some villain monologuing. Thankfully it is cut short by WereButler.

In the “fight” that ensues, WereButler stomps a mud hole in Miller. Yet Miller takes it with style. With each blow he gets up and puts things right—fixing his tie or straightening his hair. He couldn’t quite fix the disemboweling, because he was dead, but he did what he could. Now that’s class.

At last, final boss fight. Dr. Anna and Hacker Chick versus WereButler. Dr. Anna has the bazooka and a couple of Ferraro’s Special Silver Shells. With the first shot, Dr. Anna misses WereButler all together. The missile hits the wall behind him, sending debris down on all three. Hacker Chick is out. Dr. Anna gets rebar through the ankle. WereButler is, of course, just knocked out until Dr. Anna walks close enough to grab at her.

This cures her ankle and leads to some exciting basement hallway hobbling/chasing. There are lots of metal stairways, steaming pipes, locked fire doors, and concrete walls.  Just when Dr. Anna is cornered Hacker Chick is back. She hands Dr. Anna the last Special Silver Shell. This time the rocket hits, but only penetrates WereButler’s leg. No explosion.


The ladies run but there’s nowhere to hide. They look around but there’s no where to escape. WereBulter slowly closes in for the kill. Dr. Anna goes for the bazooka but it’s empty. This is it.

But wait, it isn’t!

Ferraro isn’t dead, he’s just been waiting for the last possible moment. He’s got the last Special Silver Shell. For reals last. He hands it to Dr. Anna. She loads. She fires.

His everything a splode!

The End.

Or is it? There is a bit of burbling metal skin stuff.

No. It’s the end. That’s quite enough of that.

roadside attractions

  • Hear! the “pop” as WereButler pulls the silver bazooka burlet from his leg!
  • Witness! the majesty of The Bostwick fixing his hair before being run through!
  • Listen! in horror as Chef Ramon goes full Ricky Richardo as only a white boy can!
  • Be Amazed! by the laser-precision level to Butler’s flat top!
  • Observe! as Miller completely blows his chance at a punny one-liner as he monologues WereButler into cryogenic freeze!

3 blood  


On par with what you get when you nick yourself shaving.

0 blood  


None. Dermatologists don’t show off skin!


10 beast  


Steel-skinned Werewolf!



Watch the entire film “Project: Metalbeast”



Comments Off on Harbinger Down

Welcome back to another review, folks! Today we’ll be taking in a low budget little masterpiece that I thoroughly enjoyed. What makes it special? Aliens? Nope. Zombies? No. This little piece of film is about the adorable little microbe known as the waterbear. Let’s take a look at Harbinger Down.

I’ve said it once, I’ll say it again, and I’ll say it as long as I remember how to: Practical effects will always trump CGI. And I must give kudos to the makers for understanding this. Let’s begin the setup this odd tale of frozen horror. We start off in 1982 with a Russian cosmonaut falling to earth, calling for help, I presume, and having pink yogurt leaked onto his face. I don’t blame him, yogurt on my face would upset me, too. He disappears into the clouds above the arctic circle and we have our very first scene of the movie. Way to make it vague, guys.

Next up our buffet of people start to introduce themselves, names don’t matter, of course, because they’re all just human sized happy meals. Our title gives us a Hans Zimmer “BWOM” on to the screen and we’re into the ship of the movie title: The Harbinger. The crew is introduced, bad accents and all. Everyone say ‘Hi’ Lance Henrikson! Or as he will always be known to the Sci-Fi world: Bishop! Exposition is the name of the game as things are explained and you’re simply cringing at some of the attempts at acting. And, just for safety, let’s throw in a fart joke. More exposition and B-roll of ‘Deadliest Catch’ try to convince us that we’re really on a ship. We’re not, and the crabs are only mentioned once more. That’s not a plot point, it’s a plot afterthought.

The plot rears its ugly head! Just as the view of the CGI whales was getting good, too. Something in the ice caught the attention of Main Character Girl, and they grab it. And I do love the switching of camera angles to the discovery channel type narrative. The line “Some things should stay frozen.” could’ve been a great omen, but it’s passed over like a sneeze in the wind. We find out what happened to our Russian cosmonaut: He’s the chunk of ice they just grabbed. And I do have to admire the fact that the captain can look at the helmet of said cosmonaut and instantly tell it’s been frozen since the ’80’s. Maybe Soviet Identification-101 was a requisite of his captain schooling. I, once more, blame Michigan State.

After more exposition, and the main love interest whispering his every line, and I mean every line. We finally get to the autopsy of the fallen astronaut. Or, rather, the bad wax statue that is supposed to represent him. DUN DUN DUNNN!!! Russian McBadchick reveals that the yogurt that leaked on our space guys face was actually waterbears. To which we all responded with an unenthusiastic, “Okay.” Which is followed up with the subtle foreshadowing through the “Double Cross” vodka brand. After retrieving a sample from the mansicle, spouting puns bad enough to make even the punniest person groan, we get the plot moving along. Finally. We’re a good chunk of time into this movie and no one has died a horrible, grizzly death yet!

There we go! Tentacles come to the rescue and squish the head of the mechanic, marking the first death. And we’re back to explaining stuff. Oh, come on, guys! You can’t start up the mayhem and have it just cut off! If you’re gonna start the party, and the killing, keep it going! No amount of brooding music can make up for poor pacing. After some unnecessary yelling our resident jerk professor becomes infected with waterbears, and turns red, sprouts four huge flesh tubes on his back and spews out more death yogurt. Still cringing from that bit of ick, we get a few little homages to what probably inspired this movie: The Thing. And like The Thing, lines are drawn, and sides are chosen. Then all of that is instantly forgotten.

Ladies, and gentlemen! Let’s meet our creature! Attached to the ceiling, and the cosmonaut, it instantly eats the Inuit of the movie. Bishop steals a line from “Jaws” and we continue on, trying to figure out who’s infected and who’s not. Someone asks just how smart the thing is, and before you can say ‘How could they cut the power, man, they’re animals!’ it cuts the power. They go after the creature with liquid nitrogen, freeze it, and continue to advance the plot, which also seems to be frozen. Russian McBadchick reveals her true purpose, and an infected crew member burns on the deck. We find out that Main Character Girls mother died, to what end, I have no idea. A random tentacle eats the black girl and we finally start the murder spree…..I hope.

The Cosmonauts reanimated lower torso sprouts a head of its own and takes down Russian McBadchick. I retyped that sentence three times, but they all came out just as bad. And now we take another break from our monsters to bring you some plot device involving explosives. You don’t care, I don’t care. Main Character Girl goes for a dip in waterbear sludge for the explosives. More tentacles! Another creature appears and we lose Bishop, uh, the captain; who instructs the crew to stay away from him, but has them all join him on the deck two minutes later. Russian McBadchick comes back for one last scare as an infected, and we move into the final scenes.

No spoilers, here, folks, but I will recommend to keep watching. Is it a bad movie, is it a good movie? Well, it’s a creature movie with a lot of charm. Mostly practical effects, and the old school charm of older movies like “The Thing” and even “Tremors” earns this creature feature major bonus points. It has some major pacing problems, and some of the acting can be hokey, but all in in all, you can tell the entire crew is invested and wants it to succeed, and it’s that little touch of passion that makes movies like this gold. Cons aside, it’s a fun romp with some surprises up its sleeve, and I recommend checking it out on Netflix to relive some classic monster magic without having to resort to classic monster movies. Thanks for reading, folks! Stay Tuned!

roadside attractions

  • Blue ice balls.
  • Kill it with…ice?
  • Aw. It’s kind of cute.
  • Legs don’t fail me now!
  • Bishop has aged.
  • No longer cute!




Good amounts of blood, guts, and gross icky-ness.




None. None at all.




Who knew bears were so terrifying?


Watch the trailer for Harbinger Down


posted by admin | November 15, 2015 | B-movie Reviews

Comments Off on The Coolest Cult Film Costume Ideas

Films join the category of “cult classics” for a reason: they inspire a fanatical following. Whether you find yourself at a cinematic theme party, a midnight viewing, or just want to get dressed up for the heck of it, here are a few cult film-inspired costume ideas to help you show off your movie knowledge!


Have you been invited to a comic theme party? You could choose to wear the usual Spiderman costume, or you could get a bit funkier. One of the cheesiest yet most entertaining comic book movies ever, “Barbarella” stars Jane Fonda as a spy who seems to get herself tangled up in all sorts of intergalactic trouble. When she’s dressed, she’s typically in knee-high go-go boots and plenty of metallic. Her hair seems to get bigger and bigger throughout the film, so don’t forget the hairspray.


Do you want to go all out with glam hair and makeup? Dress as Jareth the Goblin King from cult favourite “Labyrinth.” Jareth, played of course by David Bowie, wears clothing very similar to a pirate costume, mixed with plenty of makeup and a spiked mullet. Capture his style with a rocker wig, pirate costume, silvery makeup and lip gloss. If you browse the funny fancy dress at Funidelia, you’ll probably be able to put the pieces together for this classic cult look.

Shaun of the Dead

Zombies are always popular costume ideas, but you can give it a cult film twist by dressing up as a character from “Shaun of the Dead.” Shaun is an easy enough costume to put together. You just need a blood-spattered white dress shirt, red tie, and cricket bat as an accessory.


Going to a party in a group? Some of the best cult film-inspired costumes come from “The Warriors,” which features all of the gangs in New York dressed in easily identifiable costumes. Perhaps the most sinister are the Baseball Furies, but all of the gangs are great costume fodder.


Characters from David Lynch productions are always top choices for film-based costumes. If you don’t want to go the usual Twin Peaks route you could opt to use the surreal looks of “Eraserhead” as the basis for your outfit.

Easy Rider

One cult classic that’s had an undeniable influence is “Easy Rider,” starring Peter Fonda, Jack Nicholson, and Dennis Hopper as a gang of stoned bikers. Get out your paisley, leather, and fringe to embrace the psychedelic style.

The Big Lebowski

An instant classic when it was released, “The Big Lebowski” is only growing in popularity and its fans host a number of theme nights, typically at bowling alleys. Dress up as The Dude and you’ll be able to attend your theme party in both comfort and style. You’ll need a white V-neck shirt, sunglasses, bathrobe, plaid shorts, and leather sandals. Don’t forget the White Russian in hand.

The Craft

You could dress up like the witches from “Hocus Pocus,” or you could look a little cooler by going out with your friends dressed as the ladies from “The Craft.” Both are winning ideas, but the Craft teenage witches are easier looks to put together at the last minute. These ladies rock basic school girl outfits, mixed with 90’s flair like spiked chokers, witchy boots, and dark lipstick.


Comments Off on Friday the 13th: Part III

To celebrate Friday the 13th by watching Friday the 13th, I wanted to take a look back at my favorite Friday, “Friday the 13th Part III.” It’s like watching “Die Hard” at Christmas at my house.
Part III, how do I love thee? Lemme count. Number one, there’s the sweet 80’s main theme that I like to call Disco Jason. Such a party track. Number two, Part III is in 3D, and many copies you can buy even come with old school 3D glasses. (And, mercifully, the option to watch in 2D.) But number three and most importantly, this is the first Friday where Jason is the Jason we know, love, and make action figures of, the man in the mask Alice Cooper belted about in part VI. I mean, everyone knows Mrs. Voorhees is the killer in part one, and in II, Jason’s rocking a flour sack and not truly at full Jason – although, in fairness, he is mourning his crazy mama. Part III is Jason moving on, out of the shack with mama’s severed head, out of the camp setting entirely, and while he’s still pretty human looking around the edges, we do get the hockey masked, immortal/undead/zombie/whatever the hell he is killing machine of legend and box art in this movie.

Part III opens with the end of part II, just in case you were afraid you’d be lost in the mythology. Ginny, the Final Girl of II, pretends to be Jason’s mama and then machetes him real good in the shoulder. When the coast is clear though, we see wounded Jason scoot away into the darkness. Then we rock out with Disco Jason and 3D movie credits invade our personal space.
But the movie really starts with a bickering couple, presumably middle-aged, although I think the wife is actually pretty young and they put her in a bathrobe and curlers to make her insta-45. Bickering couple are just chilling out at their combination crappy home/crappy rural grocery, when the wife listens to local news recount the aftermath of part II, so of course, Jason’s ears are burning. It’s OK; bickering couple were just the appetizer.
After we’ve established that Jason’s on the loose and his stabbing arm is all warmed up, we get to meet our crew of nubile young victims. And they’re in a van. They even have a pair of stoners in the van. I’m just glad they didn’t have a dog, because I cannot stand violence against animals.

OK, so roll call: we’ve got Chris, the Final Girl – we know this because she’s a pretty, but serious girl, kinda turned off of sex, and she both owns the van and has a boy’s name. We have Shelly, who attempts to make up for his lack of traditional good looks with gory practical jokes and pouting about how no one likes him; the stoner couple; Deb the pregnant girl and her innocuous boyfriend Andy; and finally, Vera, a cool Latina who was conned into being Shelly’s date. Pretty good selection for Jason to run through. Despite happening upon a crazy old man who warns them, um…pretty much just to be warned, he’s not very specific, the kids continue to Chris’s family farm, which is also convenient to Camp Blood.

When they arrive, Chris meets up with Rick, an old boyfriend, and she starts to get emo and ominous about not being back to the place for two years. I would like to take a moment and point out that despite not seeing each other for an undefined amount of time or being in a current relationship, Rick instantly begins pressuring Chris to get snuggly and never, ever stops. I realize inviting a guy to spend a weekend with you strongly implies receptivity to snuggling, but let her finish a sentence, you horndog. Rick’s painted as a good guy, driving a VW Beetle and everything, but really, he’s a jerk. Jason will make it better, I’m sure.

Back to the plot. I need to introduce a few more victims. Our other variety of jerk (bigus fatus jerkus), Shelly, goes with Vera to a local grocery for supplies. This grocery, however, is being menaced by a three-person biker gang. They don’t do much though besides threaten the kids a little bit, and you have to wonder exactly how much tough biker ganging there is to be done in a brightly-lit country store too small to even have aisles. Shelly manages to back over one of their bikes as they leave though, and in so doing unwittingly adds three more to Jason’s kill list, because you know the gang’s going to have to follow them and try to get revenge.

All the dominoes are now set up, and it’s fun to see how Jason knocks them down. 3D filming techniques will assist where possible. He’s less creative than he will be in the future, of course, but I believe he does innovate the fuse box kill here, and while there are some callbacks – Kevin Bacon’s death in the first “Friday the 13th” is a good one – they’re well repurposed.
It all comes down to Jason and Chris though, and we learn through torturous, onion peeling dialogue scenes that this is not her first rodeo with a deformed psycho killer. In fact…it was at this very place on the lake… Sigh. Chris, you’re an idiot, aren’t you?

I will give Chris credit for being a pretty effective Final Girl, using things in her environment as diverse and innocuous as hay bales and manual car windows to her advantage and executing traps with minimal whimpering. I wouldn’t be able to go close enough to Jason to loop a noose around his neck, uh-uh, no way. She may not be Kirsty Cotton or Laurie Strode, but she’s pretty tough stuff. Not as tough as Jason, but hey, who is? Jason’s basically jerky to start with.

roadside attractions

  • Brand-new crazy old man to warn the kids about Jason
  • Jason finds his signature look
  • Central casting stoners
  • Central casting bikers
  • Fried hippie
  • Not practicing speargun safety
  • Not practicing hammock safety
  • Red-hot poker action
  • The Boy Who Cried Psycho Killer
  • I am crushing your head




A little dated and heavy on the eyeballs for my taste, but Jason shows real enthusiasm for this kind of work.




Fleeting exposure in a pretty self-conscious shower scene.



BEASTS Jason will get hulkier, maggotier, and more inventive in later sequels, but there wouldn’t have been a Jason X without Disco Jason.

8 OVERALL There’s a purity to Part III I enjoy. The formula is solid by this point without being overdone, and it’s happy to just be what it is: a big dumb fun slasher movie for Reagan’s America.

Watch the trailer to “Friday the 13th: Part III”



Comments Off on Extinction (2015)

Welcome to another review, folks! It seems the world can’t get enough of zombies: TV shows, movies, dolls, video games, books, it doesn’t matter. So film studios depend upon the word “zombie” to get attention, or some kind of segue into the more mainstream focus. Sometimes it works, sometimes it doesn’t, and sometimes it should. “Extinction” is one that should get some recognition. Now, before you get your pretenses in place, let’s get a good look at this little movie that could.

This movie began with so much camera shake, I tried to put my seat belt on. Note to directors: Shaky cam is bad. And if the movie DOES call for it: Less is more! A man, his wife, their infant daughter and his best friend are trying to get away from the oncoming zombie apocalypse, that started well before the movie did. They’re on a bus with a large amount of people, and two army guys, all just as terrified as the next person, for good reason: The zombies have caught up! Now the bus is just a meal in a box, as they wait for the inevitable. The first military guy exits the bus, gets eaten, and the second one doesn’t fair any better. One of the gentlemen (who will be a main character later on) takes the lead, and tries to retrieve weapons from the land of jump scares. The first part of this movie is filled with jump scares, so get ready for that, along with neck-breaking shaky cam. For those with a weak stomach, skip this part altogether.

More tragedy strikes! The main characters are in all sorts of trouble; the wife is injured, the baby is covered in blood. Whose blood is it? Tune in next time to find out! Same undead time! Same undead channel! And now that the pulse-pounding beginning is over, prepare for something truly intense: FAMILY BONDING. Here’s where things grind to a halt, changing the pace so hard an airbag would deploy. One minute there’s running zombies, army guys firing guns everywhere, screaming, blood, and violence, and the next it’s father-daughter bonding time in a winter wonderland. While none of this is explained outright, hints are dropped. Get used to this domestic scene, because it lasts longer than most sequels do.

After cycling through survival set-ups, how they’re surviving, and what they’re doing to stay sane, we finally delve into the characters, themselves. It seems the family plus one have made themselves a little outpost: Two houses in a northern climate. across the street from the other, sharing resources, but that’s about it. We see few interactions between the men, as the environment paints the relationship between the two as less than hospitable. The ex-best friend has let all hygiene go, as he’s transformed into Rob Zombie’s crazier and dirtier cousin: Scruffy McCrazyDude, who spends his evenings broadcasting to any survivors out in the frozen wasteland, and getting blind, stinking drunk. Meanwhile, Angry McHostileDad spends hours with his daughter, and all seems right with the end of the world.

But, hey, this is a zombie movie! Where are the zombies? This question is the one I pondered, about the same time everyone else does at this point. The director must have foreseen that, and decided to give us a reminder that it is, indeed, a zombie movie. Scruffy McCrazyDude goes on a supply run to an old haunt, to not only get the little girl a birthday present, but to top off on end of the world stuff. A local piece of wildlife alerts him that things can still live. Then the same piece of wildlife gets eaten like a piece of cake at a two-year-old’s birthday party. Scruffy follows the shadowy creature back to their homestead, where Angry McHostileDad is showing his daughter how to shoot a gun, which attracts the beast.

The zombies at the beginning of the film are typical runners who chase their prey and eat them. The zombies at the second half are completely new: white skin, blank eyes, nude, and they hunt by sound. I like this change, making the creatures evolve with their natural environment, changing the way they hunt. I’m impressed by the switch from Play Doh-caked faces to this new super zombie. But you can’t have zombies without making them a threat. Scruffy defends the little girl from the first attack on the homestead, but gets bitten while Angry leaves him to fate to save his daughter. The three prepare for the worst: Scruffy becomes part of the legion of the undead. But days go by, and nothing happens. It seems these zombies have a glitch: their bite doesn’t turn you. This fortunate, or unfortunate, event leads Angry and Scruffy to make up and be friends, even to the point of going on a supply run together, daughter included.

During their little family trip to the grocery store, we begin to learn about what went down between all the adults in the movie, giving some background to the drama. It’s kind of hard to follow if you haven’t been paying attention, but the gist is there. While the family is shopping, they find a young woman, frozen in terror and ice. They take her back to the honeycomb hideout to find out her story, while discovering that Scruffy didn’t finish off the new zombie. Instead he took a note from “The Walking Dead’s” Michonne and disabled it, chaining it to his house for research. This decision doesn’t sit well with Angry, and things really go downhill. But, as always, no spoilers here, folks. But I will end with this: There’s a hell of an ending.

With the pace a lot slower than most modern horror movies, “Extinction” may be harder for younger audiences to grind through, but old schoolers enjoy the massive character development. There are typical “Why would you do that?!?” moments that every horror movie suffers from, but, show me one that doesn’t. There’s plenty I left out of this review, and for good reason: I want you guys to check this one out. Top-notch gore, acting, creatures, and setup, but it’s a shame it suffers from such a generic name. I recommend this movie, available on Netflix, with a big bucket of popcorn and the lights out. Thanks for reading, folks! And, as always, Stay Tuned!

roadside attractions

  • What did you think would happen?
  • Did you forget how doors work?
  • Run! Run! You can stay still.
  • Winterwonderland of Death
  • Who wrote that?
  • THAT had to hurt!




The blood flows, the body parts rain down, it is awesome!




None. None at all.




Cool new design to a tired genre!


Watch the trailer for Extinction



About the Highway

Lost Highway is your satirical detour down the twisted back roads of b-movies and cult films reviews. learn more >>